Here are 100 books that Scandal fans have personally recommended if you like
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I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
Ryu Murakami is a musician, writer, and film director. He deals in surrealism and the dark side of a rigid Japanese society – drugs, sex, alienation.
In this book, Murakami relates the tale of Kenji, a young man who makes his living guiding foreigners through Tokyo’s red-light district. Kenji’s new client is an extremely odd American named Frank.
As Kenji leads Frank through a labyrinth of hostess bars and peep shows, he comes to suspect that Frank may be the serial killer who has been on a rampage, murdering and dismembering teenage girls.
From postmodern Renaissance man Ryu Murakami, master of the psychothriller and director of Tokyo Decadence, comes this hair-raising roller-coaster ride through the nefarious neon-lit world of Tokyo's sex industry. In the Miso Soup tells of Frank, an overweight American tourist who has hired Kenji to take him on a guided tour of Tokyo's sleazy nightlife. But Frank's behavior is so strange that Kenji begins to entertain a horrible suspicion-that his new client is in fact the serial killer currently terrorizing the city. It is not until later, however, that Kenji learns exactly how much he has to fear and how…
Japan has been my home for many decades. I know the world of business and finance inside out, and have an obsessive interest in art, film, and literature. I’ve written several books, fiction and non-fiction, and countless articles on Japan-related subjects, as you can see on my blog. I think I may have actually been Japanese in a previous life…
Though non-fiction, Whiting’s romp through the secret history of post-war Japan is more eye-popping than most novels. The “hero” is a rogue called Nick the Greek who brought pizza to Japan, amongst other more nefarious accomplishments. I myself knew Nick, loved his thick crust Margherita and believed at least half his stories of gangster showdowns, heists, and con jobs. They don’t make them like that anymore - thank God.
A riveting account of the role of Americans in the evolution of the Tokyo underworld in the years since 1945.
In the ashes of postwar Japan lay a gold mine for certain opportunistic, expatriate Americans. Addicted to the volatile energy of Tokyo's freewheeling underworld, they formed ever-shifting but ever-profitable alliances with warring Japanese and Korean gangsters. At the center of this world was Nick Zappetti, an ex-marine from New York City who arrived in Tokyo in 1945, and whose restaurant soon became the rage throughout the city and the chief watering hole for celebrities, diplomats, sports figures, and mobsters.
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
One of the best Japanese crime novels, this is the story of four women trapped in suburban hell, seeking to escape their empty lives. When one of them murders her husband in a fit of rage, they collude to dispose of his body, gradually sinking into a criminal netherworld.
I loved it for its crisp and taut prose, solid and relatable characters, dense and fast-paced plot, and heavy themes of urban isolation and aimlessness.
Winner of Japan's Grand Prix for Crime Fiction • Edgar Award Finalist • Nothing in Japanese literature prepares us for the stark, tension-filled, plot-driven realism of Natsuo Kirino’s award-winning literary mystery Out.
This mesmerizing novel tells the story of a brutal murder in the staid Tokyo suburbs, as a young mother who works the night shift making boxed lunches strangles her abusive husband and then seeks the help of her coworkers to dispose of the body and cover up her crime. The coolly intelligent Masako emerges as the plot’s ringleader, but quickly discovers that this killing is merely the beginning,…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.
Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.
Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.
Name: John Rain. Vocation: Assassin. Specialty: Natural Causes. Base of operations: Tokyo. Availability: Worldwide.
Half American, half Japanese, expert in both worlds but at home in neither, John Rain is the best killer money can buy. You tell him who. You tell him where. He doesn’t care about why…
Until he gets involved with Midori Kawamura, a beautiful jazz pianist—and the daughter of his latest kill.
A Clean Kill in Tokyo was previously published as Rain Fall, the first in the bestselling John Rain assassin series.
I’ve been a writer a long time and a reader for even longer. But, above all, I’m someone who has always been interested in people. The book universe is filled with fast-moving, plot-driven fiction, but I find myself drawn to stories focused on layered characters and complex relationships. Since I think families are so basic to our experiences as people, I’m always interested in those stories too. What the five books here have in common are big family changes—mostly caused by adults—that challenge the books’ main characters—who are all kids.
In my experience, a truly unique book is rare,
and I’m always excited to find one that stands apart because of premise and
setting. Waka is happy in her sixth-grade class in Kansas—until her parents notice
she’s losing her Japanese language skills and decide to take action. They send Waka
to Tokyo to spend several months living with her grandmother and attending a
local public school. In Japan, Waka struggles with reading and writing kanji,
feels awkward around her reserved grandmother, and can’t figure out the social
scene at school. Japan may be her parents’ birth country, but in Tokyo, Waka is
an outsider. Where is Waka’s real home, and who will she be once she figures that
out? An unforgettable memoir with lots of fun 1980s flavor.
Named one of New York Public Library's Best Books of the Year!
The Farewell meets Erin Entrada Kelly's Blackbird Fly in this empowering middle grade memoir from debut author Waka T. Brown, who takes readers on a journey to 1980s Japan, where she was sent as a child to reconnect to her family's roots.
When twelve-year-old Waka's parents suspect she can't understand the basic Japanese they speak to her, they make a drastic decision to send her to Tokyo to live for several months with her strict grandmother. Forced to say goodbye to her friends and what would have been…
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
The fascinating tale of Tsuneno’s journey from respectable daughter and sister in a family of Buddhist priests to a hand-to-mouth existence in Edo—now Tokyo—could well have been titled “down and out in the city.” And she chose her fate. A fiery, headstrong woman, she endured three marriages that all ended in divorce, and when confronted with the possibility of a fourth, she ran away from her home in the storied snow country region along the Japan Sea to try her luck working as a maid. She detailed her adventures and her demands for money and clothes in letters to her brother, letters that Stanley has used to wonderful effect in recreating not only Tsuneo as an individual but also the world of people on the margin among whom she lived.
** SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2020 **
A vivid, deeply researched work of history that explores the life of an unconventional woman in Edo - now known as Tokyo - and a portrait of a great city on the brink of momentous change
The daughter of a Buddhist priest, Tsuneno was born in 1804 in a rural Japanese village and was expected to live a life much like her mother's. But after three divorces - and with a temperament much too strong-willed for her family's approval - she ran away to make a life for herself in one…
Although my travels had taken me to Asia numerous times, Japan eluded me until my teen daughter and I spent three weeks there following the country’s re-opening from covid. The trip exceeded all of our expectations, but facing the country’s impenetrable language and complex transportation system felt intimidating. To prepare, I devoured a shelf full of guidebooks. I learned that each has its strengths and weaknesses, but these books and our own adventures greatly informed my decision to write First-Time Japan. I was especially fortunate to collaborate with Japan tour guide Roy Ozaki, who contributed greatly to the book and gave me essential insights into Japan’s people, places, and culture.
Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.
In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.
Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.
Whether you want to have sushi in a top Tokyo restaurant, visit the shrines of historic Kyoto, or head to the beaches of Okinawa, the local Fodor's travel experts in Japan are here to help! Fodor's Essential Japan guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's "Essential" guides have been named by Booklist as the Best Travel Guide Series of 2020!
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.
The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.
The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s…
The Little House is set in the early years of the Showa era (1926-89), when Japan's situation is becoming increasingly tense but has not yet fully immersed in a wartime footing. On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Tokyo by Jinnai Hidenobu was
influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking
and traveling across its water routes, an experiential methodology which he
first developed in his study of Venice. With the assistance of visuals, both
historical and newly drawn based on his field observations, Jinnai explores
modern-day Tokyo. His starting point is that Tokyo seems an anomaly when
compared with other world cities in its lack of historical structures which is
attributed to a series of wars and disasters that radically transformed the
city’s physical environment.
The impressive discovery of this inquiry
however is that despite the perceived newness of Tokyo, the spirit of Edo
(Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in
today’s modern city. Through this book, we learn that the differences between
the…
Tokyo: destroyed by the earthquake of 1923 and again by the firebombing of World War II. Does anything remain of the old city? The internationally known Japanese architectural historian Jinnai Hidenobu set out on foot to rediscover the city of Tokyo. Armed with old maps, he wandered through back alleys and lanes, trying to experience the city's space as it had been lived by earlier residents. He found that, despite an almost completely new cityscape, present-day inhabitants divide Tokyo's space in much the same way that their ancestors did two hundred years before. Jinnai's holistic perspective is enhanced by his…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone…
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
