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When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Want to know how samurai women managed their high status but meager incomes? This engaging memoir takes us inside the nitty-gritty of their everyday life that was frugal by necessity. We learn how samurai women dressed, the importance they placed on meticulous grooming, and how they dealt with in-laws, concubines, and a runaway daughter. It shows how in principle samurai women were expected to practice the martial arts with the naginata (a long, thin halberd), but in fact, they were too busy with household chores to receive more than token training.
For the history buff, the memoir also paints a vivid picture of the civil war that erupted in the Mito domain in 1864 and its devastating consequences for the women whose families ended up on the losing side.
Based on the recollection of the author's mother, other relatives, and family records, this is a vivid picture of the everyday life of a samurai household in the last years of the Tokugawa period.
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Picture a woman just emerged from her bath, wearing nothing but a loincloth with a dagger between her teeth, confronting three thieves who threaten her husband. This was Shibue Io, born the daughter of a wealthy merchant in 1816, who chose as her spouse a scholar and samurai bureaucrat. He had already been married three times and was eleven years her senior. He had erudition and prestige; she had wealth and enough willpower for both of them. Her story takes the reader through the intimate details of daily life of well-placed Edo families, the intricacies of family alliances complicated by the prevalance of adult adoption, and the challenges of surviving civil war and a forced move from Edo up to the frozen north. She is nothing short of unforgettable.
"The life of Shibue Io and her family, a kind of Japanese Buddenbrooks, may be unknown in the West, but her rich and engaging story marks the intersection of a remarkable woman with a fascinating time in history."-Arthur Golden, author of Memoirs of a Geisha
"It stands clichEs about traditional Japan on their heads. . . .Together with the people she knew, Io lives on in this literary album of old family pictures. It is well worth looking at."-Ian Buruma, New York Times Book Review
"A most engaging book. Seeing Shibue Io through the various lenses of her husband, her…
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
In recounting Nakanoin Nakako’s history, Rowley affords us insight into three worlds—the imperial court in Kyoto, a remote village on the Izu Peninsula, and a Buddhist convent. Born into a family of court nobles in early seventeenth-century Kyoto, Nakako’s life of privilege as an imperial concubine came to an abrupt end when the emperor discovered that she participated in wild parties and sexual escapades. Furious, he wanted her killed. Instead the shogun, his titular subordinate and de facto boss, sentenced her to exile on a distant island. She ended up working as a teacher for farmers before returning to the city of her birth fourteen years later and becoming a nun. Hers is the remarkable story of a resilient woman and her war-torn world.
Japan in the early seventeenth century was a wild place. Serial killers stalked the streets of Kyoto at night, while noblemen and women mingled freely at the imperial palace, drinking sake and watching kabuki dancing in the presence of the emperor's principal consort. Among these noblewomen was an imperial concubine named Nakanoin Nakako, who in 1609 became embroiled in a sex scandal involving both courtiers and young women in the emperor's service. As punishment, Nakako was banished to an island in the Pacific Ocean, but she never reached her destination. Instead, she was shipwrecked and spent fourteen years in a…
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Few seventeenth-century women traveled as far as Cornelia van Nijenroode. Born on the island of Hirado off the coast of Kyushu around 1624 to a Dutch father and Japanese mother, she was taken by the Dutch East India Company to Batavia, Indonesia, in 1637. A family portrait now in the Rijksmuseum in Amsterdam shows her with her first husband and daughters. Alas, he died young, leaving her prey to fortune hunters. When her second husband refused to allow her to continue with her commercial enterprises, she tried to divorce him, a struggle that took her all the way to Holland. Her story highlights the dangers of marriage when one is a wealthy widow, but also Cornelia’s grit in standing up to a legal system stacked against her.
In 17th-century Batavia, Cornelia von Nijenroode, the daughter of a geisha and a Dutch merchant in Japan, was known as ""Otemba"" (meaning ""untamable""), which made her a heroine to modern Japanese feminists. A wealthy widow and enterprising businesswoman who had married an unsuccessful Dutch lawyer for social reasons found that just after their wedding, husband and wife were at each other's throats. Cornelia insisted on maintaining independent power of disposal over her assets, but legally her husband had control over her possessions and refused to grante her permission to engage in commerce. He soon began using blackmail, smuggling, and secret…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry
Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.…
Essays discuss the evolution of Tokyo's art and architecture from the seventeenth century to the present and the coexistence of technology and tradition
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.
The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about.
As read on BBC Radio 4 'Book of the Week' Shortlisted for the Stanford Dolman Travel Book of the Year Award Longlisted for the RSL Ondaatje Prize
'Sherman's is a special book. Every sentence, every thought she has, every question she asks, every detail she notices, offers something. The Bells of Old Tokyo is a gift . . . It is a masterpiece.' - The Spectator
For over 300 years, Japan closed itself to outsiders, developing a remarkable and unique culture. During its period of isolation, the inhabitants of the city of Edo, later known as Tokyo, relied on its…
I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.
Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.
Part one of David Peace's 'Tokyo Trilogy', and a stunning literary thriller in its own right, from the bestselling author of GB84 and The Damned Utd.
August 1946. One year on from surrender and Tokyo lies broken and bleeding at the feet of its American victors.
Against this extraordinary historical backdrop, Tokyo Year Zero opens with the discovery of the bodies of two young women in Shiba Park. Against his wishes, Detective Minami is assigned to the case; as he gets drawn ever deeper into these complex and horrific murders, he realises that his own past and secrets are indelibly…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Tokyo by Jinnai Hidenobu was
influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking
and traveling across its water routes, an experiential methodology which he
first developed in his study of Venice. With the assistance of visuals, both
historical and newly drawn based on his field observations, Jinnai explores
modern-day Tokyo. His starting point is that Tokyo seems an anomaly when
compared with other world cities in its lack of historical structures which is
attributed to a series of wars and disasters that radically transformed the
city’s physical environment.
The impressive discovery of this inquiry
however is that despite the perceived newness of Tokyo, the spirit of Edo
(Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in
today’s modern city. Through this book, we learn that the differences between
the…
Tokyo: destroyed by the earthquake of 1923 and again by the firebombing of World War II. Does anything remain of the old city? The internationally known Japanese architectural historian Jinnai Hidenobu set out on foot to rediscover the city of Tokyo. Armed with old maps, he wandered through back alleys and lanes, trying to experience the city's space as it had been lived by earlier residents. He found that, despite an almost completely new cityscape, present-day inhabitants divide Tokyo's space in much the same way that their ancestors did two hundred years before. Jinnai's holistic perspective is enhanced by his…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone…
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?
In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.
From literary sensation and International Booker Prize-shortlisted author Mieko Kawakami, the bestelling author of Breasts and Eggs and Heaven comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo.
'A brief, compelling study of alienation and friendship; I binge-read it in one sitting.' - Rebecca F Kuang, bestselling author of Babel
Fuyuko Irie is a freelance proofreader in her thirties. Living alone in an overwhelming city and unable to form meaningful relationships, she has little contact with anyone other than her colleague, Hijiri. But a chance encounter with a man named Mitsutsuka…
