I have a passion for Japan and the Japanese stretching back over four decades. I’ve done a lot of wandering around my wife Yuriko’s home-country – walked the 3200km length of it; hiked across it from the Sea of Japan to the Pacific, climbing all 21 of its 3000m peaks; broken the record for climbing its 100 Famous Mountains; walked around the 88 Sacred Temples of Shikoku Pilgrimage; and journeyed around the Saigoku 33 Temples of Kannon Pilgrimmage – and written books on all these adventures. I’ve co-written Lonely Planet’s “Japan” and “Hiking in Japan” guidebooks since the late 1990s, covering everywhere from Hokkaido to Okinawa.
Matsuo Bashō is considered the most influential figure in the history of hokku (or haiku) poems and this book brings them to life with excellent English translations and commentary. I particularly enjoy Bashō because he was a traveller. He didn’t just sit and write poems in comfy surroundings. He hit the road and wrote about his experiences, be they good or bad. In many ways, they are the humorous, spontaneous, gritty writings of a fatigued experiencer of life. One of my favourites - “My summer robe, there are still some lice, I have not caught”. Ueda’s book is brilliant and allows English speakers to glimpse Bashō’s true thoughts as he rambled about the countryside in 17th century Japan.
This book has a dual purpose. The first is to present in a new English translation 255 representative hokku (or haiku) poems of Matsuo Basho (1644-94), the Japanese poet who is generally considered the most influential figure in the history of the genre. The second is to make available in English a wide spectrum of Japanese critical commentary on the poems over the last three hundred years.
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
Who could resist a book whose topics range from tea caddies, Chinese and Japanese tea bowls and paintings, severed heads, swords, falcons, and even a deified hegemon (Tokugawa Ieyasu)? This book about “things” and the famous people who collected them in the late sixteenth (before the onset of the Tokugawa period) and the first few decades of the seventeenth century uses material culture as a window into the politics and society of the military elite. It will entice those who are interested in non-linear history and the social life of things.
In Spectacular Accumulation, Morgan Pitelka investigates the significance of material culture and sociability in late sixteenth-century Japan, focusing in particular on the career and afterlife of Tokugawa Ieyasu (1543-1616), the founder of the Tokugawa shogunate. The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history.
This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or ""famous objects,""…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
I am a big fan of Japanese art, with Japanese woodblock prints in the form of ukiyo-e and hanga at the top of the list. While James Michener might be best known for his novels, he was a very serious collector of woodblock prints and did deep research into the art form. I have in my collection this textbook on the subject, as well as his fine art limited edition books.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.
For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Laura Nenzi’s book discusses the
role of travel in the formation of identity, using primary sources that derive from travel
accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an
anthropological view on the subject seeing travel as a self-discovery process,
while also paying attention to differences in the experience of the literati
travelers and the less educated commoners for whom, with the rise of the market
economy, the roads and their pleasures became more accessible. This brings to
life the changes in the earlier literati tradition of the meisho (famous
places) with the rise of commodification of both products (meibutsu) and
religious practices.
Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical
narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied
by the transgressive potential of travel, as the roads…
In the Edo period (1600-1868), status- and gender-based expectations largely defined a person's place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement.After the mid-eighteenth century - which saw the popularization of culture and the rise…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
This was the first comprehensive academic history book of Japan that I read, and it is still the best. I go back to it regularly to check on details and refresh my memory. Jansen writes fluently and maintains reader engagement with a great pace, never too little information, never too much. His subject matter helps, as this period is well researched and blessed with plentiful source material to give a full picture. Highly recommended as a serious starter in Japanese history and culture.
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years' engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience.
Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan's ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes:…
A fantasy romance author myself, there's something comforting about seeing my favorite fairy tales retold in new ways. It's so much fun to see how authors can twist the tales into something new and totally unique. Maybe the handsome prince is no longer the prince, but a cursed ogre. Or that dragon flying through the night is a queen in disguise, waiting for that one special true love to unlock their curse. But no matter the journey, we know that true love will win, break the curse and save the day, and here are my recommendations for some of my very favorite books.
A retelling inspired by the ballad of Hua Mulan, this tale is not a fairy tale in the sense of princesses, but a powerful legend in its own right. Taking place in feudal Japan, the character Mariko immediately weaved her place as my favorite. Always thinking how she can best escape or twist a situation to her advantage, the beginning of the story featured her setting out to find who was trying to kill her, and never stopped from there. Including finding her own found family of outlaws, and able to use her love of experiments in any way she pleases. Every time Mariko came up with a new idea for an invention, it felt like I could see the thoughts sparking inside her mind. Sometimes they worked, sometimes not, but she never stopped trying. That includes finding the truth to some of the darker events that come into play.
From the #1 New York Times bestselling author of The Wrath and the Dawn, comes a sweeping, action-packed YA adventure set against the backdrop of Feudal Japan where Mulan meets Throne of Glass.
The daughter of a prominent samurai, Mariko has long known her place-she may be an accomplished alchemist, whose cunning rivals that of her brother Kenshin, but because she is not a boy, her future has always been out of her hands. At just seventeen years old, Mariko is promised to Minamoto Raiden, the son of the emperor's favorite consort-a political marriage that will elevate her family's standing.…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book first excited my interest in the Tokugawa period and directly led to my first two academic books on the subject. Kaempfer’s History of Japan was a best-seller from the date of its publication in London in 1727. The author was a German doctor in the employ of the Dutch East India Company, who were the only Europeans the Tokugawa rulers would allow into Japan until 1853. He was able to make two trips to the capital of Edo, likely the largest city in the world at the time, and thus was able to observe Tokugawa society broadly.
He recorded important events (such as meeting the shogun) as well as the mundane minutiae of life. It is, hands down, the best informed and liveliest foreign account of Tokugawa Japan before the mid-19th century. Bodart-Bailey translated the text from the original German, annotated it, and wrote a very helpful…
Engelbert Kaempfer's work was a best-seller from the moment it was published in London in 1727 and remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the history oar flawed, being based on the work of an 18th century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's…
I am a historian of empire and international relations, and have worked at universities in Britain and the Netherlands (where I was born). I’m fascinated by the ways in which empires have shaped – and continue to shape – the world we live in. Empire Ascendant was my first book, and I am currently working on a global history of the Dutch colonial empire.
Histories of Japan’s encounter with the West typically start from the premise that prior to its “opening” by the American Commodore Perry in 1853, Japan was a “closed” society that shunned contact with the outside world. This book, which explores the relationship between the Tokugawa shogunate and the Dutch East India Company (the VOC), presents a radically different story: one in which one of the world’s most ruthless commercial operators was forced to humble itself before the shogun. It’s an essential corrective to anyone who equates “world history” with the rise of the West.
The Dutch East India Company was a hybrid organization combining the characteristics of both corporation and state that attempted to thrust itself aggressively into an Asian political order in which it possessed no obvious place and was transformed in the process. This study focuses on the company's clashes with Tokugawa Japan over diplomacy, violence, and sovereignty. In each encounter the Dutch were forced to retreat, compelled to abandon their claims to sovereign powers, and to refashion themselves again and again-from subjects of a fictive king to loyal vassals of the shogun, from aggressive pirates to meek merchants, and from insistent…
The TV show won a record 18 Emmy's. But as great as it was, the show was merely the cliff notes to the immersive world of 17th century Japan that James Claville's epic novel illuminates for us. Japan has always had a special fascination to the western world, so exotic and traditional in their culture, yet in many ways far more advanced than us. This was even more true back then, as we dive into a story of samurai and ninja, pageantry, and at times baffling customs (sepukko as an honor?).
The book functions not just as a great adventure story, but as a mystery. The machinations of the ingenious characters slowly brought to light. There are so many moments of Ah! That's why he did that. It's hard to know what Claville pulled form actual history, but whether a creation of his own or not, the way he weaves…
'Clavell never puts a foot wrong . . . Get it, read it, you'll enjoy it mightily' Daily Mirror
This is James Clavell's tour-de-force; an epic saga of one Pilot-Major John Blackthorne, and his integration into the struggles and strife of feudal Japan. Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.
Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the hights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.
I’m a scholar of environmental history with a focus on human-animal relationships. I’ve also studied the histories of slavery and the African Diaspora, and in my book I’ve fused approaches from these two fields to look at how human-animal relations and networks shaped the expansion of slavery and slave trading from West Africa to the Caribbean in the seventeenth and eighteenth centuries. My scholarship is also an outgrowth of my teaching, and I regularly teach American environmental and cultural history at California State University, Northridge. I finished my PhD in history at Rutgers University, and my research has recently been funded by the Special Collections Research Center at the College of William & Mary.
Jakobina Arch is an outstanding scholar of early modern Japan, and her book follows the lives and afterlives of whales in Tokugawa Japan in rich detail. The book is also an excellent international narrative, as Arch dives into the legacy of American whaling in the Pacific World that impacted the Japanese whaling industry.
Japan today defends its controversial whaling expeditions by invoking tradition-but what was the historical reality? In examining the techniques and impacts of whaling during the Tokugawa period (1603-1868), Jakobina Arch shows that the organized, shore-based whaling that first developed during these years bore little resemblance to modern Japanese whaling. Drawing on a wide range of sources, from whaling ledgers to recipe books and gravestones for fetal whales, she traces how the images of whales and by-products of commercial whaling were woven into the lives of people throughout Japan. Economically, Pacific Ocean resources were central in supporting the expanding Tokugawa state.…
