Here are 100 books that Kaempfer's Japan fans have personally recommended if you like
Kaempfer's Japan.
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I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book pairs well with Kaempfer’s History, because it challenges the notion that Japan was cut off from the rest of the world except for its relations with the Dutch VOC. The author (disclosure: my Ph.D. adviser at Princeton) challenges this idea of seclusion through his focus on Japan’s relationship with its closest Asian neighbors, particularly China, through the port of Nagasaki. The book skillfully analyzes the impact of the China trade on Japan’s political, economic, and cultural history. Based on a series of lectures, this relatively short book (160 pages) is quite an enjoyable read, even for people who already know a lot about the period.
This book challenges the traditional notion that Japan was an isolated nation cut off from the outside world and its influence in the early modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period solely in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbours. Taking as his focus the port of Nagasaki and its thriving trade with China in the 16th century through the 19th centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
Who could resist a book whose topics range from tea caddies, Chinese and Japanese tea bowls and paintings, severed heads, swords, falcons, and even a deified hegemon (Tokugawa Ieyasu)? This book about “things” and the famous people who collected them in the late sixteenth (before the onset of the Tokugawa period) and the first few decades of the seventeenth century uses material culture as a window into the politics and society of the military elite. It will entice those who are interested in non-linear history and the social life of things.
In Spectacular Accumulation, Morgan Pitelka investigates the significance of material culture and sociability in late sixteenth-century Japan, focusing in particular on the career and afterlife of Tokugawa Ieyasu (1543-1616), the founder of the Tokugawa shogunate. The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history.
This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or ""famous objects,""…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
What best list would be complete without at least one volume centered on art? Going beyond a focus on single-sheet woodblock prints, this fascinating study takes a broad approach to the so-called “floating world” or demi-monde to consider printed books, including those of an erotic nature. As the title indicates, the book reveals that the collaborative process went well beyond the illustrator to include publishers, brothel owners, and other commercial interests. The author’s reflections on the status of art, the contemporary definition of beauty, and the physicality of the body as perceived by the Japanese will draw the reader in.
This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, carvers, printers, patrons, buyers, and readers. By recasting these…
I am a historian of empire and international relations, and have worked at universities in Britain and the Netherlands (where I was born). I’m fascinated by the ways in which empires have shaped – and continue to shape – the world we live in. Empire Ascendant was my first book, and I am currently working on a global history of the Dutch colonial empire.
Histories of Japan’s encounter with the West typically start from the premise that prior to its “opening” by the American Commodore Perry in 1853, Japan was a “closed” society that shunned contact with the outside world. This book, which explores the relationship between the Tokugawa shogunate and the Dutch East India Company (the VOC), presents a radically different story: one in which one of the world’s most ruthless commercial operators was forced to humble itself before the shogun. It’s an essential corrective to anyone who equates “world history” with the rise of the West.
The Dutch East India Company was a hybrid organization combining the characteristics of both corporation and state that attempted to thrust itself aggressively into an Asian political order in which it possessed no obvious place and was transformed in the process. This study focuses on the company's clashes with Tokugawa Japan over diplomacy, violence, and sovereignty. In each encounter the Dutch were forced to retreat, compelled to abandon their claims to sovereign powers, and to refashion themselves again and again-from subjects of a fictive king to loyal vassals of the shogun, from aggressive pirates to meek merchants, and from insistent…
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
For a concise history of Japan and a cultural primer on the country, I don’t think anything else is as easily digestible or insightful as this book. It does an incredible job of highlighting key periods in Japanese history, from the foundation of the first capital to the modernization of the Meiji era and the rise of militarism, while also covering the development of such things as religion, arts, and architectural styles.
What’s really impressive is that it does it all in just 400 pages: a far cry from some of the painfully heavy books I had to wade through studying history many years ago in college.
A classic of Japanese history, this book is the preeminent work on the history of Japan.
Newly revised and updated, A History of Japan is a single-volume, complete history of the nation of Japan. Starting in ancient Japan during its early pre-history period A History of Japan covers every important aspect of history and culture through feudal Japan to the post-cold War period and collapse of the Bubble Economy in the early 1990's. Recent findings shed additional light on the origins of Japanese civilization and the birth of Japanese culture.
Also included is an in-depth analysis of the Japanese religion,…
I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.
Philosopher Roland Barthes visited Japan in the 1960s when it had rebuilt and reinvented itself as a global economic power. Empire of Signs, which he published a few years later, is a profound, yet entertaining reflection on “otherness” and how it helps us see ourselves. I read the slim volume– in the original French – in the plane that took me to Tokyo for the first time. It was a revelation and has inspired me ever since to look for the myriads of little things that fascinate and contradict all preconceived ideas. The book is a wonderful and subtle lesson in seeing the invisible!
Now it happens that in this country (Japan),' wrote Barthes, 'the empire of signifiers is so immense, so in excess of speech, that the exchange of signs remains of a fascinating richness mobility and subtlety.' It is not the voice that communicates, but the whole body - eyes, smiles, hair, gestures. The body is savoured, received and displays its own narrative, its own text. Barthes discusses bowing, the courtesy in which two bodies inscribe but do not prostrate themselves, and why in the West politeness is regarded with suspicion - why informal relations are though more desired than coded ones.…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
This is one of the first books on Japan that I read when I moved to the country in 1997, and it still resonates with me. While still a college student, Alex Kerr buys a rundown farmhouse in the Iya Valley of Shikoku, re-thatches it, and maintains the traditional Japanese architecture of pre-WWII Japanese wooden houses.
Kerr went on to write many more books on Japan, most of which have become classics. He is the foundation of the akiya movement, lectures widely around the archipelago, and is responsible for revitalizing country villages around Japan.
An enchanting and fascinating insight into Japanese landscape, culture, history and future.
Originally written in Japanese, this passionate, vividly personal book draws on the author's experiences in Japan over thirty years. Alex Kerr brings to life the ritualized world of Kabuki, retraces his initiation into Tokyo's boardrooms during the heady Bubble Years, and tells the story of the hidden valley that became his home.
But the book is not just a love letter. Haunted throughout by nostalgia for the Japan of old, Kerr's book is part paean to that great country and culture, part epitaph in the face of contemporary…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
Miyamoto is a famous ethnologist who walked the length of Japan, padding through its far-flung hamlets, to compile books about provincial livelihoods in the 1930s. The result is a look into the hard lives of rice farmers and their wives.
Miyamoto’s interviews revealed many of the cultural quirks, such as the promiscuous ways of certain country women and their equally unrestrained suitors—often traders passing through town. The characters Miyamoto interviews offer fascinating, frank, and impactful voices, especially from women who would not have otherwise been heard.
Tsuneichi Miyamoto (1907-1981), a leading Japanese folklore scholar and rural advocate, walked 160,000 kilometers to conduct interviews and capture a dying way of life. This collection of photos, vignettes, and life stories from pre- and postwar rural Japan is the first English translation of his modern Japanese classic. From blowfish to landslides, Miyamoto's stories come to life in Jeffrey Irish's fluid translation.
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is essential background for any reader of the Tale of Genji, the famous novel written by Murasaki Shikibu in the early 11th century. In a breezy style that pulls the reader along, Morris describes how the court nobles of Heian—the original name for Kyoto—had created a distinctive high culture inspired by borrowings from China but uniquely Japanese. We learn about a polygamous society in which males among the court nobles competed for the affection of high-born females through poetry and aesthetics. Political ambitions were channeled into the pursuit of higher social rank rather than into government works and policies. That last sentence could describe Japanese politics of today. Readers of this book will learn that even in the eleventh century, Japan already had a sophisticated culture, government, and style of life. The nation’s economic development has roots that extend at least that far into the past.
Ivan Morris’s definitive and widely acclaimed portrait of the ceremonious and melancholy world of ancient Japan.
Using The Tale of Genji and other major literary works from Japan’s Heian period as a frame of reference, The World of the Shining Prince recreates an era when women set the cultural tone. Focusing on the world of the emperor’s court—a world deeply admired by Virginia Woolf, among others—renowned scholar of Japanese history and literature Ivan Morris explores the politics, society, religious life, and superstitions of the period.
Offering readers detailed portrayals of the daily lives of courtiers, the cult of beauty they…
