Here are 100 books that Partners in Print fans have personally recommended if you like
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I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book first excited my interest in the Tokugawa period and directly led to my first two academic books on the subject. Kaempfer’s History of Japan was a best-seller from the date of its publication in London in 1727. The author was a German doctor in the employ of the Dutch East India Company, who were the only Europeans the Tokugawa rulers would allow into Japan until 1853. He was able to make two trips to the capital of Edo, likely the largest city in the world at the time, and thus was able to observe Tokugawa society broadly.
He recorded important events (such as meeting the shogun) as well as the mundane minutiae of life. It is, hands down, the best informed and liveliest foreign account of Tokugawa Japan before the mid-19th century. Bodart-Bailey translated the text from the original German, annotated it, and wrote a very helpful…
Engelbert Kaempfer's work was a best-seller from the moment it was published in London in 1727 and remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the history oar flawed, being based on the work of an 18th century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book pairs well with Kaempfer’s History, because it challenges the notion that Japan was cut off from the rest of the world except for its relations with the Dutch VOC. The author (disclosure: my Ph.D. adviser at Princeton) challenges this idea of seclusion through his focus on Japan’s relationship with its closest Asian neighbors, particularly China, through the port of Nagasaki. The book skillfully analyzes the impact of the China trade on Japan’s political, economic, and cultural history. Based on a series of lectures, this relatively short book (160 pages) is quite an enjoyable read, even for people who already know a lot about the period.
This book challenges the traditional notion that Japan was an isolated nation cut off from the outside world and its influence in the early modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period solely in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbours. Taking as his focus the port of Nagasaki and its thriving trade with China in the 16th century through the 19th centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
Who could resist a book whose topics range from tea caddies, Chinese and Japanese tea bowls and paintings, severed heads, swords, falcons, and even a deified hegemon (Tokugawa Ieyasu)? This book about “things” and the famous people who collected them in the late sixteenth (before the onset of the Tokugawa period) and the first few decades of the seventeenth century uses material culture as a window into the politics and society of the military elite. It will entice those who are interested in non-linear history and the social life of things.
In Spectacular Accumulation, Morgan Pitelka investigates the significance of material culture and sociability in late sixteenth-century Japan, focusing in particular on the career and afterlife of Tokugawa Ieyasu (1543-1616), the founder of the Tokugawa shogunate. The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history.
This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or ""famous objects,""…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
I am a big fan of Japanese art, with Japanese woodblock prints in the form of ukiyo-e and hanga at the top of the list. While James Michener might be best known for his novels, he was a very serious collector of woodblock prints and did deep research into the art form. I have in my collection this textbook on the subject, as well as his fine art limited edition books.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.
For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Trede’s book reproduces the woodblock prints from Hiroshige’s One Hundred Famous Views of Edo. When I first visited Tōkyō I felt overwhelmed by the city’s enormous size and complexity. Where to go and what to see? This collection of prints provided me with a way to begin exploring the many districts and neighborhoods of the city. While some of the places featured in the prints are well-known and recognizable today, others aren’t. Visiting the sites depicted, I could see how different modern Tōkyō was from nineteenth-century Edo, which led me to research the history of Tōkyō and how and why it has changed so much in the two centuries since Hiroshige produced his prints.
Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration.Utagawa Hiroshige…
We live in an increasingly connected world. But human beings have
always made connections with one another across space, and the space I
find especially exciting is water - whether the narrow space of seas
such as the Mediterranean and the Baltic, or the broader and wilder
spaces of the great oceans. These are spaces that link distant
countries and continents, across which people have brought objects,
ideas and religions as well as themselves - a history of migrants,
merchants, mercenaries, missionaries, and many others that can be
recovered from shipwrecks, travellers' tales, cargo manifests, and many
other sources, a history, ultimately, of the origins of our globalized
world.
A marvelously coherent and stimulating introduction to the turbulent politics and social and economic life of Japan between revolutionary changes in 1185 and the early sixteenth century, with much to say about cultural life as well. Souyri is as interested in the lives of peasants and traders as in that of shoguns and samurai.
In the late twelfth century, Japanese people called the transitional period in which they were living the "age of warriors." Feudal clans fought civil wars, and warriors from the Kanto Plain rose up to restore the military regime of their shogun, Yoritomo. The whole of this intermediary period came to represent a gap between two stable societies: the ancient period, dominated by the imperial court in Heian (today's Kyoto), and the modern period, dominated by the Tokugawa bakufu based in Edo (today's Tokyo). In this remarkable portrait of a complex period in the evolution of Japan, Pierre F. Souyri uses…
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is an impressive collection of first-person accounts of experiences in Japan by various Europeans including Jesuit missionaries, adventurers, and others. Each account is short, and all are organized by themes. Here we learn of audiences with Nobunaga, Hideyoshi, and Ieyasu, along with reports of some of their atrocities. Other entries pertain to the daily life of Japanese people and still others describe great temples and shrines that are still there today. The immediacy of these commentaries sends me back in time to this pivotal epoch in Japanese history when civil wars were ending and two centuries of closure were about to begin. This is ecstasy for the Walter Mitty in me.
The Japan accidentally discovered by the Europeans in 1543 was a country torn by internecene wars waged by independent barons who recognised no effective central government and were free to appropriate as many neighbouring fiefs as force of arms and treachery would permit. The Japan which deported the Europeans a century later was a stable, highly centralised bureaucracy under the firm control of a usurping family which was to continue to rule the country until well into the Victorian age. Europeans living in Japan at the time have not only recorded the events of this fascinating period but also provided…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Wilson describes his walking journey along the ancient Kiso Road through the Kiso Valley and the stops he made in the eleven post towns along the road. Today, some of the towns, like Narai, Tsumago, and Magome, are popular tourist destinations because they have maintained something of the look and character of the Edo Period, but in Wilson’s narrative, even the lesser known towns have something interesting to offer. Walker describes personal experiences with local people he met in the inns where he stayed and provides historical and literary backgrounds that add depth to his journey. The Kiso Road was the most scenic segment of the Kisokaidō (aka Nakasendō), the inland road between Kyōto and Edo during the nineteenth century.
Step back into old Japan with this fascinating travelogue of the famous Kiso Road, an ancient route used by samurai and warlords
The Kisoji, which runs through the Kiso Valley in the Japanese Alps, has been in use since at least 701 C.E. In the seventeenth century, it was the route that the daimyo (warlords) used for their biennial trips—along with their samurai and porters—to the new capital of Edo (now Tokyo). The natural beauty of the route is renowned—and famously inspired the landscapes of Hiroshige, as well as the work of many other artists and writers.
