Here are 100 books that Walking the Kiso Road fans have personally recommended if you like
Walking the Kiso Road.
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Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Bashō’s poetic narrative of a journey he made in 1689 to northeastern Honshū is the most famous travelogue in Japanese literature. As a college student in 1970, I read a translation and imagined someday following the path of his journey to see what he saw. Over three decades later, I had the time, resources, and knowledge to make several road trips to do just that. After reading various translations, I found Sato’s the most helpful in understanding why Bashō visited the places he did and what his narrative and poems were about. As we drove along Bashō’s roads, Sato’s annotated text provided insights into the history and culture of Japan and its Tōhoku region.
Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages, poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's…
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
The delightful scenes in Hiroshige’s nineteenth-century woodblock print series known as “Fifty-three Stations of the Tōkaidō” beckon travelers to journey along the Tōkaidō, Japan’s most famous Edo Period road. The road connected Kyōto, the ancient Imperial capital, to Edo (Tōkyō), where the shogun’s castle was located. Delord, a French artist, makes the journey on a motor scooter. His book provides historical notes, personal experiences, and sketches and watercolors of the road’s fifty-three stations, or post towns where travelers could find lodging, porters, and packhorses. Delord’s contemporary images of modern asphalted highways and urban landscapes document how the road and towns have changed. But one can still recognize the scenes depicted in Hiroshige’s prints and find remnants of the old road.
"Presented alongside Hiroshige's prints, with descriptions and context, Delord's work offers an absorbing contemplation of Japan's past and present via one legendary travel route, and shows how thoroughly upended our surroundings have been in what was, in wider perspective, only a short time." -- The New York Times
Journey along the famed Tokaido Road--an ancient thoroughfare with a modern twist.
The Fifty-Three Stations of the Tokaido is the best-known work of the great 19th century Japanese woodblock artist Utagawa Hiroshige. The series of 53 masterful woodblock prints depicts stops along the ancient Tokaido Road--which, from the eleventh to the nineteenth…
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Jansen’s book reproduces woodblock prints from Hiroshige’sCollection of Prints of Famous Places in the Sixty-odd Provinces(1853–1856), which features a print of a famous place from each of the sixty-eight provinces of Old Japan, plus a print of Edo. When I looked through the prints in 2018, some of the places, were familiar to me; others, I had never heard of. I realized we had visited about a third of the places, so I set out to see the rest. The sites, of course, look different from the prints, but navigating backroads to visit them was always interesting. Among the most memorable places we visited were Hōrai Temple, Monkey Bridge, Yōrō Waterfall, Mt. Haruna Shrine, Kanegasaka, Waterfall Bay, Gōkei Gorge, Gokansho, and the Kannon Hall at Abuto.
Utagawa Hiroshige (1797-1858) designed a series of 70 landscapes depicting the provinces of Japan between 1854 and 1856. It was the first of a number of sets from the highly productive years of his later life. The designs comprising Famous places in the 60-odd provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan. Designs published before this series had already depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, and various well known locations such as the famous waterfalls, Lake Omi and the Jewel Rivers, but a series on such a grand scale…
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Trede’s book reproduces the woodblock prints from Hiroshige’s One Hundred Famous Views of Edo. When I first visited Tōkyō I felt overwhelmed by the city’s enormous size and complexity. Where to go and what to see? This collection of prints provided me with a way to begin exploring the many districts and neighborhoods of the city. While some of the places featured in the prints are well-known and recognizable today, others aren’t. Visiting the sites depicted, I could see how different modern Tōkyō was from nineteenth-century Edo, which led me to research the history of Tōkyō and how and why it has changed so much in the two centuries since Hiroshige produced his prints.
Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration.Utagawa Hiroshige…
Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
This is a fantastic middle-grade book about the story of a famous Samurai’s triumph and true grit.
Turner’s ability to write such a realistic biography of someone who lived over 800 years ago is truly impressive. Turner’s research truly encapsulates "epic" in every sense of the word.
It's thrilling and isn’t afraid to push the boundaries of heroism and tragedy. Her story is an insightful window into the dark realities of history.
A samurai fights for honor and survival in a real-life Game of Thrones.
Stirring narrative nonfiction recounts the rise of Minamoto Yoshitsune from seemingly doomed infant to immortal warrior-hero (and one of the most famous samurai in Japanese history). Acclaimed author Pamela S. Turner delivers all the drama, romance, and tragedy of the original story--with delightfully dry wit and a healthy dose of modern perspective. Gorgeous ink paintings by celebrated graphic-novelist Gareth Hinds complete this irresistible package.
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
This book is not a page-turner by any means, but what it does have is hidden information through imagination. It is an eyewitness account in Korean, translated into English concerning the 16th-century Japanese Invasion. It is a step-by-step recounting of how one administrator had to flee the Japanese army as they burned their way through his native lands. The hidden joy is knowing that the samurai army is on his heels and you can feel them in the shadow of the book all the way through. It was a joy to read because it allowed me to see how the Japanese behaved in real war if only from a distance and without the problems of an impassioned samurai pen behind the words.
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Want to know how samurai women managed their high status but meager incomes? This engaging memoir takes us inside the nitty-gritty of their everyday life that was frugal by necessity. We learn how samurai women dressed, the importance they placed on meticulous grooming, and how they dealt with in-laws, concubines, and a runaway daughter. It shows how in principle samurai women were expected to practice the martial arts with the naginata (a long, thin halberd), but in fact, they were too busy with household chores to receive more than token training.
For the history buff, the memoir also paints a vivid picture of the civil war that erupted in the Mito domain in 1864 and its devastating consequences for the women whose families ended up on the losing side.
Based on the recollection of the author's mother, other relatives, and family records, this is a vivid picture of the everyday life of a samurai household in the last years of the Tokugawa period.
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
These eight short stories are samurai-focused historical fiction done with an appreciation for the traditions and the legacy of the warrior class of Old Japan. They all come from the years of the Warring States period, which many argue was the heyday of the samurai and the height of their prowess. These stories capture the values and emotions that drove these warriors, even outside the battlefield. These stories are framed almost like snapshots or sketches, capturing the moment and the character of that moment in vivid fashion.
These eight compelling stories offer valuable insights into Japanese culture. Recounted by a distinguished scholar, they feature scenes from samurai life that embody the concept of Bushido, the "way of the warrior." Their portrayals of loyalty, romance, passion, and heroism offer a true reflection of the values of the Japanese knighthood. Largely fact-based, these fables originated among the traditional storytellers of Japan and were later adapted into romances and historical dramas. Asataro Miyamori, a professor of English at the Oriental University in Tokyo, drew upon authentic sources in compiling this volume, which first appeared in 1920. In the preface, Miyamori…
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Picture a woman just emerged from her bath, wearing nothing but a loincloth with a dagger between her teeth, confronting three thieves who threaten her husband. This was Shibue Io, born the daughter of a wealthy merchant in 1816, who chose as her spouse a scholar and samurai bureaucrat. He had already been married three times and was eleven years her senior. He had erudition and prestige; she had wealth and enough willpower for both of them. Her story takes the reader through the intimate details of daily life of well-placed Edo families, the intricacies of family alliances complicated by the prevalance of adult adoption, and the challenges of surviving civil war and a forced move from Edo up to the frozen north. She is nothing short of unforgettable.
"The life of Shibue Io and her family, a kind of Japanese Buddenbrooks, may be unknown in the West, but her rich and engaging story marks the intersection of a remarkable woman with a fascinating time in history."-Arthur Golden, author of Memoirs of a Geisha
"It stands clichEs about traditional Japan on their heads. . . .Together with the people she knew, Io lives on in this literary album of old family pictures. It is well worth looking at."-Ian Buruma, New York Times Book Review
"A most engaging book. Seeing Shibue Io through the various lenses of her husband, her…
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