I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is an impressive collection of first-person accounts of experiences in Japan by various Europeans including Jesuit missionaries, adventurers, and others. Each account is short, and all are organized by themes. Here we learn of audiences with Nobunaga, Hideyoshi, and Ieyasu, along with reports of some of their atrocities. Other entries pertain to the daily life of Japanese people and still others describe great temples and shrines that are still there today. The immediacy of these commentaries sends me back in time to this pivotal epoch in Japanese history when civil wars were ending and two centuries of closure were about to begin. This is ecstasy for the Walter Mitty in me.
The Japan accidentally discovered by the Europeans in 1543 was a country torn by internecene wars waged by independent barons who recognised no effective central government and were free to appropriate as many neighbouring fiefs as force of arms and treachery would permit. The Japan which deported the Europeans a century later was a stable, highly centralised bureaucracy under the firm control of a usurping family which was to continue to rule the country until well into the Victorian age. Europeans living in Japan at the time have not only recorded the events of this fascinating period but also provided…
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
We live in an increasingly connected world. But human beings have
always made connections with one another across space, and the space I
find especially exciting is water - whether the narrow space of seas
such as the Mediterranean and the Baltic, or the broader and wilder
spaces of the great oceans. These are spaces that link distant
countries and continents, across which people have brought objects,
ideas and religions as well as themselves - a history of migrants,
merchants, mercenaries, missionaries, and many others that can be
recovered from shipwrecks, travellers' tales, cargo manifests, and many
other sources, a history, ultimately, of the origins of our globalized
world.
A marvelously coherent and stimulating introduction to the turbulent politics and social and economic life of Japan between revolutionary changes in 1185 and the early sixteenth century, with much to say about cultural life as well. Souyri is as interested in the lives of peasants and traders as in that of shoguns and samurai.
In the late twelfth century, Japanese people called the transitional period in which they were living the "age of warriors." Feudal clans fought civil wars, and warriors from the Kanto Plain rose up to restore the military regime of their shogun, Yoritomo. The whole of this intermediary period came to represent a gap between two stable societies: the ancient period, dominated by the imperial court in Heian (today's Kyoto), and the modern period, dominated by the Tokugawa bakufu based in Edo (today's Tokyo). In this remarkable portrait of a complex period in the evolution of Japan, Pierre F. Souyri uses…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book pairs well with Kaempfer’s History, because it challenges the notion that Japan was cut off from the rest of the world except for its relations with the Dutch VOC. The author (disclosure: my Ph.D. adviser at Princeton) challenges this idea of seclusion through his focus on Japan’s relationship with its closest Asian neighbors, particularly China, through the port of Nagasaki. The book skillfully analyzes the impact of the China trade on Japan’s political, economic, and cultural history. Based on a series of lectures, this relatively short book (160 pages) is quite an enjoyable read, even for people who already know a lot about the period.
This book challenges the traditional notion that Japan was an isolated nation cut off from the outside world and its influence in the early modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period solely in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbours. Taking as his focus the port of Nagasaki and its thriving trade with China in the 16th century through the 19th centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
What best list would be complete without at least one volume centered on art? Going beyond a focus on single-sheet woodblock prints, this fascinating study takes a broad approach to the so-called “floating world” or demi-monde to consider printed books, including those of an erotic nature. As the title indicates, the book reveals that the collaborative process went well beyond the illustrator to include publishers, brothel owners, and other commercial interests. The author’s reflections on the status of art, the contemporary definition of beauty, and the physicality of the body as perceived by the Japanese will draw the reader in.
This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, carvers, printers, patrons, buyers, and readers. By recasting these…
