Here are 100 books that Hiroshige's Japan fans have personally recommended if you like
Hiroshige's Japan.
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Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Bashō’s poetic narrative of a journey he made in 1689 to northeastern Honshū is the most famous travelogue in Japanese literature. As a college student in 1970, I read a translation and imagined someday following the path of his journey to see what he saw. Over three decades later, I had the time, resources, and knowledge to make several road trips to do just that. After reading various translations, I found Sato’s the most helpful in understanding why Bashō visited the places he did and what his narrative and poems were about. As we drove along Bashō’s roads, Sato’s annotated text provided insights into the history and culture of Japan and its Tōhoku region.
Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages, poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's…
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Wilson describes his walking journey along the ancient Kiso Road through the Kiso Valley and the stops he made in the eleven post towns along the road. Today, some of the towns, like Narai, Tsumago, and Magome, are popular tourist destinations because they have maintained something of the look and character of the Edo Period, but in Wilson’s narrative, even the lesser known towns have something interesting to offer. Walker describes personal experiences with local people he met in the inns where he stayed and provides historical and literary backgrounds that add depth to his journey. The Kiso Road was the most scenic segment of the Kisokaidō (aka Nakasendō), the inland road between Kyōto and Edo during the nineteenth century.
Step back into old Japan with this fascinating travelogue of the famous Kiso Road, an ancient route used by samurai and warlords
The Kisoji, which runs through the Kiso Valley in the Japanese Alps, has been in use since at least 701 C.E. In the seventeenth century, it was the route that the daimyo (warlords) used for their biennial trips—along with their samurai and porters—to the new capital of Edo (now Tokyo). The natural beauty of the route is renowned—and famously inspired the landscapes of Hiroshige, as well as the work of many other artists and writers.
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Jansen’s book reproduces woodblock prints from Hiroshige’sCollection of Prints of Famous Places in the Sixty-odd Provinces(1853–1856), which features a print of a famous place from each of the sixty-eight provinces of Old Japan, plus a print of Edo. When I looked through the prints in 2018, some of the places, were familiar to me; others, I had never heard of. I realized we had visited about a third of the places, so I set out to see the rest. The sites, of course, look different from the prints, but navigating backroads to visit them was always interesting. Among the most memorable places we visited were Hōrai Temple, Monkey Bridge, Yōrō Waterfall, Mt. Haruna Shrine, Kanegasaka, Waterfall Bay, Gōkei Gorge, Gokansho, and the Kannon Hall at Abuto.
Utagawa Hiroshige (1797-1858) designed a series of 70 landscapes depicting the provinces of Japan between 1854 and 1856. It was the first of a number of sets from the highly productive years of his later life. The designs comprising Famous places in the 60-odd provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan. Designs published before this series had already depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, and various well known locations such as the famous waterfalls, Lake Omi and the Jewel Rivers, but a series on such a grand scale…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Between 2004 and 2020, I made twenty-five road trips around Japan’s four main islands, covering over thirty thousand miles, mainly in a rental car with my partner Karen. We traced the 1689 journey of the poet Bashō to northeastern Honshū and searched for famous places depicted in woodblock prints of nineteenth-century artist Utamaro Hiroshige. My recommendations include the books I consulted to explore roads less traveled and sites less frequented to learn about the literature, history, and culture of our ancestral homeland. The road trips are documented in my featured book and online at my website.
Trede’s book reproduces the woodblock prints from Hiroshige’s One Hundred Famous Views of Edo. When I first visited Tōkyō I felt overwhelmed by the city’s enormous size and complexity. Where to go and what to see? This collection of prints provided me with a way to begin exploring the many districts and neighborhoods of the city. While some of the places featured in the prints are well-known and recognizable today, others aren’t. Visiting the sites depicted, I could see how different modern Tōkyō was from nineteenth-century Edo, which led me to research the history of Tōkyō and how and why it has changed so much in the two centuries since Hiroshige produced his prints.
Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration.Utagawa Hiroshige…
They are in some sense books of self-discovery and/or discovery of new worlds. They made me want to travel and explore other cultures. And they also inspired me to write. They helped shape me as a person. I'm now a journalist and author of several books on Japan. I've lived in many different places around the world and find Tokyo Japan to be the best capital to live in. My work describes life in Tokyo and the Japanese culture in general, focusing on sports, crime, and politics. I've written best-sellers in both the US and Japan and been nominated for several prizes. Most recently I was selected winner of a 2023 Henry Chadwick Award.
Shōgun is a historical novel set in 17th-century feudal Japan that is based on the life of an English sailor named Will Adams who is shipwrecked there.
He became a samurai and a confidant of a warlord based on Ieyasu Tokugawa. It is a meticulously researched and richly detailed novel that combines historical events with fictional characters and storylines, dealing with themes of honor and loyalty in a world of samurai and daimyos.
It also explores relationships between Japanese and European traders, highlighting the clash of Western and Eastern values. At over 560,000 words long, it is a spellbinding narrative that offers an encyclopedic exploration of Japanese history, culture, customs, and traditions of Japan. It started a Japan craze in the United States when it was first published.
'Clavell never puts a foot wrong . . . Get it, read it, you'll enjoy it mightily' Daily Mirror
This is James Clavell's tour-de-force; an epic saga of one Pilot-Major John Blackthorne, and his integration into the struggles and strife of feudal Japan. Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.
Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the hights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
When it comes to historical fiction, especially one set in Asia, James Clavell is the guy to beat (or at least match).
The story of Shogun unfolds in 17th-century, feudal Japan. An undisputedly exotic setting. A British ship is wrecked on its shores, and its stranded navigator must find his way through Japan's complex cultural and political dynamics. Meanwhile there are other Europeans seeking religious influence and commercial advantage.
Perhaps best of all, the characters are monumental and include one of the strongest and most courageous women in literature since Joan of Arc.
Alternate Cover for 0440178002A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power.Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his a warlord with his own quest for power, and a beautiful interpreter torn between two…
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private…
We live in an increasingly connected world. But human beings have
always made connections with one another across space, and the space I
find especially exciting is water - whether the narrow space of seas
such as the Mediterranean and the Baltic, or the broader and wilder
spaces of the great oceans. These are spaces that link distant
countries and continents, across which people have brought objects,
ideas and religions as well as themselves - a history of migrants,
merchants, mercenaries, missionaries, and many others that can be
recovered from shipwrecks, travellers' tales, cargo manifests, and many
other sources, a history, ultimately, of the origins of our globalized
world.
A marvelously coherent and stimulating introduction to the turbulent politics and social and economic life of Japan between revolutionary changes in 1185 and the early sixteenth century, with much to say about cultural life as well. Souyri is as interested in the lives of peasants and traders as in that of shoguns and samurai.
In the late twelfth century, Japanese people called the transitional period in which they were living the "age of warriors." Feudal clans fought civil wars, and warriors from the Kanto Plain rose up to restore the military regime of their shogun, Yoritomo. The whole of this intermediary period came to represent a gap between two stable societies: the ancient period, dominated by the imperial court in Heian (today's Kyoto), and the modern period, dominated by the Tokugawa bakufu based in Edo (today's Tokyo). In this remarkable portrait of a complex period in the evolution of Japan, Pierre F. Souyri uses…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Vaporis’ Breaking Barriers gave me the background knowledge to understand how developed the
system of travel was in Edo Japan. Both in relation to the infrastructure and
the regulations imposed by the Bakufu under the Tokugawa regime. I was
particularly impressed to learn about the sankin kotai, which is the travel expeditions
of the regional lords (the daimyo) for their mandatory alternate residency in
Tokyo, and the different protocols and checks across the roads.
Despite the
harsh laws of the Tokugawa’s system of roads, barriers, relays, and permits, I
was surprised to discover the social reality of the roads and how travelers
managed to overcome the regulations and escape from social restrictions. I also
enjoyed the multiplicity of sources that Vaporis is using to describe the
culture of the road beyond the official records: from diaries and literary
sources to woodblock prints.
Travel in Tokugawa Japan was officially controlled by bakufu and domainal authorities via an elaborate system of barriers, or sekisho, and travel permits; commoners, however, found ways to circumvent these barriers, frequently ignoring the laws designed to control their mobility. In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a "culture of movement" in Japan developed in the Tokugawa era.
Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Japanese, this 182-page novel originally published in 1951 is perhaps a little long to be included as a short novel, and a little old to be considered contemporary . . . but it’s a personal favorite! Both a novel and a piece of journalism, Master describes the final match of a man widely considered to be his generation’s greatest go player. Interwoven into this narrative/character study are arresting details about the game and those who have played it over the centuries. It reads so quickly, you’ll think it was only 100 pages.
Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, it is an essential expression of the Japanese sensibility. And in his fictional chronicle of a match played between a revered and invincible Master and a younger, more progressive challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.
The competition between the Master of Go and his opponent, Otake, is waged over several months and layered in ceremony. But beneath…
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
At the moment Yasuke - the Black Samurai is very prominent in the samurai enthusiast community, and rightly so, he was an African samurai who made his way up the ranks. However, not much is known about his story, so while it is fascinating, there is too little documentation to delve further. This is not the case with William Adams, a Londoner who made his way to Japan, who not only became a samurai but then also became a banner-man (Hatamoto) and leader of a small state. We have so much historical documentation about him and his story is captivating.
While he only arrived at the end of the wars, he was still around at one of the most important times of Japanese history. He never made it back home, but this was one Englishman who made his mark on Japanese culture. Something I hope to do.
An eye-opening account of the first encounter between England and Japan, by the acclaimed author of Nathaniel's Nutmeg.
In 1611, the merchants of London's East India Company received a mysterious letter from Japan, written several years previously by a marooned English mariner named William Adams. Foreigners had been denied access to Japan for centuries, yet Adams had been living in this unknown land for years. He had risen to the highest levels in the ruling shogun's court, taken a Japanese name, and was now offering his services as adviser and interpreter.
Seven adventurers were sent to Japan with orders to…
