100 books like The Master of Go

All of the five or six novels of Murakami’s that I’ve read feature an introverted protagonist not quite at home in the world, someone who wonders about reality and latches on to other strange people. Norwegian Wood, named after a song by the Beatles, may be the most accessible and this-worldly of his books.  It’s a coming-of-age story about a Japanese college student who falls in love at the end of the 1960s and never quite resolves his feelings. But after you read Norwegian Wood – assuming you like it – be sure to go on to Murakami’s Kafka on the Shore and IQ84, which I feel is his masterpiece.

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

While, of course, as a fiction book, it gets a bit fantastical at times, this book captures the true oddity and tension of the end of Japan’s sakoku era, when the country was cut off from the world, except for a few highly controlled ports like Dejima in Nagasaki.

I loved how well the author expressed the feeling of time and place and laughed at how some things still haven’t changed. 

I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.

I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way. 

Translated from Arabic and 101 pages in length, this wonderful 1958 short novel is the first longer work of this legendary Egyptian writer, activist, and feminist. If you like it, you are in for a wonderful exploration of the life and work of this astounding writer and thinker. Trained as a doctor in Cairo, El Saadawi is also a riveting reporter of her experiences in a world where doctors were almost always men.

Translated from Spanish and 128 pages in length, Herrera’s short novel is a beautiful evocation of one woman's journey from Latin America to the US. Evoked with the brushstrokes of a fairy tale and suffused with a luminous surreality, the book has stuck with me. This is Herrera’s first novel to be published in English, and it has made quite a splash, giving me hope that more will soon follow.

Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.

Translated from Spanish and a mere 70 pages in length, you may be hungry for more (as I was) when you've finished this bracingly brief story. Fortunately, you can pick up this author's The Twilight Zone (as I did) to read a longer exploration by this author of the events and themes introduced here. Fernández writes from the perspective of a young person living during the Pinochet regime in Chile, evoking the time with an extended metaphor about the ‘80s video game Space Invaders. The concerns of the young are strangely pushed and pulled by the terrible realities of that regime, which, like an invader from another world, descends upon their lives.

The delightful scenes in Hiroshige’s nineteenth-century woodblock print series known as “Fifty-three Stations of the Tōkaidō” beckon travelers to journey along the Tōkaidō, Japan’s most famous Edo Period road. The road connected Kyōto, the ancient Imperial capital, to Edo (Tōkyō), where the shogun’s castle was located. Delord, a French artist, makes the journey on a motor scooter. His book provides historical notes, personal experiences, and sketches and watercolors of the road’s fifty-three stations, or post towns where travelers could find lodging, porters, and packhorses. Delord’s contemporary images of modern asphalted highways and urban landscapes document how the road and towns have changed. But one can still recognize the scenes depicted in Hiroshige’s prints and find remnants of the old road.

Kitchen is an utterly charming short novel by a modern writer whose protagonist, Mikage, is a young woman who must find a way to carry on after the death of her beloved grandmother who served as her sole caregiver-guardian. Her voice engages immediately: “The place I like best in this world is the kitchen.” Orphaned amidst the bustling world around her, Mikage hesitatingly accepts an invitation to move in with Yuichi, a boy who’d worked part-time in her grandmother’s flower shop. His situation is also unusual, as he lives with his trans mother—an elegant woman who actually is his biological father. Food serves as a compelling bond and plot twister. Expect lots of food and cooking in this novel, plus generous doses of pure kindness and unconditional love.