Here are 100 books that Signs Preceding the End of the World fans have personally recommended if you like
Signs Preceding the End of the World.
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My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Japanese, this 182-page novel originally published in 1951 is perhaps a little long to be included as a short novel, and a little old to be considered contemporary . . . but it’s a personal favorite! Both a novel and a piece of journalism, Master describes the final match of a man widely considered to be his generation’s greatest go player. Interwoven into this narrative/character study are arresting details about the game and those who have played it over the centuries. It reads so quickly, you’ll think it was only 100 pages.
Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, it is an essential expression of the Japanese sensibility. And in his fictional chronicle of a match played between a revered and invincible Master and a younger, more progressive challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.
The competition between the Master of Go and his opponent, Otake, is waged over several months and layered in ceremony. But beneath…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Arabic and 101 pages in length, this wonderful 1958 short novel is the first longer work of this legendary Egyptian writer, activist, and feminist. If you like it, you are in for a wonderful exploration of the life and work of this astounding writer and thinker. Trained as a doctor in Cairo, El Saadawi is also a riveting reporter of her experiences in a world where doctors were almost always men.
Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students mdash; as well as the male and female corpses in the autopsy room intensify her dissatisfaction with and search for identity. She realizes men are not gods as her mother had taught her, that science cannot explain everything, and that she cannot be satisfied by living a life purely of the mind.
After a brief and unhappy marriage, she throws herself into her work, becoming a successful physician, but…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.
"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France's leading writers. In this novel, the second in a trilogy, Rahmani's narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children's tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity,…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Spanish and a mere 70 pages in length, you may be hungry for more (as I was) when you've finished this bracingly brief story. Fortunately, you can pick up this author'sThe Twilight Zone (as I did) to read a longer exploration by this author of the events and themes introduced here. Fernández writes from the perspective of a young person living during the Pinochet regime in Chile, evoking the time with an extended metaphor about the ‘80s video game Space Invaders. The concerns of the young are strangely pushed and pulled by the terrible realities of that regime, which, like an invader from another world, descends upon their lives.
Longlisted for the National Book Award for Translated Literature
A dreamlike evocation of a generation that grew up in the shadow of a dictatorship in 1980s Chile
Space Invaders is the story of a group of childhood friends who, in adulthood, are preoccupied by uneasy memories and visions of their classmate Estrella González Jepsen. In their dreams, they catch glimpses of Estrella’s braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrella’s father was a…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devil’s Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their “guide” are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of “the line,” as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, Cantú saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilian…
In this book set against the backdrop of a changing America, Sarah must find the courage to confront the ghosts of her past and come to terms with her future. Sarah, a young woman from the rural town of Tolerance, Arkansas, has endured an impoverished and painful childhood.
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in the…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
This story spoke to my frustration with harsh immigration policies separating families. Talia is American-born, but her Columbian parents, Elena and Mauro, are undocumented. Her sister is also undocumented, while her brother is an American citizen who hopes to secure his family’s future—somehow—when he's 21. Mauro’s life was destroyed when he was deported away from Elena and the children. Talia, who lives with her grandmother in Colombia, ends up in a correctional facility. She escapes, hoping to return to the US. This family belongs together, but for now their dream is kept alive by Andean myths of condors flying free. A moving story of love and danger about parents and children struggling to build normal lives that are always just out of reach.
"A knockout of a novel...we predict [Infinite Country] will be viewed as one of 2021's best." --O, The Oprah Magazine
"An exquisitely told story of family, war, and migration, this is a novel our increasingly divided country wants and needs to read." --R.O. Kwon, Electric Literature
I often wonder if we are living the wrong life in the wrong country.
Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get…
I first became aware of harms of immigration enforcement policies while volunteering to tutor kids of undocumented migrant farmworkers in the 1990s. Through a variety of jobs in the U.S. and Latin America, my eyes were opened to reasons driving people to migrate and challenges immigrants face. I eventually went to graduate school in Geography to study local to transnational reverberations of immigration policies. A project in Ecuador where I helped families of people detained in the U.S. led me to realize how huge, cruel, and ineffective U.S. immigration detention is. I hope these books help you break through myths about detention and make sense of the chaos.
While most academic work on detention focuses on immigration enforcement on the U.S.-Mexico border or in the U.S. interior, this book traces the origin of detention to U.S. efforts to deter the Cuban and Haitian migration that occurred as part of U.S. Cold War dealings.
With fascinating, painstaking historical research, Loyd and Mountz argue that the legal and infrastructural foundations of the contemporary detention system were established through the U.S. response to Caribbean migration in the 1990s and the goal of preventing migrants from claiming the international right to asylum.
The book also shows how racism—especially anti-Black racism—has been at the core of immigration detention since the beginning, as have abhorrent, shocking conditions of detention facilities.
Discussions on U.S. border enforcement have traditionally focused on the highly charged U.S.-Mexico boundary, inadvertently obscuring U.S.-Caribbean relations and the concerning asylum and detention policies unfolding there. Boats, Borders, and Bases offers the missing, racialized histories of the U.S. detention system and its relationship to the interception and detention of Haitian and Cuban migrants. It argues that the U.S. response to Cold War Caribbean migrations actually established the legal and institutional basis for contemporary migration and detention and border deterrent practices in the U.S. This book promises to make a significant contribution to a truer understanding of the history and…
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
This was one of the most sensitive portrayals of the effects of deportation on families that I’ve ever read.
I resonated even more strongly because it was set in New York City (my hometown), and the descriptions of different neighborhoods really came to life. I also appreciated the dual point of view narration (the story is told from both the mother and son’s perspective), and I could relate to both characters, even when they made difficult choices that ended up being hurtful.
One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy." But far away from all he's ever known, Daniel struggles to reconcile his new life…
