Here are 100 books that The Leavers fans have personally recommended if you like
The Leavers.
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As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I could not put this down. This book immediately drew me in and never let me go.
The way the characters were written made me feel like I intimately knew each person, and the many mysteries and secrets among and between each family member made me want to know more. The undeniable effect of how we deal–or don’t deal–with grief is a thread throughout the book, one that I definitely connected with.
But, it was how each family member pursued, put down, or attempted to pass down their hopes and dreams that made me think about the dynamics within my own family.
The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts
"A taut tale of ever deepening and quickening suspense." -O, the Oprah Magazine
"Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family." -Entertainment Weekly
"Lydia is dead. But they don't know this yet." So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
I was intensely moved by the vivid, harrowing portrayal of what people go through in attempting to reach our border and the author’s ability to keep the point of view within the character’s experience, centering on the “showing” and minimizing the “telling.”
The pacing was great. I found myself caught up in the narrator’s journey from beginning to end, and I also gained a deeper understanding of what people actually go through. All of this made the book very worthwhile and important to read despite the controversy surrounding the appropriateness of a white author writing about a Latina woman.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I am a Cambodian American/Asian American writer who is always concerned/interested/curious by the landscape of our diasporic stories. There is incredible diversity here… in the ways Asian Americanness can look, sound, and feel like a myriad of things. These books aren’t instructed or tethered by gaze but rather born and smartly crafted by unique souls that run deep. These authors and their stories are my heroes. I hope you enjoy these picks as much as I do!
Someone asked me recently when the last time was I felt truly represented in art or media, and I told them it was when I read this book.
Afterparties is a series of short stories about Cambodians around the country… and it gets it so absolutely, hilariously right. The characters are vivid, extraordinary in their ordinariness, and familiar not just to Khmer people, but to anyone who belongs to a community.
Its tone is a high wire act… sardonic, morbid, and always so affectionate and loving to its subjects.
WINNER OF THE JOHN LEONARD PRIZE AT THE NATIONAL BOOK CRITICS CIRCLE AWARDS AND THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION THE NEW YORK TIMES BESTSELLER
'So's distinctive voice is ever-present: mellifluous, streetwise and slightly brash, at once cynical and bighearted...unique and quintessential' Sunday Times
'So's stories reimagine and reanimate the Central Valley, in the way that the polyglot stories in Bryan Washington's collection Lot reimagined Houston and Ocean Vuong's novel On Earth We're Briefly Gorgeous allowed us to see Hartford in a fresh light.' Dwight Garner, New York Times
'[A] remarkable debut collection' Hua Hsu, The New Yorker
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
Alvar’s stories of men and women of the Philippine diaspora take place all over the globe, shedding insight on the export of labor.
As they separate from the safety and familiarity of family, the characters’ longing and aspirations are universal. This is an important book that helps to illuminate a fascinating and often painful experience of leaving, losing, and searching for home.
In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora.
From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I love exploring the idea of how life might be completely different if… if I had made different choices, if my parents had made different choices, if something seemingly inconsequential had or hadn’t happened.
Shannon’s book took me on a fantastical journey into her own imaginings of the alternate lives she could have had as an adoptee, and by extension, it made me think about the possibilities for my own life differently. As adoptees, sometimes we don’t allow ourselves the luxury of even imagining these possibilities; Shannon’s book offered a safe space to do just that.
Dream Country author Shannon Gibney returns with The Girl I Am, Was, and Never Will Be, a book woven from her true story of growing up as a mixed-Black transracial adoptee and fictional story of Erin Powers, the name Shannon was given at birth, a child raised by a white, closeted lesbian.
At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical…
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
This young adult novel is one adults too will enjoy.
Told from the lens of a Filipino American teenager who returns to his home country to investigate his cousin’s disappearance, Patron Saints of Nothing provides insightful commentary on the Philippine drug war carried out by the Duterte administration.
This is a complex, multilayered story about family, loss, and forgiveness.
"Brilliant, honest, and equal parts heartbreaking and soul-healing." --Laurie Halse Anderson, author of SHOUT
"A singular voice in the world of literature." --Jason Reynolds, author of Long Way Down
A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin's murder.
Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs,…
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
This book reveals a fascinating picture of mothers from China traveling to the US to give birth on American soil.
Factory worker Scarlett is one such mother, and her journey to safety, friendship, motherhood, and love, told with Hua’s impeccable gift for storytelling, is an adventure you will cheer for.
NATIONAL BESTSELLER • In a powerful debut about modern-day motherhood, immigration, and identity, a pregnant Chinese woman stakes a claim to the American dream in California.
“Utterly absorbing.”—Celeste Ng • “A marvel of a first novel.”—O: The Oprah Magazine • “The most eye-opening literary adventure of the year.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Real Simple
Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the…
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I vaguely remember hearing about the tragedy of the Hart children–six Black and mixed-race children who were adopted out of foster care and killed by their two white adoptive mothers. I wasn’t aware of all of the intricate details of their case or the foster care system that allowed this to happen.
I am in awe of Roxanna’s investigative journalism and the nuance and empathy in which she tells this story. While it is the Hart story that’s at the center of this book, I learned so much more about the child welfare system overall and how it’s set up to promote child separation. Heartbreaking.
“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post
“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker
“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times
A New York Times Book Review Editors’ Choice
The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
Grief is such a universal experience, yet I don’t think we get enough opportunities to truly grieve.
Nicole’s book provided me with space to grieve alongside her but also to grieve my own losses. I also appreciated how she connected her father’s death to broader systemic failures and how his view of himself shaped the help he was willing to accept or not.
I was especially taken in by how the theme of community shows up throughout the book–how important community is, how we find community, and how we build communities of care.
Named a Best Book of the Year by: Time * Harper’s Bazaar * Esquire * Booklist * USA Today * Elle
From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of family, class and grief—a daughter’s search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she’s lost.
In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you’d hoped. You will learn to live with the specific, hollow guilt of those who leave…
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
I was very moved by the way the author combined the story of the old man who had escaped Germany on Kindertransport with the young girl in the migrant shelter.
The young girl's voice is especially heartfelt, and the relationship between these two people, who both lost so much in their lives, was rendered very poignantly, showing how–even in dark times–we can find solace through connection.
THE POWERFUL AND MOVING NEW NOVEL FROM LITERARY LEGEND ISABEL ALLENDE
PRAISE FOR THE AUTHOR
'A grand storyteller' - KHALED HOSSEINI
'A new novel by Isabel Allende is always a treat' - DAILY MAIL
'What a joy it must be to come upon Allende for the first time' - COLUM MCCANN
No, we're not lost.
The wind knows my name.
And yours too.
Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht - the night their family loses everything. As her child's safety seems ever harder to guarantee, Samuel's mother secures a spot for him…
