Here are 33 books that Afterparties fans have personally recommended if you like
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I am a fourth-generation Asian New Zealander who always felt ‘other’ growing up. When I was little, I hated being asked ‘where are you from?’ because I wanted to be seen as ‘just’ a New Zealander. This frustration shaped a lot of my race and identity journey, and I started reading books about other people’s personal experiences because it made me feel seen. These books also helped me recognize the richness and humanity behind my family’s story. I hope this beautiful list of books will resonate with your experiences or give you insight into a new corner of the world.
Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.
Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award
Shortlisted for the 2019 Center for Fiction First Novel Prize
Winner of the 2019 New England Book Award for Fiction!
Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.
"A lyrical work of self-discovery that's shockingly intimate and insistently…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
As someone of mixed heritage interested in how race, culture, and history intersect differently for different groups of people, I was immediately hooked by Cathy Park Hong’s book. Her examination of the Korean-American experience and all of the privileges and disadvantages of her race and position in society resonated hugely with me.
But, almost more importantly, I found her essays thought-provoking, funny and wide-ranging. Stand-up comedy? Check. The 1992 LA riots? Check. The Beatles? Check. I’ve reread it multiple times and have recommended it to everyone I know.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY 2021
A New York Times Top Book of 2020
Chosen as a Guardian BOOK OF 2020
A BBC Culture Best Books of 2020
Nominated for Good Reads Books of 2020
One of Time's Must-Read Books of 2020
'Unputdownable ... Hong's razor-sharp, provocative prose will linger long after you put Minor Feelings down' - AnOther, Books You Should Read This Year
'A fearless work of creative non-fiction about racism in cultural pursuits by an award-winning poet and essayist' - Asia House
'Brilliant, penetrating and unforgettable, Minor Feelings is what was missing…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
Lee’s witty stories make smart observations about the nature of identity without ever feeling didactic. His characters are flawed and fully human, they make mistakes, fall in love, face criticism. Many of the stories feature Asian Americans trying to negotiate careers in the arts—from filmmakers to actors to a translator going up for tenure review. The collection feels particularly timely amid the conversations about representation and lack thereof in Hollywood and publishing.
A thrilling new story collection from acclaimed writer Don Lee exploring Asian American identity, spanning decades and continents
"Don Lee is one of those masterful storytellers who is both classic and modern, who can transport you into any setting, with any character." —The TODAY Show, recommended by author Weike Wang
"The organizing conceit of all [Lee’s] fiction has remained consistent: Asian Americans are not monoliths . . . Lee narrates from a collective perspective, his stories offering a kaleidoscopic vision of all the ways it feels to be yellow." —New York Times Book Review
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
This collection features South Asian characters from the present to different times in history. Bhuvaneswar’s prose is gorgeous, her dialogue snappy. From a woman feeling guilty for having an affair with her friend’s husband to an enslaved woman in Renaissance-era Portugal to a queer woman who’d rather move to another country than come out to her parents, Bhuvaneswar’s characters are smart, self-aware, flawed, and fascinating.
Best Books of 2018 Kirkus Reviews (debut and short fiction categories)
Best Books of 2018, Entropy Magazine
A Book Club selection for The Wing, Rebel Women's Lit and Bookish.com
35 over 35 Debut Fiction Award
Finalist for the 2019 PEN American Robert Bingham Prize for Debut Short Story Collection
"Chaya Bhuvaneswar's debut collection maps with great assurance the intricate outer reaches of the human heart. What a bold, smart, exciting new voice, well worth listening to; what an elegant story collection to read and savor." -Lauren Groff, author of Florida
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
Alvar’s stories of men and women of the Philippine diaspora take place all over the globe, shedding insight on the export of labor.
As they separate from the safety and familiarity of family, the characters’ longing and aspirations are universal. This is an important book that helps to illuminate a fascinating and often painful experience of leaving, losing, and searching for home.
In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora.
From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.
In 2019 I spent several days on a ladder witnessing children who were locked in a detention center in Homestead, and in early 2020, I traveled to the Brownsville/Matamoros border, where the stories people told me broke my heart. Often, it was not threats to their own lives but to their children’s lives that triggered their decision to flee. I wrote Immigrants and an accompanying book of poetry (Here in Sanctuary–Whirling) not to make political points, but to tell some of these stories and highlight the gaps between our human propensity toward kindness and the way we fall into the trap of “othering” those who are not exactly like us.
This was one of the most sensitive portrayals of the effects of deportation on families that I’ve ever read.
I resonated even more strongly because it was set in New York City (my hometown), and the descriptions of different neighborhoods really came to life. I also appreciated the dual point of view narration (the story is told from both the mother and son’s perspective), and I could relate to both characters, even when they made difficult choices that ended up being hurtful.
One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy." But far away from all he's ever known, Daniel struggles to reconcile his new life…
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
This young adult novel is one adults too will enjoy.
Told from the lens of a Filipino American teenager who returns to his home country to investigate his cousin’s disappearance, Patron Saints of Nothing provides insightful commentary on the Philippine drug war carried out by the Duterte administration.
This is a complex, multilayered story about family, loss, and forgiveness.
"Brilliant, honest, and equal parts heartbreaking and soul-healing." --Laurie Halse Anderson, author of SHOUT
"A singular voice in the world of literature." --Jason Reynolds, author of Long Way Down
A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin's murder.
Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs,…
Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters.With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.
This book reveals a fascinating picture of mothers from China traveling to the US to give birth on American soil.
Factory worker Scarlett is one such mother, and her journey to safety, friendship, motherhood, and love, told with Hua’s impeccable gift for storytelling, is an adventure you will cheer for.
NATIONAL BESTSELLER • In a powerful debut about modern-day motherhood, immigration, and identity, a pregnant Chinese woman stakes a claim to the American dream in California.
“Utterly absorbing.”—Celeste Ng • “A marvel of a first novel.”—O: The Oprah Magazine • “The most eye-opening literary adventure of the year.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Real Simple
Holed up with other mothers-to-be in a secret maternity home in Los Angeles, Scarlett Chen is far from her native China, where she worked in a factory and fell in love with the…
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
I was so moved by Hua Hsu’s memoir, an elegy to a college best friend whose shocking murder forever haunts him, because it spoke to a certain kind of young friendship. One of the things that bound Hsu to Ken was the art they did (and didn’t) like but which they always talked about.
I was reminded of the chance encounters of my most important friendships—the Sunday nights spent watching Mad Men in a dorm room or the hours spent swapping Photoshop edits of anime characters—and transported back to those days of limitless dreaming. How big the world seemed then, and how much art we were so desperate to make for, and about, each other.
PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu
“This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room
In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose…
