Here are 100 books that Stay True fans have personally recommended if you like
Stay True.
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I am a fourth-generation Asian New Zealander who always felt ‘other’ growing up. When I was little, I hated being asked ‘where are you from?’ because I wanted to be seen as ‘just’ a New Zealander. This frustration shaped a lot of my race and identity journey, and I started reading books about other people’s personal experiences because it made me feel seen. These books also helped me recognize the richness and humanity behind my family’s story. I hope this beautiful list of books will resonate with your experiences or give you insight into a new corner of the world.
Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.
Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award
Shortlisted for the 2019 Center for Fiction First Novel Prize
Winner of the 2019 New England Book Award for Fiction!
Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.
"A lyrical work of self-discovery that's shockingly intimate and insistently…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
I cannot forget this book, even though, at times, I am desperate to do so. Ishiguro, one of my chosen authors and winner of the Nobel Prize for Literature is beyond masterful in the unique way he portrays quotidian events before a horror that is almost theatrical in its grotesquerie.
I was deeply disturbed while reading it, yet I could not put it down. Years later, I continue to find it a source of disquiet regarding where our culture/society is going and how we must stop a very particular trend. The trend is increasingly toward science and technology that utterly and completely disregards human feelings, individual rights, and the spiritual qualities of all sentient beings.
It’s simply an unforgettable story about something unfolding in an all-too-real fashion out here in the world outside the author’s mind.
One of the most acclaimed novels of the 21st Century, from the Nobel Prize-winning author
Shortlisted for the Man Booker Prize
Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense…
Officially, I’m an award-winning author and specialist in the fields of psychology, trauma, and spirituality. I’m also a professionally trained therapist, clinical ethicist, and researcher. Ultimately, I’m an ardent believer that the same life that brings us joy also (sometimes) brings us pain. More importantly, that every aspect of life has a role to play in making us who we are today and who we’ll be tomorrow. We don’t always have control over the events in life, but the script we live by is ours to write—and write it we must, as only we can. I’m also a three-time heart attack survivor.
Joan Didion’s book is heralded for its bravery, clarity, and confessional witness about grief and loss. Indeed, it’s all these things, but for me, more importantly, this book paints a masterful depiction of the loss of innocence that comes when you lose something meaningful—like a loved one.
Particularly, it shows, with exhilarating force, the fragmented sense of time of such an experience, moving from Didion’s darkest moments of despair at the loss of her husband in the present to treasured memories of her life before his passing and musings about what comes now—in the future.
This book is not for the faint of heart, but it is for the savoring soul who, like Didion, possesses an inherent human desire for a sense of coherence and wholeness after life has torn it asunder.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
As someone of mixed heritage interested in how race, culture, and history intersect differently for different groups of people, I was immediately hooked by Cathy Park Hong’s book. Her examination of the Korean-American experience and all of the privileges and disadvantages of her race and position in society resonated hugely with me.
But, almost more importantly, I found her essays thought-provoking, funny and wide-ranging. Stand-up comedy? Check. The 1992 LA riots? Check. The Beatles? Check. I’ve reread it multiple times and have recommended it to everyone I know.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY 2021
A New York Times Top Book of 2020
Chosen as a Guardian BOOK OF 2020
A BBC Culture Best Books of 2020
Nominated for Good Reads Books of 2020
One of Time's Must-Read Books of 2020
'Unputdownable ... Hong's razor-sharp, provocative prose will linger long after you put Minor Feelings down' - AnOther, Books You Should Read This Year
'A fearless work of creative non-fiction about racism in cultural pursuits by an award-winning poet and essayist' - Asia House
'Brilliant, penetrating and unforgettable, Minor Feelings is what was missing…
I am a Cambodian American/Asian American writer who is always concerned/interested/curious by the landscape of our diasporic stories. There is incredible diversity here… in the ways Asian Americanness can look, sound, and feel like a myriad of things. These books aren’t instructed or tethered by gaze but rather born and smartly crafted by unique souls that run deep. These authors and their stories are my heroes. I hope you enjoy these picks as much as I do!
Someone asked me recently when the last time was I felt truly represented in art or media, and I told them it was when I read this book.
Afterparties is a series of short stories about Cambodians around the country… and it gets it so absolutely, hilariously right. The characters are vivid, extraordinary in their ordinariness, and familiar not just to Khmer people, but to anyone who belongs to a community.
Its tone is a high wire act… sardonic, morbid, and always so affectionate and loving to its subjects.
WINNER OF THE JOHN LEONARD PRIZE AT THE NATIONAL BOOK CRITICS CIRCLE AWARDS AND THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION THE NEW YORK TIMES BESTSELLER
'So's distinctive voice is ever-present: mellifluous, streetwise and slightly brash, at once cynical and bighearted...unique and quintessential' Sunday Times
'So's stories reimagine and reanimate the Central Valley, in the way that the polyglot stories in Bryan Washington's collection Lot reimagined Houston and Ocean Vuong's novel On Earth We're Briefly Gorgeous allowed us to see Hartford in a fresh light.' Dwight Garner, New York Times
'[A] remarkable debut collection' Hua Hsu, The New Yorker
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
I truly believe that video games are the art form that defines our present and, at least, our near-ish future. So, it was a great pleasure to encounter Zevin’s novel about the relationships behind a video game studio’s origins, which both elevates and scrutinizes the medium’s potential to revolutionize narrative storytelling.
Zevin deftly translates gaming's embodied perspective, including one stand-out moment in the back half that is perhaps the book’s defining triumph. Through her expansive prose, Sam, Sadie, and Marx play out their lives: their moments of intense and sometimes myopic creativity, their intricate interpersonal joys and devastations, and the fantastically rendered worlds, some built from reality and others from pixels which bring them together, push them apart, and might just bring them together again.
Tomorrow, and Tomorrow, and Tomorrow takes us on a dazzling imaginative quest, examining identity, creativity and our need to connect.
This is not a romance, but it is about love.
'I just love this book and I hope you love it too' JOHN GREEN, TikTok
Sam and Sadie meet in a hospital in 1987. Sadie is visiting her sister, Sam is recovering from a car crash. The days and months are long there, but playing together brings joy, escape, fierce competition -- and a special friendship. Then all too soon that time is…
After my dad died, I didn’t know where to turn. People felt uncomfortable talking to a seventeen-year-old girl about her dead dad. They felt even more uncomfortable talking to me about it one, two, ten years later. Still, I couldn’t, can’t, stop thinking about it. I turned, then, to books. These books made and make me feel seen. They aren’t about “moving on” or “letting go” but the ways in which leaning into grief’s deep well connects us to love’s true depths. These books are honest and pure, and if you don’t know what to say to a friend who’s mourning, let these authors speak for you.
Joy might not be the first thing you think of when
considering grief, but then maybe you haven’t read Ross Gay.
Gay understands
that joy exists because of grief, not as a counterbalance, but in a deeply
reciprocal relationship. As his father is dying, he presses their faces
together, and in his father’s freckles, he sees seeds, a garden. It is just one
instance in this book where Gay recognizes that what grows from loss is love.
His book clarifies what I know to be true: that when we fall into the hole of
loss, we find ourselves in a deep well of love.
A collection of gorgeously written and timely pieces in which prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships.
In "We Kin" he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in "Share Your Bucket" he explores skate-boarding's reclamation of public space; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying.
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
Based on the title alone, I knew Yi’s debut novel would hit me like a crossbow to the heart. “Y/N” Is a prevalent shorthand for a particular kind of self-insert fan fiction, and having grown up in online fandom spaces, I have a lot of nostalgia for (and now plenty of necessary distance from) the passion that often explodes within and beyond those communities.
And still, I wasn’t prepared for the journey that Yi took me on. Nominally about one woman's spiraling obsession with a Korean pop idol, Y/N charts the inexplicable journey between a “regular person” and a “fan" before morphing into something sinisterly, beautifully, and singularly unhinged.
"Wondrous and weird." -New York Times "Gorgeous." -New Yorker "High Brow x Brilliant." -NY Mag (Approval Matrix) "So good it's hard to believe." -New York Times Book Review Podcast "Rare." -n+1 "A true novel of the era." -Elle "Piercing, feverish, and frequently astonishing." -Entertainment Weekly "Utterly brilliant, shining, and mesmerizing." -Cosmopolitan "Freakish and hallucinatory." -Vulture "Absurdly funny." -Ms. Magazine "Savage." -Vanity Fair "Playful, immersive yet unreal." -Esquire "Riveting and innovative." -TIME "Curious, cerebral . . . with moments of tender poetry." -Times Literary Supplement "It."-SSENSE "Sophisticated." -Chicago Review of Books "Strange, haunting, and undeniably beautiful." -Publishers Weekly (Starred Review) "One…
I am a Cambodian American/Asian American writer who is always concerned/interested/curious by the landscape of our diasporic stories. There is incredible diversity here… in the ways Asian Americanness can look, sound, and feel like a myriad of things. These books aren’t instructed or tethered by gaze but rather born and smartly crafted by unique souls that run deep. These authors and their stories are my heroes. I hope you enjoy these picks as much as I do!
This book sits at the center of my heart. It is personal, vulnerable, and incredibly moving.
It follows Pustata’s relationship with her mother who struggles to acknowledge her daughter’s queer identity. As children of survivors, it’s about the boundaries we must articulate to survive ourselves and the hope we must keep in the secret parts to leave space for transformation.
Her sensitivity and strength are always in conversation with each other and always equally felt.
When Putsata Reang was eleven months old, her family fled war-torn Cambodia, spending twenty-three days on an overcrowded navy vessel before finding sanctuary at an American naval base in the Philippines. Holding what appeared to be a lifeless baby in her arms, Ma resisted the captain's orders to throw her bundle overboard. Instead, on landing, Ma rushed her baby into the arms of American military nurses and doctors, who saved the child's life. "I had hope, just a little, you were still alive," Ma would tell Put in an oft-repeated story that became family legend.
After my dad died, I didn’t know where to turn. People felt uncomfortable talking to a seventeen-year-old girl about her dead dad. They felt even more uncomfortable talking to me about it one, two, ten years later. Still, I couldn’t, can’t, stop thinking about it. I turned, then, to books. These books made and make me feel seen. They aren’t about “moving on” or “letting go” but the ways in which leaning into grief’s deep well connects us to love’s true depths. These books are honest and pure, and if you don’t know what to say to a friend who’s mourning, let these authors speak for you.
This book is a cold-water plunge: shocking, disorienting yet grounding, a reminder of the body and its limits.
In recounting the death of her son, Naja Marie Aidt explicitly invokes Didion (as well as Anne Carson, C.S. Lewis, and Nick Cave), wrestling with the inability of language to hold grief. She returns to the death scene again and again, like a stitch through the book.
Each refrain adds more context and pushes us further into the moment before digressing, ruminating, and exploding the narrative. The book is a lyric essay, written in fragments, because Aidt understands this, in the end, is what we’re left with.
'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny
'There is no one quite like Naja Marie Aidt' Valeria Luiselli
'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly
'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.'…
