The most recommended books on cultural assimilation

Sally is the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.

I loved this book because, while it is full of personal stories, it also looks at the big picture and asks why global migration is happening in the ways that it is.

The author centers colonialism in his explanation of why people are coming from the Global South to the North and why it is short-sighted to fear and loathe such newcomers. Mehta is a really excellent writer–I loved the way he weaved the forest and the trees together to help explain the politics of migration from the global to the local level. 

Clendinnen’s book is a pleasure to read because it personalizes the first encounter between explorers and indigenous peoples, causing me to care about the two parties and sympathize with the challenges they faced.

Clendinnen tells the story of the first British fleet to arrive in New South Wales, Australia, and the subsequent efforts by Britons and Aborigines to comprehend one another and find grounds of mutual interest. Perhaps her greatest achievement is to provide real insight into the views and aims of the Aborigines, even though they, unlike the British, left no first-hand record of this seminal event. 

By humanizing both parties, Clendinnen made me more emotionally invested in this encounter’s tragic outcome.  

I was so moved by Hua Hsu’s memoir, an elegy to a college best friend whose shocking murder forever haunts him, because it spoke to a certain kind of young friendship. One of the things that bound Hsu to Ken was the art they did (and didn’t) like but which they always talked about.

I was reminded of the chance encounters of my most important friendships—the Sunday nights spent watching Mad Men in a dorm room or the hours spent swapping Photoshop edits of anime characters—and transported back to those days of limitless dreaming. How big the world seemed then, and how much art we were so desperate to make for, and about, each other.

I so easily identified with the lead character, Salim, who is caught between two cultures–his country of origin, Zanzibar, and his adopted country, England.

The author provides detailed and satisfying descriptions of Zanzibar in the 1960s and of London in the 1990s, portraying effectively how he is pulled by both and yet part of both. He confronts the vexed questions of ‘Who am I?’ and ‘Where is home?’

The colourful description of life in a Zanzibar village is delightful, reminding me so much of Mombasa, where I was born, especially as both places share the language, Kiswahili–which I still remember!

I first encountered Noel Ignatiev’s ground-breaking and hugely influential book, How the Irish Became White, after I moved from Ireland to America to work at UConn.

I was electrified by its thesis and found it very helpful in thinking critically about Irish-American identity and history. After all, that had become my heritage too once I crossed the Atlantic.

Ignatiev opens by outlining how the Irish fled to America from a motherland under British occupation and a colonial caste system that dehumanized them.

He argues that in America the new immigrants embraced a hierarchy based on race, as a result of which the oppressed became the oppressors: for Ignatiev, the Irish assimilated by becoming more brutal in their oppression of African Americans than the nativists, gaining “whiteness” by refusing to make common cause with Black fellow workers.

How the Irish Became White challenges the dominant story of how the Irish succeeded… show more.

Making Refuge focuses on Somali Bantu refugees who were resettled in the town of Lewiston, Maine in the early 2000s. These refugees had been the focus of Besteman’s earlier research in Somalia in the 1980s. About a decade after Somalia plunged into civil war, Somali Bantus were being resettled in the United States, enabling Besteman to physically reconnect with them. One of the strengths of this book is that it provides rich historical context, giving the reader an overview of the different stages of the refugee experience: the events leading to war and displacement, life in refugee camps in Kenya, and resettlement in the United States.

Making Refuge is also one of the few books that gives ethnographic insight into the refugee resettlement process in the United States. Through its focus on the challenges faced by resettled Somali Bantus, who are Black and Muslim, it questions the assumptions underlying the… show more.

In the fall of 1879, when John Muir arrived among Alaska’s Chilkat Tlingits, he charmed them with his stories but also unwittingly acted as an agent of Manifest Destiny and opened the floodgates of the Klondike Gold Rush. This is an important story of first contact and fresh perspectives, thoroughly researched and compellingly told. There’s no other book like it.

Adams’s book exposed the Indian boarding school agenda and system as genocide for many readers. His book was one of the first publications that I read about Indian boarding schools as it represents a significant historiographical shift and approach to Indigenous experiences in boarding schools since the first writings of Native American boarding school students such as Zitkála-Šá, Charles Eastman, and Luther Standing Bear. The revised edition of his book could not have come at a better time with the announcement of the Federal Indian Boarding School Truth Initiative that followed about a year later in June 2021.

Absorbed by Chinese culture while a grad student in Hong Kong, Susan Blumberg-Kason is charmed into marriage with Cai, a PhD student of Taoist music from the Hubei Province backwater. Marital discord arises when the openhearted Midwesterner realizes her function as a wife is to produce a son, turn it over to his (not her) parents for upbringing, and get out of the way so the husband can carry on with his philandering and porn watching. But even as he molts his intellectual shell and his narcissistic monster emerges, Cai can also be sympathetically understood as a product of his culture. Intercultural conflict is what makes this fairy tale so readable and engrossing, with its timeless theme of the loving sweetheart enthralled and entrapped in her dark prince's perverted castle. What moved me most was Blumberg-Kason’s honesty in laying everything bare, at the risk of baring her own flaws.