Here are 100 books that American Dirt fans have personally recommended if you like
American Dirt.
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
I sat on my mother’s lap as a child to hear stories of her childhood in Appalachia—no running water or electricity, and the shame brought on by her mother’s escape from that hard life. The setting and the characterizations in Book Woman of Troublesome Creek brought back some of the memories of my mother’s stories.
I came to love the character’s adaptation to the harsh environment, their want for a better life, and the difference one person’s influence can make in a community. The spirit of survival, even with the hardest of circumstances, forced me to cherish this story. It was as if my mother had written this book or perhaps read it to me.
A NEW YORK TIMES BESTSELLER A USA TODAY BESTSELLER A LOS ANGELES TIMES BESTSELLER AN OKRA PICK The bestselling historical fiction from Kim Michele Richardson, this is a novel following Cussy Mary, a packhorse librarian and her quest to bring books to the Appalachian community she loves, perfect for readers of Lee Smith and Lisa Wingate. The perfect addition to your next book club! The hardscrabble folks of Troublesome Creek have to scrap for everything-everything except books, that is. Thanks to Roosevelt's Kentucky Pack Horse Library Project, Troublesome's got its very own traveling librarian, Cussy Mary Carter. Cussy's not only…
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
I enjoyed the atmosphere created by the author, a southern coastal swamp, and the depiction of this novel of cultural bigotry. The separation of the classes is not one of race but one of poverty and supposed ignorance, although the protagonist is a deeply intelligent artist.
The story is one of accusation against a young teenage girl and the mystery surrounding the two young men who love her or claim to love her. With the absence of her parents, I found myself strongly pulling for the underdog protagonist, Kya.
Again, this book is set in the fifties and sixties in the rural South, where I seem to find my most enjoyable plots because of my own growing up during those times.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
Haunting and beautiful, it gave me a new perspective on what science fiction can accomplish: Ishiguro’s book is subtle, humane, and deeply concerned with the troubles of the real world.
This story of Klara, an “artificial friend” purchased to keep a sick little girl company, takes up questions of eugenics, artificial intelligence, and, ultimately, what it means to be a human being.
Along the way, the book explores the gulf between economic and social classes with as much care and compassion as Charles Dickens or Thomas Hardy—Klara and the Sun is some of the most inspiring science fiction I have ever read.
*The #1 Sunday Times Bestseller* *Longlisted for the Booker Prize 2021* *A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post 'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges…
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I first read this extraordinary, heartwarming story of self-reliance and survival when my own children were growing up, and I’ve returned to reading Island of the Blue Dolphins often throughout my adult years, typically at times when I find myself struggling to regain my footing as I face personal problems and challenges.
Published in 1960, this book tells the story of a young girl named Karana who spends nearly two decades abandoned and alone on the desert island her tribe evacuates after a deadly conflict with Aleutian otter hunters. I’ve often recommended this slight but powerful tale to women friends suffering from feelings of desolation and helplessness, and Karana’s courage, resilience, and creativity have succeeded in lifting their spirits and inspiring hope.
Twelve-year-old Karana escapes death at the hands of treacherous hunters, only to find herself totally alone on a harsh desolate island. How she survives in the face of all sorts of dangers makes gripping and inspiring reading.
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
This novel by Alabama author Harper Lee is one of my favorite novels. Southern racial prejudice is exposed in the coming-of-age story of the young protagonist awakening to its ugliness and hypocrisy.
The mood is Southern Gothic as the childhood fears of Boo Radley turn out to be unfounded. I love how Lee gives us the perspective of the adult narrator while placing us fully in the world of the children. I love the evoking of childhood fears of the supernatural while learning that the world of living people is much more dangerous.
I consider it a novel that is worth reading every few years.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
As a writer who’s interested in what comes next—after climate change, after fascism—I love how Diane Cook uses broad brush strokes to show us the future, without going into too much history or detail.
Instead of hyper-focusing on what the future holds for us, Cook directs our attention to one small, outlier community that’s doing weird things. This is a great technique: she paints a picture of a future world by painting a picture of a fringe group that’s trying desperately to be different from the main one.
A mother-daughter drama drives the plot forward, and we learn about the rules and ruminations of the fringe group as the characters sort out their power struggles.
For the last decade, I’ve spent the majority of each year traveling. I’ve been to 60 countries across 6 continents and every US state. My love of travel was inspired and encouraged by my parents from a very early age. I’ve also been inspired by a wide variety of other sources, like movies, TV, photography, and, of course, books. Often, I’ll plan an adventure around a cool location I saw or read about and then just go. I’ll just show up and see what happens. All it takes is that little initial nudge, like what I found in these books.
I came to Hemingway later in life than most. I was lucky enough not to have to read him in school, and for that reason, perhaps, I was able to approach his work without the baggage of tests, essays, and grades. If Travels with Charley is a look at a national road trip, this is an international one between France and Spain. Ostensibly, it’s about some friends traveling from Paris to Pamplona, but of course, there’s a lot more to it.
Sometimes, the right book finds you at the right time, and this book was that for me. I first read it while traveling myself, sometimes with friends, though never with this book’s drama (thankfully). There are aspects of this book that don’t hold up well to modern eyes, but it’s quite an incredible read.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the…
I’m a retired surgeon and have no expertise in espionage, law enforcement, or the legal system. But I enjoy thriller novels that feature these things, and I follow the adage, “Write what you like to read.” But I do have medical/surgical expertise and have followed another adage: “Write what you know,” so I have inserted medical situations into many of my stories and one of my published books is a medical thriller. What I like about thrillers is the ability to show each side of the conflict. The good guys against the bad guys, neither side knowing what the other is doing. But the reader knows, and this adds to the suspense.
Besides being a page-turning terrorism thriller, what gives the novel even more life is the protagonist, John Corey. He’s a bit of a wise-ass, and his sarcastic humor, despite dire situations, appeals to me. You just know he’ll get the bad guy(s) and do it with devil-may-care determination. His pugnacious attitude often gets him in trouble, but he’s a character easy to like and root for.
April 1986 : American F - 111 warplanes bomb the Al Azziyah compound in Libya where President Gadhafi is residing. A 16-year-old youth, Asad - Arabic for 'lion ' - loses his mother, two brothers and two sisters in the raid. Asad sees himself as chosen to avenge not only his family but his nation, his religion and the Great Leader - Gadhafi. An eye for an eye, a tooth for a tooth.
Twelve years later, Asad arrives in New York City, intent on killing all five surviing pilots across America who participated in the bombing , one by one.…
As a crime author and screenwriter, I’m fascinated by the consequences of crime and how it impacts feasible characters. I try to illustrate this obsession by creating realistic stress situations for my characters, then showcasing how it affects their decision-making process. In writing the protagonist for Jack Hanger, I consulted two different psychologists to research the protagonist and to capture the severity of his circumstances in detail. For King of Sorrow, I created an unconventional antagonist, with the aim of showing readers how ambition and greed can corrupt the most rational mind. I believe it is my job to challenge conventions and entertain readers from the opening page.
After a lonely barman, Bob, rescues an abused puppy from a trashcan, his mundane world is turned upside down. He befriends an emotionally scarred woman, which puts him at odds with her ex, and unknowingly gets drawn into a con against the Chechen Mafia that uses the bar for money drops.
Lehane is masterful at creating flawed characters that pins readers to the text. As a short novel, The Drop is loaded with punchy dialogue, rapid characterisation, and off-beat humour. However, it’s barman Bob’s stoic presence that makes this such a fascinating read. He fades sublimely into the gloomy Boston crime scene in a profound way, which makes him one of the most unconventional protagonists caught on paper.
New York Times bestselling author Dennis Lehane's The Drop is a crime story, a love story, and ultimately a journey of faith, set in Boston's underworld.
"[A] gritty gem...a stark and moving short novel." - Publishers Weekly
Two days after Christmas, Bob Saginowski, a lonely bartender looking for a reason to live, rescues an abused and abandoned pit bull puppy from a trash can and meets a damaged woman named Nadia Dunn looking for something to believe in.
As their relationship grows, they cross paths with the Chechen mafia, who have taken over his cousin Marv's bar and use it…
