Reading and writing speculative fiction is a big part of how I make sense of the world—particularly complex problems like climate change. I also believe our environmental problems are inherently political, which is why I went to grad school to study sustainability and the institutions trying (and often failing) to fix our broken planet. After attending the UN COP24 climate conference, I came back more sure than ever that we need a range of stories about future environmental politics to help us understand the onrushing challenges. I hope this book list is a good place to start!
Sometimes climate fiction can feel a little less technologically futuristic than its older cousin science fiction, and that’s often a good thing. But Sterling manages to put together a wild (and entertaining) tale of clones, augmented reality, ubiquitous computing, and other fantastica that also has a lot to say about the politics of environmental collapse. Years after reading it I still think a lot about the rival factions this novel invents, like the everything-is-entertainment Dispensation and the utopian hive mind Acquis. Plus, this book features one of my all-time favorite lines from speculative fiction: “I won’t hide from the bandits in a nuclear robot suit! That useless strategy is for cowards!” A great, weird romp.
Alongside William Gibson and Neal Stephenson, Bruce Sterling stands at the forefront of a select group of writers whose pitch-perfect grasp of the cultural and scientific zeitgeist endows their works of speculative near-future fiction with uncanny verisimilitude. To read a novel by Sterling is to receive a dispatch from a time traveler. Now, with The Caryatids, Sterling has written a stunning testament of faith in the power of human intellect, creativity, and spirit to overcome any obstacle–even the obstacles we carry inside ourselves.
The world of 2060 is divided into three spheres of influence, each fighting with the others over…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book hooked me, and I couldn’t stop until I read the whole series. I loved the realistic future world, that is both hopeful and full of challenges; great, flawed characters who have depth and feel real; tight storytelling and fast pacing.
It’s a terrifying world ravaged by climate change and pandemics, where everyone has lost someone. However, it’s also a world I desperately want to live in, where actual leaders who care are in positions of power. Where people live in tightly-knit communities, and no one is truly alone. Where humanity has the collective power to change things for the better. It's such a beautiful vision that it made me cry. The book shows that we still have a chance. It offers a vision of humanity finally working together to overcome our biggest challenges.
For better, for worse. In sickness and in health. It’s a legal vow of care for families in 2050, a world beset by waves of climate-driven plagues.
Power engineer Lucía Ramirez long ago lost her family to one—she’d give anything to take that vow. The Power Islands give humanity a fighting chance, but tending kelp farms and solar lilies is a lonely job. The housing AI found her a family match, saying she should fit right in with the Senegalese retraining expert who’s a force of nature, the ex-Pandemic Corps cook with his own cozy channel, and even the writer…
I'm a Professor of Climate Science at University College London. My early career was spent as a ‘rocket scientist’ designing, building, and operating instruments to fly on sounding rockets and satellites to study the cosmos and the Sun. I established the UCL satellite Remote Sensing Group, with special attention to the polar regions. I then ran an international Global Change research programme that coordinated Earth science activities in 75 countries. Since then I've run the British Antarctic Survey, responsible for the UK’s research access to Antarctica, and the Science Museum in London. The museum’s collection traces the evolution of the industrial revolution, which started in the UK, and of which climate change is the unintended consequence.
What if we get it wrong? What if the scale and pace of our collective measures to address climate destabilisation and the biodiversity crisis remain insufficient?
Oreskes and Conway provide the imagined view of a historian of the “Second People's Republic of China” from 2393. His account describes how the political and economic elites of the early decades of the twenty-first century ignored or dismissed the clear warnings of climate catastrophe.
Soaring temperatures, rising sea levels, drought, and mass migrations resulted in “The Great Collapse of 2093”. Three centuries later as the world emerges from the “Penumbral Age’ it is a more subdued and thoughtful place.
By dramatizing an all-too-plausible ‘ghastly’ outcome, the authors seek to galvanise the energies of readers to rise from their armchairs and act. We should all strive to ensure that the book remains firmly on the shelves of fiction.
The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought and-finally-the disaster now known as the Great Collapse of 2093, when the disintegration of the West Antarctica Ice Sheet led to mass migration and a complete reshuffling of the global order. Writing from the Second People's Republic of China on the 300th anniversary of the Great Collapse, a senior scholar presents a gripping and deeply disturbing account of how the children of the Enlightenment-the political and economic elites of the so-called advanced…
Lauren James is the twice Carnegie-nominated British author of many Young Adult novels. She is also a Creative Writing lecturer, freelance editor, screenwriter, and the founder of the Climate Fiction Writers League. She was born in 1992 and has a Master's degree from the University of Nottingham, UK, where she studied Chemistry and Physics. Lauren is a passionate advocate of STEM further education, and many of her books feature female scientists in prominent roles. Her writing has been described as ‘gripping romantic sci-fi’ by the Wall Street Journal and ‘a strange, witty, compulsively unpredictable read which blows most of its new YA-suspense brethren out of the water’ by Entertainment Weekly.
It's the summer holidays, and thirteen-year-old Luke's life has been turned upside down. First his older sister Rose moved 'across the road', where a community of climate rebels is protesting the planned airport expansion. Then his dad followed her. Dad only went to get Rose back, but now he's out there building totem poles, wearing sandals, and drinking mead (whatever that is) with the best of them.
Can Luke save his family when all they want to do is save the planet?
A fresh, funny, heartfelt look at this generation's must-win battle: one earth, one chance.
It's the summer holidays, and thirteen-year-old Luke's life has been turned upside down. First his older sister Rose moved 'across the road', where a community of climate rebels is protesting the planned airport expansion. Then his dad followed her.
Dad only went to get Rose back, but now he's out there building totem poles, wearing sandals and drinking mead (whatever that is) with the best of them...
Can Luke save his family when all they want to do is save the planet? ________________________ 'Hilarious, acutely observed…
I love fantasy novels because they highlight the disparities between reality and individual perception, whether between the reader and the text or among the characters within it. All the books I listed pull the reader from the actual into the fantastic world I prefer! This is probably why I spent my time as an author, editor, and professor in the Department of English at the University of Maryland, teaching courses in comparative mythology, medieval literature, and the works of J. R. R. Tolkien.
Russell Hoban’s slim (c. 250 pp) novel is a unique futuristic dystopian science fiction political satire fantasy about the re-discovery of gunpowder in a post-nuclear Holocaust England, where disaster has regressed to the Stone Age.
I know no other book like it, and as a reading experience, it can’t be beaten. There are discoveries on every page. Its characters are hunter-gatherers controlled by a shadow government of Punch and Judy puppeteers who are trying to promote another nuclear war. Its hero is Riddley Walker, a 12-year-old 22nd-century Huck Finn. Its hook is language as miscommunication.
The art of writing has been lost and re-invented. Riddley’s phonetic misspellings of ordinary words in his journal/diary produce unintended puns and ominous misspellings and thus misreadings) of words like Parment (“Parliament”) and Hi Mincery (“High Ministry”) that portend ill for the current society’s ignorant misuse of them.
"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy...Riddley Walker is haunting and fiercely imagined and-this matters most-intensely ponderable." -Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." -Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style...The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." -Anthony Thwaite, Observer "Extraordinary...Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." -Michael Dirda,…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This early-21st-century novel takes rising sea levels as its starting point, and tracks young Mara as she leaves her home island and heads south, towards supposed safety.
I liked that not only does Mara encounter the starving people of the Netherworld, but also the privileged elite who live in “sky cities”. The growing gap between rich and poor, powerful and powerless, has resonances for our own societies today.
The fifteenth anniversary edition of Exodus, a startling, thrilling novel set in a dystopian future ravaged by global warming
It is 2099 - and the world is gradually drowning, as mighty Arctic ice floes melt, the seas rise and land disappears forever beneath storm-tossed waves. For fifteen-year-old Mara, her family and community, huddled on the fast-disappearing island of Wing, the new century brings flight. Packed into tiny boats, a terrifying journey begins to a bizarre city that rises into the sky, built on the drowned remains of the ancient city of Glasgow. But even here there is no safety and,…
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto…
Bathsheba Demuth is a historian and prize-winning writer, interested in how people, ideas, places, and other-than-human species intersect in the far north. Her interest in these subjects began when she was 18 and spent several years in the Yukon, mushing huskies, hunting caribou, fishing for salmon, and otherwise learning to survive in the taiga and tundra. Now, when not in the Arctic, she lives in Rhode Island, where she is a professor at Brown University.
Any discussion of how people and nature relate to each other in the twenty-first century will come up against the issue of climate change. And there are so many good books to read on the topic – Elizabeth Rush’s Rising comes right to mind, or the collection All We Can Save, edited by Ayana Elizabeth Johnson and Katharine Wilkinson. What Tale of Two Planets offers is a global perspective on rising seas, changing seasons, and damaging weather through genres from poetry to prose to fiction. Each author brings clarity to the science and politics of climate change, but the sections here are also portraits of love for place and community. If you’ve never read a book on climate change before, it’s a great start; if you’ve read them all, there’s something new and beautiful here.
Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live.
In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced. In the course of this work, one major theme came up repeatedly: Climate change is making already dire inequalities much worse,…
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
My formative experiences as a writer took place largely in natural settings—as well as in the pages of many books. When I was a teenager I moved with my family to Jasper National Park, where I hiked and climbed and started writing my first stories. On one winter climb in a frozen ravine, I lost my footing and slid down an ice slope into a natural well. This became the seed of my first novel, Icefields. Living in a protected “wilderness” also helped me understand how precious and fragile the natural world is. I have published several novels and a collection of short fiction. I teach creative writing at the University of Alberta and live in a place with lots of trees.
From the jacket copy: “An anthology dedicated to saving as many species from extinction as humanly possible. The single largest collection of…comics calling for planetary change… The Most Important Comic Book on Earth is a global collaboration bringing together a diverse team of more than 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world.”
Purchasing this anthology helps support projects aiming to save some of the one million species facing extinction today. Is there a better reason to buy a book?
The Most Important Comic Book On Earth is a global collaboration for planetary change, bringing together a diverse team of 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world.
Whether it's inspirational tales from celebrity names such as Cara Delevingne and Andy Serkis, hilarious webcomics from War and Peas and Ricky Gervais, artworks by leading illustrators David Mack and Tula Lotay, calls to action from activists George Monbiot and Jane Goodall, or powerful stories by Brian Azzarello and Amy Chu, each of the comics in this anthology will support projects…
I am a writer and researcher from North Yorkshire, England. Although I’ve written extensively on pre-cinema history (for example, I co-wrote the BAFTA long-listed documentary, The First Film) I have also researched little-known stories connected with the natural world, particularly the beautiful Yorkshire Moors, where I live. My upcoming travelogue The Witches’ Waywill combine nature-writing with original historical research, and will be published by Open Space Books in the Autumn. I have long been an admirer of the poetryof Edward Thomas – bringing his long-forgotten fictionto a new audience has been a real passion project of mine.
This book really is the full package – an anthology of nature writing encompassing both fiction and non-fiction and travelling across the centuries to provide a vivid and kaleidoscopic celebration of the British Isles.
The book is divided into themes (for example, Woods; Swimming and Moors, Heaths and Mountains) and is not shy of combining classics such as excerpts from W H Hudson’sA Shepherd’s Life with pieces from breakthrough writers such as On Class and the Countryside by Anita Sethi.
For me, personally, part of the joy of this was the mix of the familiar, well-loved tales (and who growing up in Britain in the ’70s and ’80s didn’t love A Kestrel for a Knave) and the newer discoveries (such as Isabella Tree’s Wilding). The book is almost as rich and diverse as British wildlife itself.
The very best of British and Irish nature writing selected by the natural history writer Patrick Barkham.
The landscapes of Britain and Ireland, together with the creatures and plants that inhabit them, have penetrated deep in our collective imagination. From Gilbert White and Dorothy Wordsworth to Laurie Lee and Nan Shepherd, literature inspired by the natural world has become an integral part of our shared identity, and shaped our relationship with the islands we call home.
In The Wild Isles, Patrick Barkham has gathered together a wide array of the very best of British and Irish nature writing, characterized by…
