Fans pick 100 books like The Wild Isles

Tove Jansson was one of my favourite authors as a child, thanks to her magical Moomin series.

Her fiction for adults, too (The Summer Book, Art in Nature) is wonderful. However, I have gone for one of her lesser-known books, Notes from an Island, which is simply a short journal with brief and starkly beautiful diary entries concerning the times she spent with her partner, Tuulikki Pietilä, on a barren and otherwise uninhabited island in the Gulf of Finland.

The book is a collaboration - Pietilä supplied stark, minimalist illustrations - and it also includes sections of a journal contributed by Brunström, the gruff mariner who helped the couple with their trips to and from the island.

Jansson’s writing style is as sparse as the island itself, reflecting the tough conditions, which nevertheless, did not preclude a life of artistic fulfillment for both her and Pietilä. This… show more.

This book – a history of the act of trespass – explores our relationship with the natural world in a provocative and highly original way.

Starting with the statistic that the public are excluded from 92% of the land of England, Hayes combines history with a meditation on the implications of excluding large swathes of the population from what is, at the end of the day, their own country.

However, this is not a dry political tract but a lyrical and passionately argued text enlivened by the author’s own exploits, trespassing on land across the country and visiting everything from migrant camps in Calais to music festivals to explore the various uses and abuses of shared land. 

The book is angry and defiant, and – because it has helped spark debate – I see it as something fundamentally hopeful.

This is similar to Wild Isles – a vast celebration of nature incorporating fiction, non-fiction, and poetry – but this time with its focus on the beautiful wild North of Britain.

It’s exciting to see so many different aspects of the area brought out and the inclusion of lesser-known contemporary writers such as Katie Hale, Loren Cafferty, and Graham Mort alongside greats such as William Wordsworth and Charlotte Brontë. 

So often neglected, so often stereotyped, the North is viewed here by those that know it, through clear eyes but with understandable adoration. I particularly enjoyed the descriptions of the moors, the dark green and grey wilds inhabited by curlew, kite, and hare.

This is the place where the Brontës created their epic romances and where contemporary writers sought solace during lockdown. The land continues to be a source of inspiration and it is gratifying to see it celebrated in this… show more.

I have chosen this book because of the idea behind it.

After recovering from a blackout, author Torbjørn Ekelund was told he had developed epilepsy and would not be allowed to drive. As a consequence, Ekelund decided not to be held back by this and instead began to walk everywhere – through urban areas and countryside – looking for any path however obvious or hidden.

In the book that resulted from this new approach to life, Ekelund has not only written about his own experiences but tied them in to a wider meditation on pathways, from the physical to the metaphorical to the spiritual. 

A mix of history, philosophy and travelogue, what I liked about all this is the author’s choice to turn the trauma of an epileptic fit into an opportunity to walk, think, observe and feel more than ever.

This was the first wildlife reference book I ever owned, and I’ve never regretted buying it.

I still use it most days to identify birds on the bird feeder or bats flying over my house. It also includes great photos, which I personally prefer to drawings. This is a little gem that I have spent hours flicking through. 

The author was one of the earliest (if not the earliest) to write a history of a subject using a specific number of objects. In this book, he describes the development of observing birds through the medium of 100 objects, of which a surprising selection is presented, all well illustrated, from prehistoric paintings to more recent technology.  Possibly the most curious is a stuffed extinct dodo at the Horniman Museum in London. It was actually a deceptive piece made by a leading taxidermist using plaster casts, chicken wings, and swan, goose, and ostrich feathers.

One of the inspirations for Mystical France was this classic published in the 1970s, a guide to the earth mysteries and traditions of the British Isles by two photographers fascinated by standing stones, UFOs, and ley lines. It’s a matter-of-fact assembly of all the strange things they could find. The images are in black and white but this only adds to the aura of the places described. The text mainly consists of extended captions making it easy to pick up and flick through without having to commit to reading hefty chapters. As in the best-illustrated books, the words explain the pictures and the pictures explain the words with nothing superfluous.

While not specifically about Ireland, this is a most fascinating tale and true story about a man who started as a dancer, ran theater in Ireland, became a soldier, sea captain and so much more before he went on to publish the first road atlas in Britain. It’s the quirky details in this book that make it fun to read and quite informative about life in the 17th century.

A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.

What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.

Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too.