Here are 98 books that British Wildlife fans have personally recommended if you like
British Wildlife.
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As a UK nature writer and amateur naturalist, I have a fascination with the natural world. If it squeaks, buzzes, croaks, hisses, or tweets, I want to know more about it. I enjoy books that are both captivating and easy to understand, and I’m at my happiest when uncovering unusual facts and exploring the rich folklore surrounding our wildlife. As a writer, I contribute to magazines focusing on nature and wildlife-friendly gardening. I also teach creative writing and have authored a book celebrating the wonders of our UK wildlife. I live in Dorset and find endless joy in observing and nurturing whatever wanders or flies into my overgrown garden.
I’m a big fan of books that teach me something, and this book does it 365 days of the year with the most fantastic writing.
I got into the habit of reading this book every day, then going out and searching for the wildlife. I love that it doesn’t concentrate on hard-to-see or rare creatures. You really feel as if he’s written each page just for you.
A fascinating, inspiring gift book that helps you make the most of nature, with something to spot for every day of the year.
A fascinating, inspiring gift book that helps you make the most of nature, with something to spot for every day of the year.
This book proves that nature isn't something you visit from time to time; it's everywhere - even in the densest concrete jungle. You can find nearly all of the natural wonders in this book within a mile of your front door. There are 365 to look for - one for every day of year,…
As a UK nature writer and amateur naturalist, I have a fascination with the natural world. If it squeaks, buzzes, croaks, hisses, or tweets, I want to know more about it. I enjoy books that are both captivating and easy to understand, and I’m at my happiest when uncovering unusual facts and exploring the rich folklore surrounding our wildlife. As a writer, I contribute to magazines focusing on nature and wildlife-friendly gardening. I also teach creative writing and have authored a book celebrating the wonders of our UK wildlife. I live in Dorset and find endless joy in observing and nurturing whatever wanders or flies into my overgrown garden.
When the book was published, I couldn't wait to read it. I love reading about nature, especially bees, and also learning a few fascinating facts along the way, and this book didn’t disappoint.
It’s beautifully written by Brigit. I nearly read it in one sitting, as the chapters flow so temptingly from subject to subject.
A naturalist's passionate dive into the lives of bees (of all stripes) and the natural world in her own backyard
Brigit Strawbridge Howard was shocked the day she realised she knew more about the French Revolution than she did about her native trees. And birds. And wildflowers. And bees. The thought stopped her-quite literally-in her tracks. But that day was also the start of a journey, one filled with silver birches and hairy-footed flower bees, skylarks, and rosebay willow herb, and the joy that comes with…
As a UK nature writer and amateur naturalist, I have a fascination with the natural world. If it squeaks, buzzes, croaks, hisses, or tweets, I want to know more about it. I enjoy books that are both captivating and easy to understand, and I’m at my happiest when uncovering unusual facts and exploring the rich folklore surrounding our wildlife. As a writer, I contribute to magazines focusing on nature and wildlife-friendly gardening. I also teach creative writing and have authored a book celebrating the wonders of our UK wildlife. I live in Dorset and find endless joy in observing and nurturing whatever wanders or flies into my overgrown garden.
In the summer, this book takes over from British Wildlife as my favourite reference book that doesn’t bamboozle me with science. I nearly always find the insect I’m looking for and then inevitably spend half an hour lost in details of the plants it eats or places it lives.
I wouldn’t want to be without this book, and I regularly buy it as a present for friends and family.
A photographic field guide to 1,500 species of insects found in Britain A photographic field guide to all the common and some unusual species of insects across Britain that the keen amateur naturalist is likely to spot. Approximately 1,500 species are illustrated with clear photographs chosen for their help in identification. / Details of distribution for each insect, and whether it is common or rare / Includes photographs of larvae / Each section is coded with a symbol for easy reference / Information on easily confused species / All the information on the species together in the same place Insect…
As a UK nature writer and amateur naturalist, I have a fascination with the natural world. If it squeaks, buzzes, croaks, hisses, or tweets, I want to know more about it. I enjoy books that are both captivating and easy to understand, and I’m at my happiest when uncovering unusual facts and exploring the rich folklore surrounding our wildlife. As a writer, I contribute to magazines focusing on nature and wildlife-friendly gardening. I also teach creative writing and have authored a book celebrating the wonders of our UK wildlife. I live in Dorset and find endless joy in observing and nurturing whatever wanders or flies into my overgrown garden.
I’m onto my second copy of this little book, as the first copy fell to bits from so much use. Though it’s a field guide, it’s not only easy to read and understand (even with my unscientific mind) but also full of useful little titbits of information.
Every spring, I can’t wait to take it off the bookshelf and use it to identify the enormous queen bumblebees emerging from hibernation in the garden.
A while ago I lived with the extraordinary spiritual Findhorn community in Scotland and that experience opened my eyes to the mysteries that we are and that surround us. Subsequently, I became a professional travel guide writer and as I visited churches and megaliths, it gradually occurred to me that the ancients may have recorded information useful to us if only we could work out how to interpret it. Twenty years ago I settled in France, a country densely packed with extraordinary places. Here, I have been able to deepen my understanding of the universal, greater reality of which we are part.
One of the inspirations for Mystical France was this classic published in the 1970s, a guide to the earth mysteries and traditions of the British Isles by two photographers fascinated by standing stones, UFOs, and ley lines. It’s a matter-of-fact assembly of all the strange things they could find. The images are in black and white but this only adds to the aura of the places described. The text mainly consists of extended captions making it easy to pick up and flick through without having to commit to reading hefty chapters. As in the best-illustrated books, the words explain the pictures and the pictures explain the words with nothing superfluous.
Nancy Blanton is an American author of Irish descent. She’s written three award-winning Irish historical novels and has a fourth underway. A former journalist, her focus on the 17th century derives from a history lesson about Oliver Cromwell, weariness of Tudor stories, decades of enlightening research, and a little help from supportive friends in County Cork.
While not specifically about Ireland, this is a most fascinating tale and true story about a man who started as a dancer, ran theater in Ireland, became a soldier, sea captain and so much more before he went on to publish the first road atlas in Britain. It’s the quirky details in this book that make it fun to read and quite informative about life in the 17th century.
Four hundred years ago, every barrister had to dance because dancing put them in harmony with the universe. John Ogilby's first job, in 1612, was to teach them. By the 1670s, he was Charles II's Royal Cosmographer, creating beautiful measured drawings that placed roads on maps for the first time. During the intervening years, Ogilby had travelled through fire and plague, war and shipwreck; had been an impresario in Dublin, a poet in London, a soldier and sea captain, as well as a secret agent, publisher and scientific geographer. The world of his youth had been blown up and turned…
I grew up in this place, born here when the Troubles began. In one form or another, the conflict was everywhere. It was built into the infrastructure, into attitudes. It infested conversations, hurt friendships, killed old folks, children, friends, and family. Fiction from and about Northern Ireland was inevitably hamstrung by that dominant, terrible story. Since the 1994 ceasefires, our fiction has come charging forward. It’s analytical, bullish, enlightening, funny as hell, and it moves us forward by taking honest stock of what came before. I love this emerging place and its new voices. And I love to read and write stories about it. It’s a stubborn home, often maddening, truly kind, forever breath-taking.
A man found hanging sparks suspicion so, just to check all is okay, the cops hang him again. Well, not him. A stand-in. But it’s a fine little detail that sums up this shrewd book – cold, hard, well-researched, loaded with bold ideas. This is Northern Ireland crime fiction as it should be, the procedural narrative we once struggled to host. Policing took place when cops were pretty much soldiers. Nowadays it’s different. And Dempsey’s crime fiction is second to none. The aftermath of the Troubles – and its socio-political complexity – is sewn in here, used to both enhance tension and amplify relationships. So, a forensic shrink and a cop explore the creepy case of a missing girl after the aforementioned hanging. Get your seat belt on – this thing twists.
She'd cycled this way hundreds of times before, every twist and turn familiar. She didn't know this would be the last.
When the body of architect James McCallum is found hanging in the grounds of his former school one cold night, DI Danny Stowe and forensic psychologist Rose Lainey suspect foul play behind his apparent suicide.
To their astonishment, the trail leads to a 20-year-old cold case of a missing girl, and a teenage party. But what was James' fascination with the case and how is it linked to his death?
I am a writer and researcher from North Yorkshire, England. Although I’ve written extensively on pre-cinema history (for example, I co-wrote the BAFTA long-listed documentary, The First Film) I have also researched little-known stories connected with the natural world, particularly the beautiful Yorkshire Moors, where I live. My upcoming travelogue The Witches’ Waywill combine nature-writing with original historical research, and will be published by Open Space Books in the Autumn. I have long been an admirer of the poetryof Edward Thomas – bringing his long-forgotten fictionto a new audience has been a real passion project of mine.
This book really is the full package – an anthology of nature writing encompassing both fiction and non-fiction and travelling across the centuries to provide a vivid and kaleidoscopic celebration of the British Isles.
The book is divided into themes (for example, Woods; Swimming and Moors, Heaths and Mountains) and is not shy of combining classics such as excerpts from W H Hudson’sA Shepherd’s Life with pieces from breakthrough writers such as On Class and the Countryside by Anita Sethi.
For me, personally, part of the joy of this was the mix of the familiar, well-loved tales (and who growing up in Britain in the ’70s and ’80s didn’t love A Kestrel for a Knave) and the newer discoveries (such as Isabella Tree’s Wilding). The book is almost as rich and diverse as British wildlife itself.
The very best of British and Irish nature writing selected by the natural history writer Patrick Barkham.
The landscapes of Britain and Ireland, together with the creatures and plants that inhabit them, have penetrated deep in our collective imagination. From Gilbert White and Dorothy Wordsworth to Laurie Lee and Nan Shepherd, literature inspired by the natural world has become an integral part of our shared identity, and shaped our relationship with the islands we call home.
In The Wild Isles, Patrick Barkham has gathered together a wide array of the very best of British and Irish nature writing, characterized by…
I have been immersed in nature since I was able to walk, my love for nature initially inspired by a chance encounter as a toddler with a buzzard amid South Devon’s leafy lanes. Upon fledging into adult plumage, I eventually became an award-winning wildlife and travel writer. After returning to Britain after several years leading wildlife tours in South America and Antarctica, I had an irrepressible desire to renew my relationship with British nature. My books 52 Wildlife Weekends, A Summer of British Wildlife (winner, Travel Guidebook of the Year, 2016) and Much Ado About Mothing (a travel narrative longlisted for the 2022 James Cropper Wainwright Prize) are the result.
Although this book is also rather dated, it remains a fine source of information – and particularly of inspiration.
It truly opened my eyes to the mammal-watching possibilities available in Britain and Ireland, and informed plenty of the travel involved in researching two of my own books. Get hold of a second-hand copy if you can, and treasure it!
Britain's mammals are relatively few in number, but include some notoriously hard-to-see, yet wonderfully charismatic species. There can be few people with even a passing interest in wildlife who would not want to see otters, red squirrels, bottle-nosed dolphins or Scottish wildcats. Even commoner species like the badger, roe deer and brown hare can be difficult to see without some specialist knowledge. This new guide provides sites and useful information to enable the reader to find and observe every British and Irish mammal species, including all marine mammals. Taking a species-by-species approach, the accounts give some background detail on the…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
