My dad was a subscriber of “Astounding Stories." If you know the magazine, it is famous not only because it featured the giants of science fiction genre, but also for its colorful and imaginative covers. I didn’t have the right to read those stories until later, when dad thought I could understand them, but I loved the covers and imagined myself stories which started from them or used the scenes as inspiration for a short story which I wrote for myself. The science fiction bug wormed into my brain at that time. Then, I just devoured every novel which landed at home and kept writing.
It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome…
Mankind has conquered space and moved toward the starry heart of the galaxy. Earth is a planet of no importance, riddled with radioactivity by long-forgotten wars.
When assassins target his rooms and news arrives that, many light-years away, his father has been murdered, student Biron Farrill flees for his life.
Stunned, grief-stricken, and outraged, Biron is determined to uncover the reasons behind his father's death, and finds himself entangled in a web of deep-space rebellion, espionage, and political intrigue.
Asimov's Galactic Empire novels are among the earliest stories by one of the twentieth century's greatest visionaries. Filled with ideas and…
I’ve had the urge to write stories as far back as public school. And despite encouragement from a creative writing teacher in high school, my first career ended up being corporate financial analysis. By the time I reached 59, I was (a) unemployed and unemployable (due to age) and (b) in a relationship with a wonderful woman who loved science fiction and was very creative (a former art teacher). With her encouragement, I finished my first SF novel at just the right time to benefit from the explosion of interest in reading ebooks bought on Amazon. I’ve now written 37 novels.
I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.
David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.
I read (and write) in various genres, but the common thread is that I crave compassionately written character-driven stories. I generally prefer novels, as they allow more time for the reader to get to know the characters and more room for those characters to grow. That said, I have limited patience with literary fiction that could be fairly, if unkindly, be called navel-gazing. I want the characters to confront problems provided by an actual plot. And if both characters and plot exist within a richly imagined world with at least some unique elements, so much the better.
First, this is in most respects the beginning (in internal chronology) of a wonderful SF series, the Vorkosigan Saga. Each book can be read in isolation but adds to the depth and richness of the series as a whole.
Second, the reader is introduced to Cordelia Naismith and Aral Vorkosigan, two strong and unique characters who meet under daunting circumstances that become even more challenging. The title aptly (if cryptically) describes the crisis with which Aral must cope, with a competence that conceals its almost unbearable effect on him.
Speaking of competence, it’s remarkable how Bujold conveys so much of the essence of two very different societies so efficiently.
When Cordelia Naismith and her survey crew are attacked by a renegade group from Barrayar, she is taken prisoner by Aral Vorkosigan, commander of the Barrayan ship that has been taken over by an ambitious and ruthless crew member. Aral and Cordelia s
Science fiction has always been a passion of mine and, paradoxically, so has history. I lost count long ago of how many historical treatises and historical fiction books I’ve read alongside the science fiction classics, especially those with a military flavor. I was also an Army officer, both regular and reserve, for most of my adult life, and gleefully tore through the recommended Army reading list, much of which focused on military history. Combining my interest in history with my military experience and my love for science fiction led me to create a future universe where empires rise, grow old, and collapse only to be reborn and repeat the cycle.
The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.
War World: Discovery, edited by John F. Carr, is the 9th book in the on-going War World Saga, which includes 3 novels, the most recent being War World: The Battle of Sauron by John F. Carr & Donald Hawthorne published in 2008. The War World series is a shared-world universe created by Jerry E. Pournelle & John F. Carr and is set in Jerry Pournelle's CoDominium/Empire of Man future history. The moon Haven contains the harshest environments for life among the seventy habitable planets within the CoDominium sphere. After Haven's discovery, this distant moon quickly becomes the center of a…
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I’ve been in love with science fiction since I watched Star Wars for the first time at the age of seven, and haven’t looked back since. Besides being a voracious lifelong reader, I’ve written several dozen science fiction books myself, and my favorite sub-genre is space opera. I’ve read most of the Hugo and Nebula-winning novels, as well as several that those awards have overlooked, and my stories have been published in numerous anthologies and magazines including Again, Hazardous Imaginings,After Dinner Conversation, Bards and Sages Quarterly, and Twilight Tales LTUE Benefit Anthology.
Shards of Honor and Barrayar form a duology within the wider Vorkosigan Saga, and starting with them both is the best way to become acquainted with the wider series universe and with the origins of Miles Vorkosigan. All of the later books refer back to events that happen in Barrayar, and one of the core conflicts of the novel is the struggle between the conservative isolationists who don’t want to integrate with the rest of the galaxy, and the liberal reformists who do. The political intrigue is extremely well done, and the adventure is superb.
Sick of combat and betrayal, Cordelia Vorkosigan is ready to settle down to a quiet life. But when the Emperor dies, her husband Aral becomes guardian of the infant heir to the imperial throne of Barrayar and the target of high-tech assassins in a dy
Science fiction has always been a passion of mine and, paradoxically, so has history. I lost count long ago of how many historical treatises and historical fiction books I’ve read alongside the science fiction classics, especially those with a military flavor. I was also an Army officer, both regular and reserve, for most of my adult life, and gleefully tore through the recommended Army reading list, much of which focused on military history. Combining my interest in history with my military experience and my love for science fiction led me to create a future universe where empires rise, grow old, and collapse only to be reborn and repeat the cycle.
This series, to my mind, epitomizes the idea of a gradual rebirth after a galactic civilization collapses, leaving humans stranded on countless worlds with varying degrees of technology. I found the way in which Drake approaches said rebirth incredibly fascinating as well as entertaining, by using sentient artifacts of the long-vanished empire to guide humans back to the stars. And, as a dog lover, I really enjoyed him using oversized canines instead of horses for his pre-industrial cavalry.
As a child, I lived in a small valley sheltered from the night city lights. I could see the stars, and from that time, that is where my imagination dwelled. As a teenager, I read several of the books I have listed here, and from that point, I was inspired to read more and also to write myself. I sincerely believe that despite our current problems, humanity will outlive its troubled childhood and reach for the stars. We are destined for the stars, and only in the works of science fiction writers is that future explored. The books below helped me to become a successful author in my own right.
This was my first venture into science fiction, and it is the greatest novel by one of the genre's masters. I found it to be truly inspiring in both scope and concept.
The story deals with the collapse of the imperial empire, the rise of a new federation, and a future of possibilities I had never imagined. I simply could not put it down and went on to read all the other books in the series. Asimov makes the everyday sound extraordinary.
I was drawn to the way the main characters in this story are normal people, more or less like you and me, but in circumstances that exist only in our imaginations. I strongly recommend this book to anyone who wants to expand their appreciation of the genre.
The first novel in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series
THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION, NOW STREAMING • Nominated as one of America’s best-loved novels by PBS’s The Great American Read
For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future—to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire—both scientists and scholars—and brings…
My dad was a subscriber of “Astounding Stories." If you know the magazine, it is famous not only because it featured the giants of science fiction genre, but also for its colorful and imaginative covers. I didn’t have the right to read those stories until later, when dad thought I could understand them, but I loved the covers and imagined myself stories which started from them or used the scenes as inspiration for a short story which I wrote for myself. The science fiction bug wormed into my brain at that time. Then, I just devoured every novel which landed at home and kept writing.
By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.
A mature alien woman judge sees an amphibious human female, obviously a slave, displayed in a tank in front of a sex palace. And so a murderous plot of interstellar proportions, involving many races and planets, galactic corporations, explosive sex and horrible slavery is revealed.
