The most recommended books about galactic empires

This far-reaching story of the future of civilization has fascinated me since I first picked it up. The invention of a scientific discipline, psychohistory, upon which to design and plan for the rise and fall of civilizations across thousands of years. As a writer, this blew me away just from a planning and plotting perspective – aligning all these pieces to line up and fall into place has been a shining example to me of what can be accomplished by a superior mind.

Shards of Honor and Barrayar form a duology within the wider Vorkosigan Saga, and starting with them both is the best way to become acquainted with the wider series universe and with the origins of Miles Vorkosigan. All of the later books refer back to events that happen in Barrayar, and one of the core conflicts of the novel is the struggle between the conservative isolationists who don’t want to integrate with the rest of the galaxy, and the liberal reformists who do. The political intrigue is extremely well done, and the adventure is superb.

This series, to my mind, epitomizes the idea of a gradual rebirth after a galactic civilization collapses, leaving humans stranded on countless worlds with varying degrees of technology. I found the way in which Drake approaches said rebirth incredibly fascinating as well as entertaining, by using sentient artifacts of the long-vanished empire to guide humans back to the stars. And, as a dog lover, I really enjoyed him using oversized canines instead of horses for his pre-industrial cavalry.

I'd never known anything about Gypsy culture (except cinematic stereotypes) until I read Silverberg's Star of Gypsies. Even though this book takes place on other worlds, centuries into the future, the traditions and the society of Gypsies survives. These nomadic spacefarers have evolved into important pieces of a galactic empire – an empire upon which the protagonist will have a profound effect. I loved the inventive world building and the complex yet often humorous main character, Yakoub. The tale fully engaged me from the very beginning and is one of those books I give my highest compliment – a page-turner you don't want to put down.

In the first novel of Dickinson’s The Masquerade series, Baru Cormorant’s life undergoes a sudden and brutal change as her island nation is subjugated by the Empire of Masks.

Thrust into a world that shuns her local customs, even unto death, Baru begins an arduous and brutal climb through the empire’s ranks via cunning and education. Now an outsider on the inside, her goal is the eventual restoration of her homeland… and nobody is immune to her single-minded ambitions.

This book is delicious as Baru uses the empire’s own rules to beguile, subjugate, and destroy the people above her as she intellectually seduces her way to ascension.

I am frequently unimpressed by the way male authors write female protagonists, but David Weber is an exception. His Honor Harrington character feels completely authentic to me in this first book of a military space opera series. Having run afoul of a superior officer, Honor is relegated to a backwater outpost with an aging gunship and a cantankerous crew. That would be bad enough if the place was quiet, but this star system is rife with smugglers and merchant cartels, and interstellar politics threaten to trap her between the ruling body and an adversarial power.

It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome… show more.

First, this is in most respects the beginning (in internal chronology) of a wonderful SF series, the Vorkosigan Saga. Each book can be read in isolation but adds to the depth and richness of the series as a whole.

Second, the reader is introduced to Cordelia Naismith and Aral Vorkosigan, two strong and unique characters who meet under daunting circumstances that become even more challenging. The title aptly (if cryptically) describes the crisis with which Aral must cope, with a competence that conceals its almost unbearable effect on him.

Speaking of competence, it’s remarkable how Bujold conveys so much of the essence of two very different societies so efficiently.

Well, I suppose a few words have been devoted to Dune already, but I’m going to chime in!

I read Dune the first time as a teenager, and found some of it (Paul’s adventures, everything to do with Jessica) exciting and engrossing. On the other hand, some of it I couldn’t puzzle out—mostly politics. Now, that’s my favorite part! Honestly, I got my first and most vital lesson in world building from Dune, and it remains a huge influence on my writing.

What does it smell like, this new world? What happens if you get caught outside in a storm? What do your clothes look like and do they mark you as an outsider? What do you eat and when? And so on, ad infinitum. And I loved the quotes that open the chapters, so much that I created my own book-within-a-book just so I could similarly quote it.

The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.

By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.