Fans pick 56 books like The Forge (The Raj Whitehall Series

This book (actually, this series of volumes) is of course an epic and a classic. And deservedly so—even though most scholars no longer find Gibbon’s account of the causes of Rome’s fall persuasive. 

Right or wrong, the book is a model of a study that is both immersed (sometimes admiringly and sometimes caustically) in individual characters and episodes and yet also intensely interested in the big picture. And the elegant, witty prose makes the book a pleasure to read. 

Analyses of modern Western decline often look for parallels in ancient Rome, and Gibbon’s study is almost a mandatory point of departure.

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.

I won’t lie; this series hurt my brain. It did not hold back with the twists or the depth of dialogue and intrigue either. I love it for the way it showed me the sheer complexity a series could offer. Asimov built a world that felt so real—complete with deep political intrigue, technological advancements, and power struggles that echoed across generations.

What captivated me most was how the storylines tied together over time, often referring back to events from the first book in ways that made everything feel interconnected. You don’t just read the Foundation series; you invest in it, piecing together the layers of Asimov’s universe as you go.

The story is full of big ideas—focusing not just on individuals but on the grand sweep of civilizations rising and falling. I felt that this series taught me the importance of understanding the long game: that things unfolding today may… show more.

The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.

It is not possible to talk about “galactic empires” in SF and not naming/checking Asimov’s masterpieces. Asimov describes in breathtaking detail a highly complex yet credible and vivid universe and follows its evolution and the struggles in a historical buildup, encompassing several novels. Expect to feel like watching History Channel of the Future: you will see an empire rise, swell outward, stabilize, destabilize, fall, experience a Dark Age that lasts 30,000 years, and then rise again. Asimov based many of the details of his empire on the Romans, their history, and their Empire. Impossible not to feel how real his Galaxy thus becomes: here and there you will have the sensation that something familiar is unfolding in front of your eyes… if you have studied classics and history, that is. Asimov’s Galactic Empire is thus recognizable and with a familiar shape, and at the same time, it is the epitome… show more.

I love this series largely because it was my father’s favorite book series growing up. He still had many of the same books from when he was a kid and passed them on to me later on. I was invested in the story from the moment I encountered the idea of entire cities uprooted from Earth, drifting through space to find new lives among the stars.

I love this book for combining the practicalities of economy and politics with the fantastical idea of flying cities. Blish doesn’t just tell a story about space travel—he creates a world where human ambition and survival are tightly intertwined with the economics of an interstellar marketplace.

The series also made me think differently about migration and exploration. There’s something haunting about the idea of cities that have become nomadic, struggling to find purpose and identity in a vast and indifferent universe. These books reminded… show more.

Shards of Honor and Barrayar form a duology within the wider Vorkosigan Saga, and starting with them both is the best way to become acquainted with the wider series universe and with the origins of Miles Vorkosigan. All of the later books refer back to events that happen in Barrayar, and one of the core conflicts of the novel is the struggle between the conservative isolationists who don’t want to integrate with the rest of the galaxy, and the liberal reformists who do. The political intrigue is extremely well done, and the adventure is superb.

It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.

Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.

By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.

I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.

David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.