Fans pick 58 books like The Stars, Like Dust

Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.

Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.

No book has had a bigger influence on me as a person or a writer than this one. I suppose a lot of hoopy froods could say the same. It’s an adventure on a galactic scale, and yet, at its core, it’s just about a guy who wants to go home and have a cup of tea.

It’s a brilliantly funny satire and full of jokes and moments I’ll never forget. All four books in the series are amazing, and I’ve re-read them countless times. The fifth and final book is a downer worth skipping. 

By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.

I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.

The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.

This series, to my mind, epitomizes the idea of a gradual rebirth after a galactic civilization collapses, leaving humans stranded on countless worlds with varying degrees of technology. I found the way in which Drake approaches said rebirth incredibly fascinating as well as entertaining, by using sentient artifacts of the long-vanished empire to guide humans back to the stars. And, as a dog lover, I really enjoyed him using oversized canines instead of horses for his pre-industrial cavalry.

The War World series of novels, novellas, and short stories drew me in because they represent a microcosm of what happens when a civilization crashes in an inhospitable environment. I’ve been an avid fan of Jerry Pournelle’s CoDominium universe ever since reading West of Honor and seeing how it evolved for good and for bad through the War World lens, as developed by a long list of fantastic authors, kept intriguing me for years. Many of the concepts developed throughout the series had a marked influence on my own worldbuilding, and for that, it will always have a special place in my pantheon of books.

I love this series largely because it was my father’s favorite book series growing up. He still had many of the same books from when he was a kid and passed them on to me later on. I was invested in the story from the moment I encountered the idea of entire cities uprooted from Earth, drifting through space to find new lives among the stars.

I love this book for combining the practicalities of economy and politics with the fantastical idea of flying cities. Blish doesn’t just tell a story about space travel—he creates a world where human ambition and survival are tightly intertwined with the economics of an interstellar marketplace.

The series also made me think differently about migration and exploration. There’s something haunting about the idea of cities that have become nomadic, struggling to find purpose and identity in a vast and indifferent universe. These books reminded… show more.

Shards of Honor and Barrayar form a duology within the wider Vorkosigan Saga, and starting with them both is the best way to become acquainted with the wider series universe and with the origins of Miles Vorkosigan. All of the later books refer back to events that happen in Barrayar, and one of the core conflicts of the novel is the struggle between the conservative isolationists who don’t want to integrate with the rest of the galaxy, and the liberal reformists who do. The political intrigue is extremely well done, and the adventure is superb.

It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.

Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.

I won’t lie; this series hurt my brain. It did not hold back with the twists or the depth of dialogue and intrigue either. I love it for the way it showed me the sheer complexity a series could offer. Asimov built a world that felt so real—complete with deep political intrigue, technological advancements, and power struggles that echoed across generations.

What captivated me most was how the storylines tied together over time, often referring back to events from the first book in ways that made everything feel interconnected. You don’t just read the Foundation series; you invest in it, piecing together the layers of Asimov’s universe as you go.

The story is full of big ideas—focusing not just on individuals but on the grand sweep of civilizations rising and falling. I felt that this series taught me the importance of understanding the long game: that things unfolding today may… show more.