I'm Associate Professor of Economics at Washington and Lee University in Virginia, USA. My expertise is in conflict, war, and peace economics. I'm deeply motivated to understand the broader impacts of violent conflicts in low-income countries with the hope that doing so will pave the way for us to live in a more harmonious world. Recently, I've been interested in economics of cultural heritage destruction during violent conflicts. My aim is to understand patterns of heritage destruction in the past such that we can incorporate heritage destruction in atrocity forecasting models of today. I'm just as passionate to teach what I have learned over the years and what I'm curious to explore in the future.
I bought Kalyvas’s book back in 2009 as a doctoral student looking to understand the social science literature on civil war violence and finished reading it only in 2023 as an associate professor interested in studying target choice for a class I was teaching.
Though singularly focused on civil wars, the book goes deep in constructing theoretical arguments to support the premise of the book and travels broad in applying the models across various civil wars. It teaches readers to look beneath the surface to understand what we observe on the outside.
It is a great resource for those looking for good examples of how to develop a theoretical model. Finally, I also highly recommend this book to graduate students looking for research ideas.
By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This book introduces a very good series and was responsible for encouraging my love of science fantasy – some of which I write. While I have tried to keep away from more famous authors, this one got through because it really is that good.
As with all good science fantasy, it has various levels, some of the deepest making one think, or you can just go with the flow and enjoy the yarn. That is something I also strive to do with readers, well, I try to.
The first book of the trilogy "Memory, Sorrow and Thorn" tells the story of Simon, a kitchen boy and sorceror's apprentice, who must find the solution to the riddle of the long-lost swords of power, in order to combat the evil of the undead Sithi Ruler, the Storm King.
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
This is another action-packed adventure where a soldier has to rescue a civilian from a planet about to erupt into civil war. What's nice about this one is that the hero needs rescuing as much as the heroine – but in a very different way. The romance is an integral part of the story and evolves in a natural way. I loved the way the stakes ratcheted up until impossible choices were on the table.
Andi Markriss hasn’t exactly enjoyed being the house guest of the planetary high-lord, but her company sent her to represent them at a political wedding. When hotshot space marine Captain Tom Deverane barges in on the night of the biggest social event of the summer, Andi isn’t about to offend her high-ranking host on Deverane’s say-so—no matter how sexy he is, or how much he believes they need to leave now.
Deverane was thinking about how to spend his retirement bonus when HQ assigned him one last mission: rescue a civilian woman stranded on a planet on the verge of…
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
The other novels I’ve listed here are optimistic, hopeful stories.
This one takes us on a dark and bloody path.
In The Mirror Empire, two nearly identical worlds populated by violent people and sentient (also violent!) plants are at war with each other.
The only doorway between them is powered by blood.
The limitations of this concept are fascinating. Since the worlds are duplicates of each other, each person who lives in one world has a copy of themselves living in the other.
The twist? A person can only cross to the other side if their imposter is dead.
Talk about consequences!
This novel is incredibly bloody and full of betrayal. It’s violent, but the intense action had my eyes pinned open late into the night.
The Mirror Empire is often gory and frequently shocking, but two things are for sure: You won’t be able to predict what’s…
From the award-winning author of God's War comes a stunning new series...
On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past... while a world goes to war with itself.
In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin. As the dark star of the cataclysm rises, an illegitimate ruler is tasked with holding together a country fractured by civil war, a precocious young fighter is asked to betray his…
I juggled being a mom with two kids and my career, as a teacher, so I had no time for myself. When I did get the chance to pick up a book, I craved stories that whisked me away from reality—books that were full of action and kept me turning the pages. Even though I enjoy other types of genres, my heart always goes back to dystopian books, which is why I eventually wrote my own series.
This book hooked me from the first page, and The Union has all the exciting elements I love in a book—fast-paced, danger, action, and romance.
I didn’t want to put the book down, so I stayed past my bedtime, especially since I wanted to know about the protagonist’s love interests. It was easy to get lost in the book. The author did an amazing job with the details of the characters and the world-building.
After global warming and a second civil war devastated the former United States, two different societies rose from the ashes – the Union, a towering high-tech utopia, hugging the perimeter of the continent, and the devastated, untamed midsection known as the Ruins.Seventeen-year-old Evan Taylor has an easy, privileged life in the Union. What she doesn’t have is any idea what to do with the rest of her life. She only knows she wants to do something meaningful, to make a difference in the lives of others.When she’s kidnapped and taken into the Ruins as a pawn in a dispute involving…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
The widening partisan divide between Red and Blue in the United States today gives me nightmares.
I read a lot of history, so I know how closely today’s divisions resemble those before the Civil War. Which is why Omar El Akkad’sAmerican War resonates so deeply with me.
In 2074, four Deep South states secede over the passage of new legislation banning fossil fuels—and a Southerner assassinates the President.
The Red and Blue states are now at war again. And that’s my nightmare brought to life.
A Best Book of the Year: The Guardian, The Observer, New York Times, San Francisco Chronicle and The Washington Post.
2074. America's future is Civil War. Sarat's reality is survival. They took her father, they took her home, they told her lies . . .
She didn't start this war, but she'll end it.
Omar El Akkad's powerful debut novel imagines a dystopian future: a second American Civil War, a devastating plague and one family caught deep in the middle. In American War, we're asked to consider what might happen if America were to turn its most devastating policies and…
I was struck by the memoirs of Louisa Adams who travelled through Europe during the last Napoleonic battles. She was a young mother, and had to take her 7-year old son with her. Having children myself, I started wondering: how did people "on the ground" experience the last stages of the Napoleonic wars and the transition towards peace? I am a professor in the History of International Relations at Utrecht University. I write about terrorism and security in the 20th and 21st centuries. Yet, over the past decade, I felt the need to go further back in time, to that seminal period of the Age of Revolutionary and Napoleonic Wars, because that period truly saw the birth of a new security culture in Europe and beyond.
To understand the trauma caused by the Napoleonic Wars, and the craving of people in France, Europe and elsewhere to return to the ‘normal pace of times’ as the Austrian Statesman Clemens von Metternich had it, Walter Scott’s ‘Waverley’ is the best vehicle to convey ourselves into the mindset of the contemporary Europeans. Europe had to curb the ‘evil passions’ and had to ‘come to its senses’. Just as Waverley’s young hero Edward does by letting go of his romantic love for the rebellious Flora and returning in the arms of his very English, quiet and harmonious fiancée, Rose. Scott’s Waverley came out in 1814, was a bestselling success in Britain and on the European continent. The protagonists of my book, Fighting terror, read it. And it still is a great read for us today, for rainy days.
Life with his regiment in Scotland is dull until he visits his uncle's friends in the Highlands, where he meets Fergus McIvor and his sister Flora. Attracted by the wild freedom and romance of the Scottish clans, Edward finds himself in a difficult and dangerous position. His new friends are Jacobites, planning to overthrow King George and restore the Stuart monarchy. The Jacobites rise in rebellion. When Prince Charles leads an invasion of England, Edward's loyalties are hopelessly divided. Whose side will he take? And what fate awaits them all?
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
I have a passion for the 17th century and this novel based on actual diaries and letters from IRL people living through the realities of the English Civil War is a favourite. Ms. St. John writes about her own ancestors, and she imbues her characters with so much life, so many contrary opinions. These are difficult times, and especially for mother Lucy St. John whose son is a through-and-through royalist while daughter Luce is head-over-heels in love with Parliamentarian John Hutchinson. Luce is utterly fascinating: intelligent and with a passion to truly reform, she never loses her humanity or her ability for compassion. This novel is a real treat for anyone desiring well-researched historical fiction – with the added benefit of having a spoonful or two of love to complicate things!
”A fantastic read." Editor’s Choice, Historical Novel Society
London, 1630. Widowed and destitute, Lucy St.John is fighting for survival and makes a terrible choice to secure a future for her children. Worse still, her daughter Luce rejects the royal court and a wealthy arranged marriage, and falls in love with a charismatic soldier. As England tumbles toward bloody civil war, Luce’s beloved brother Allen chooses to fight for the king as a cavalier. Allen and Luce are swept up in the chaos of war as they defend their opposing causes and protect those they love.
I have been researching and writing about the era of the American Civil War for something over half a century. My passion for the subject remains strong today, having just published my seventh book. Given the seemingly endless amounts of material from soldiers and civilians alike, I have enjoyed deeply researching neglected subjects and writing about them in a way that appeals to both historians and general readers. For me the Civil War never grows stale, there are always little-used sources to research and fresh ideas to consider. The American Civil is omnipresent in my life—not excluding weekends and holidays!
I began reading Seasons of War while in a hospital waiting for my wife to come out of surgery. To my great surprise, I became so engrossed in this beautifully written and deeply moving book that it took my mind off any anxiety I was feeling.
First of all, Sutherland evokes a time—1861 to 1865—and a place—Culpeper County, Virginia—that turned out to be the great crossroads of the American Civil War. The two sides camped in, marched through, and fought over this strategic piece of real estate. This is the story of soldiers and civilians, of military campaigns, and the home front.
The book is filled with memorable figures from Jeb Stuart to Ulysses S. Grant to long-suffering women and children. Sutherland’s prose is venturesome, at times earthy, and always compelling.
The story of Culpeper County, Virginia, is a unique one in Civil War history. Nestled in one of the South's most strategically important locations, it was occupied by the Northern army, recaptured by the Confederacy, and finally ceded to the North. Told largely through the diaries, papers, and correspondence of residents, common infantrymen, and such eminent personalities as Robert E. Lee, Walt Whitman, Ulysses S. Grant, Clara Barton, and Stonewall Jackson, all of whom spent time in Culpeper, this story wonderfully captures both the intimacy and grandeur of war. Sutherland's account of the war is unlike any other. Both a…
