The most recommended biological warfare books

I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.

When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.

My name is Rachel Drummond, and I've had a passion for reading since primary school. Drawn to the books where the protagonist finds themselves needing to survive on their own. My mum challenged me to actually try write something to publish and I finally took her up on this. I wanted to create a world that skates the edge of ‘this could happen’ and superimpose a fictional situation over a place that is so recognisable, that if you drove through the town, you could use the book as a map. I write because I enjoy it, and because sometimes you need to kill someone without getting your hands dirty.

I am a quiet horror and apocalyptic fiction author with a love for all Horror, but I started with zombies. I have eight published books (three of which are zombie apocalypse novels) and short stories in a handful of zombie anthologies. My favorite movies (Dawn of the Dead remake, 28 Days Later, Shaun of the Dead, Rammbock: Berlin Undead) populate the zombie subgenre. I’ve participated in several zombie walks, written a zombie song and made a music video for it, and done zombie wound special effects makeup. Several of my plague short stories have won awards, including one about Norwegian sea zombies and another about a child-stealing plague.

Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man). 

I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.

I’ve always had a passion for story-telling, particularly when it involves a moral tale, or a strong moral theme. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and to write fiction and non-fiction. I wrote my first novel, An Accident of Birth, after reading a scientific study showing a generation-on-generation decline in male fertility. My second novel is the space opera, Galactic Alliance: Betrayal, and I’ve written a non-fiction reference book Brass and Glass: Optical Instruments and Their Makers. I live in Kent, England with my wife, Margo, and our cat.