100 books like The Windup Girl

What’s not to love about a book structured as a tree? This is a vast, episodic novel that takes traditional storytelling and turns it on its head.

A cast of characters connect through stories that grow from seed to trunk to limb. I finished this long read and immediately wanted to start again. It’s the kind of book that rewards a second or third pass. Complex, rife with science and faith and desperate longing, this book is a celebration of the tree, a clarion call to return our attention to our roots before it is too late.

One of Powers’ characters asks, “What do all good stories do?” He answers, “They kill you a little. They turn you into something you weren’t.” I think that’s true of all of these books, and most definitely this one.

The widening partisan divide between Red and Blue in the United States today gives me nightmares.

I read a lot of history, so I know how closely today’s divisions resemble those before the Civil War. Which is why Omar El Akkad’s American War resonates so deeply with me.

In 2074, four Deep South states secede over the passage of new legislation banning fossil fuels—and a Southerner assassinates the President.

The Red and Blue states are now at war again. And that’s my nightmare brought to life. 

Player Piano, Kurt Vonnegut’s first novel, was not, he said, “a book about what is, but a book about what could be.” Further, “it is mostly about managers and engineers” and more precisely, about automation and what American society could become if machines took over work, and labor, as we have known it, was made redundant. His imagined city of Illium was socially and physically split between the managers and engineers of its industrial plant and the former workers had been displaced by automation and now led meaningless lives of busy work provided by the government. The engineer Paul Proteus becomes disaffected and joins in a revolution being plotted against the new order. They succeed, but soon realize that the people of Illium were “already eager to recreate the same old nightmare.” The logic of the machine continued its sway.

I like that you have to watch Vonnegut carefully.… show more.

For me speculative fiction is about twisting one aspect of the real world, and then playing with the consequences. I love the way that Philip K Dick does this.

Some of his ideas seem absurd, but as a reader you quickly buy into them. This is not a traditional crime novel in any sense, but is about a bounty hunter tracking down escaped androids. As he confronts questions about his own humanity, it raises ethical issues for the reader as to what it is to be human.

Like all Dick’s works it is clever, entertaining, and thought-provoking.

I used to be paid to ponder the end of the world as we know it: I was a health editor during the early years of the COVID pandemic; at the same time, I was editing environmental stories.

What I loved most about this book is that the worst has already occurred, and the protagonist, a teenager, chooses her own new way to navigate what’s still to come. I was engaged by the concepts of resilience as a survival skill, reinvention as a necessity, and rebirth as an act of personal and global faith.

I am not a fan of religion as such, but this book made me believe.  

This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.

For me, the worst thing about New York is getting stuck in traffic.

In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.

In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.

I love Kazuo Ishiguro’s work and this is my favourite book of his.

Never Let Me Go is the fictional story of a childhood that initially seems acceptable, despite the early indications that something strange is going on. As the story proceeds, however, it becomes clear that this is a horrific world, one in which children are being grown for their organs.

But the power of the story for me is not the revelation itself but the way in which it is revealed, layer by layer, as the characters become older and more knowing. That experience of becoming aware that all is not right with your world, and then trying to come to terms with that, is something I can resonate with.

Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).

It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.

The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.

I fell in love with Murderbot in the first paragraph. Every book afterward in the series just made me love it more.

The hero of the Murderbot Diaries is part robot, part humanoid, and all done-with-everyone’s-crap. Everyone seemed to think that if a construct like it gained its freedom, it would rampage around killing everyone. Instead, it just wanted to be left alone to watch some good shows, and read a book or ten. Been there.

I cracked up at the sarcasm, got pulled in by the action, and felt the compassion that drove Murderbot to jump into the mouth of a deadly creature to save a human’s life. I went through the angst of Murderbot learning how to connect with people without compromising itself, and identified all too well.