Here are 100 books that All Systems Red fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.
This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I've been teaching and writing in the field of the history of technology for over six decades, and it's not too much to say that the field and my professional career grew up together. The Society for the History of Technology began in 1958, and its journal, Technology and Culture, first appeared the following year. I've watched, and helped encourage, a broadening of the subject from a rather internal concentration on machines and engineering to a widening interest in technology as a social activity with cultural and political, as well as economic, outcomes. In my classes I always assigned not only original documents and scholarly monographs but also memoirs, literature, and films.
Player Piano, Kurt Vonnegut’s first novel, was not, he said, “a book about what is, but a book about what could be.” Further, “it is mostly about managers and engineers” and more precisely, about automation and what American society could become if machines took over work, and labor, as we have known it, was made redundant. His imagined city of Illium was socially and physically split between the managers and engineers of its industrial plant and the former workers had been displaced by automation and now led meaningless lives of busy work provided by the government. The engineer Paul Proteus becomes disaffected and joins in a revolution being plotted against the new order. They succeed, but soon realize that the people of Illium were “already eager to recreate the same old nightmare.” The logic of the machine continued its sway.
I like that you have to watch Vonnegut carefully.…
Player Piano is the debut novel from one of history's most innovative authors, published on Vonnegut's 100th birthday.
In Player Piano, the first of Vonnegut's wildly funny and deadly serious novels, automata have dramatically reduced the need for America's work force. Ten years after the introduction of these robot labourers, the only people still working are the engineers and their managers, who live in Ilium; everyone else lives in Homestead, an impoverished part of town characterised by purposelessness and mass produced houses.
Paul Proteus is the manager of Ilium Works. While grateful to be held in high regard, Paul begins…
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come face to face with an otherworldly shark-toothed assassin.
Furious to learn she’s been enlisted by a clandestine race of beings against her…
"Be prepared for a long night of reading as the story unfolds. The end will leave you wanting more." - Goodreads Reviewer
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come…
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.
The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Sci-fi and fantasy give us permission to go places we might not go in this world. I am a big daydreamer and always have been. One of the most magical things about being a writer is that you get to design a world that lives only in your mind, and then share it with the reader. Like George R. R. Martin wrote, “A reader lives a thousand lives before he dies. The man who never reads lives only one.”
The story of people living in an underground Silo who don’t know why they're there, and only that the outside world is toxic and they must survive.
The characters in this story are heroic and relatable. I just wanted this book to keep going, and luckily there are two more in the series – Shift and Dust. The TV series is also a great addition and keeps a similar tone to the book.
SOON TO BE A MAJOR APPLE TV SERIES __________________________ 'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' DAILY EXPRESS
In a ruined and hostile landscape, in a future few have been unlucky enough to survive, a community exists in a giant underground silo.
Inside, men and women live an enclosed life full of rules and regulations, of secrets and lies.
To live, you must follow the rules. But some don't. These are the dangerous ones; these are the people who dare to hope and dream, and who infect others…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.
What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?
This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do.
WINNER OF THE HUGO, NEBULA, LOCUS, JOHN W. CAMPBELL AND COMPTON CROOK AWARDS
The Windup Girl is the ground-breaking and visionary modern classic that swept the board for every major science fiction award it its year of publication.
Anderson Lake is a company man, AgriGen's calorie representative in Thailand. Under cover as a factory manager, he combs Bangkok's street markets in search of foodstuffs long thought to be extinct. There he meets the windup girl - the beautiful and enigmatic Emiko - now abandoned to the slums. She is one of the New People, bred to suit the whims of…
Ross and I have backgrounds in academia, in the finest liberal arts tradition. Although we are currently in the fields of Information technology and public health, between us we have read extensively in military history, sociology, economics, feminist theory, Buddhist philosophy, mythology and all manner of fantasy fiction. This list of books reflects our favorites, in large part because of their focus on character and historical world-building. We are always eager to share our favorite fantasy fiction with other readers who love deeply complicated stories with unforgettable characters.
With a cover like a Halloween fever dream, I expected a lot of otherworldly gothic creepiness, which this book delivered. What I didn’t expect was Gideon, an unforgettable character whose unapologetic frankness is like a shot of whisky in what could otherwise be an overwrought space opera. It’s a bit of stretch to call this historical fantasy, but I love that the world-building implies a complex backstory both for the characters and their world. Which sets up a wonderfully weird juxtaposition of ancient and modern. Set in a feudal world, inhabited by undead necromancer lieges and their cavalier servants, I kept thinking, “Did Gideon just say that *&^$ to her master?” Yes, she did. And I was there for every word.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I have always loved science fiction. I spent years studying to be a scientist before I became a writer (I have a PhD in geophysics), and I love fiction that uses, remixes, and twists our weird and wonderful universe in interesting ways. But stories don't really grab me unless there is a strong emotional core. I need characters--I need people. And that's where my love of mysteries and thrillers comes in, with all the tragedy and trauma they can hold. This is the recipe for my ideal fiction: creepy mystery, human trauma, big ideas, weird science, and a little bit of a murder, as a treat.
Chasm City is part of Reynold's Revelation Space series, but this future-noir mystery is perfectly readable as a standalone. It follows a man on a mission of revenge, one that takes him into the crumbling, plague-ridden remains of a once-great civilization that has descended into chaos and squalor. The world-building is top-notch—this is a dying, decaying city that you can feel in your bones—and full mysteries that explore ideas of identity, memory, and redemption in a twisty mystery that ties together past, present, and future.
Come to Chasm City and embark on a mind-bending ride through the universe of Revelation Space
Tanner Mirabel was a security specialist who never made a mistake - until the day a woman in his care was blown away by Argent Reivich, a vengeful young postmortal. Tanner's pursuit of Reivich takes him across light-years of space to Chasm City, the domed human settlement on the otherwise inhospitable planet of Yellowstone.
But Chasm City is not what it was. The one time high-tech utopia has become a Gothic nightmare: a nanotechnological virus has corrupted the city's inhabitants as thoroughly as it…
As a kid, being shy and often scared witless of monsters under the bed, books were my refuge. I especially loved fantasy and great story-telling, which, at first, just took my mind off of things. Then, sneakily, the stories began to teach me how to find courage when facing monsters, as well as to value hopefulness, invention, and the study of science and nature. The earth is in a pickle now. There are monsters under the bed. We need science to help us find the right tools. We need stories to fire our inventiveness and our courage. Here are some great books for that. They will suit young readers and beyond.
I am fascinated by stories of robots evolving into sentient beings. For a change, in this one, the robots do not rise up to destroy their masters. Instead, we are invited into a funny, tender, and exciting tale about a robot who finds herself castaway on a wilderness island and must learn what her purpose is and how to survive. As she and the animals who live there grow closer and closer together, she begins to find a home in the wilderness. A rich story that works on many levels at once. It is a tale about the interdependence of all things in nature, as well as about the perils and possibilities that technology is bringing to us. Best of all, it’s about kindness.
'An engaging tale that explores many important themes. We can only hope that Roz serves as the template for all future robots. Peter Brown's illustrations are as marvellous as ever!' Coralie Bickford-Smith, author of THE FOX AND THE STAR
When robot Roz opens her eyes for the first time, she discovers that she is alone on a remote, wild island. She has no idea how she got there or what her purpose is - but she knows she needs to survive. After battling a fierce storm and escaping a vicious bear attack, she realises that her only hope for survival…
