I love to hear stories about how people solve problems, and I have been curious about how science works since I was 12 years old. A decade later, when I was 22 years old, some of my friends joked that I "spoke DNA," and it’s true that I have been obsessed with trying to understand the physical structures of DNA for more than four decades now. I live my life vicariously through my students and help them to learn to tinker, troubleshoot, and recover from their failures.
I love François Jacob’s book. One of my favorite quotes from this is, "Evolution is a tinkerer."
I think that this is a great insight from one of the founders in the field, who shared the Nobel prize in 1965, for showing how genetic information flows from DNA to RNA to protein and that the control or regulation of this could come from proteins binding to regions of DNA upstream from genes.
"The most remarkable history of biology that has ever been written."-Michel Foucault
Nobel Prize-winning scientist Francois Jacob's The Logic of Life is a landmark book in the history of biology and science. Focusing on heredity, which Jacob considers the fundamental feature of living things, he shows how, since the sixteenth century, the scientific understanding of inherited traits has moved not in a linear, progressive way, from error to truth, but instead through a series of frameworks. He reveals how these successive interpretive approaches-focusing on visible structures, internal structures (especially cells), evolution, genes, and DNA and other molecules-each have their own…
I remember my first ever houseplant—doesn’t everyone? It was a spider plant, just a small one grown as an offset from my mother’s vast ‘mother’ plant. Yes—two mothers! The plant and my green-fingered mother got me hooked on houseplants. As a social historian, I’ve written about all things to do with the home—clothes, gardens, even gardeners themselves but houseplants? Why was there no social history of plants in the home? Where did that spider plant come from? And when? The answer is Japan in the late 18th century. But the truth is that plants have been brought into homes for centuries and their stories are fascinating.
It is rumoured that this book has, at times, been the world’s best-selling non-fiction book after The Bible—quite a claim. Indisputable is that this book and its many reprints and updates remain for several generations, the one essential read for houseplant help. It was written by a scientist who worked for one of the world’s leading houseplant liquid feed after a radio appearance led to the company receiving thousands of letters asking for houseplant advice. Hessayon’s simple formula of basic photographs and short text has been much copied but never bettered.
Sam Kean is the New York Times bestselling author of five books, including The Bastard Brigade, The Dueling Neurosurgeons, and The Disappearing Spoon. He edited The Best American Nature and Science Writing in 2018, and his stories have appeared in The New Yorker, The Atlantic Monthly, The New York Times Magazine, and Slate. His work has been featured on NPR’s “Radiolab,” “Science Friday,” “All Things Considered,” and “Fresh Air,” and his podcast, The Disappearing Spoon, debuted at #1 on the iTunes charts for science podcasts.
A topsy-turvy look at biology from the point of view of the animals (and plants) that make it possible. Richly detailed and full of engrossing characters, from Darwin’s time up to the genetically engineered marvels of today.
"Endless forms most beautiful and most wonderful have been, and are being, evolved," Darwin famously concluded The Origin of Species, and for confirmation we look to...the guinea pig? How this curious creature and others as humble (and as fast-breeding) have helped unlock the mystery of inheritance is the unlikely story Jim Endersby tells in this book.
Biology today promises everything from better foods or cures for common diseases to the alarming prospect of redesigning life itself. Looking at the organisms that have made all this possible gives us a new way of understanding how we got here--and perhaps of thinking…
I’m a British science editor and author of a string of books on the scientific, medical, and social implications of advances in genetics research. I trained as a geneticist but found more personal satisfaction wielding a pen rather than a pipette. I’m especially drawn to science stories that have medical implications for the public and a strong narrative thread. Prior to writing Editing Humanity, I covered the race for the BRCA1 breast cancer gene (Breakthrough), the Human Genome Project (Cracking the Genome), and the rise of personal genomics (The $1,000 Genome). I’m currently writing a biography of sickle cell disease, arguably the most famous genetic mutation in human history.
British author, broadcaster and zoologist Matthew Cobb has written several books about the history of DNA research.
As Gods (the book’s original UK title is The Genetic Age) is a fast-paced analysis of “the thrilling and terrifying” 50-year history of genetic engineering and the rise of the biotechnology complex. But Cobb also asks tough questions regarding our propensity to meddle with nature, including the 2018 CRISPR babies scandal, reaching the unsettling conclusion that “dreams and nightmares must go hand in hand”.
The thrilling and terrifying history of genetic engineering
In 2018, scientists manipulated the DNA of human babies for the first time. As biologist and historian Matthew Cobb shows in As Gods, this achievement was one many scientists have feared from the start of the genetic age. Four times in the last fifty years, geneticists, frightened by their own technology, have called a temporary halt to their experiments. They ought to be frightened: Now we have powers that can target the extinction of pests, change our own genes, or create dangerous new versions of diseases in an attempt to prevent future…
My name is Rachel Drummond, and I've had a passion for reading since primary school. Drawn to the books where the protagonist finds themselves needing to survive on their own. My mum challenged me to actually try write something to publish and I finally took her up on this. I wanted to create a world that skates the edge of ‘this could happen’ and superimpose a fictional situation over a place that is so recognisable, that if you drove through the town, you could use the book as a map. I write because I enjoy it, and because sometimes you need to kill someone without getting your hands dirty.
I pulled this book out not really expecting much, I had read so many zombie stories that they were all starting to blend together at this point. So I was pleasantly surprised to read a new take, a group of terrorists threatening to use a bioweapon to create a race of zombies. This had very few dead spots, plenty of human/human and human/zombie action to keep me interested while still showing humanity and the conflict of morals when you need to take a life.
'When you have to kill the same terrorist twice in one week, then there's either something wrong with your skills or something wrong with your world. And there's nothing wrong with my skills.' Police officer Joe Ledger, martial arts expert, ex-army, self-confessed brutal warrior is scared. The man he's just killed is the same man he killed a week ago. He never expected to see the man again, definitely not alive, and definitely not as part of the recruitment process for the hyper-secret government agency the Department for Military Sciences. But the DMS are scared too - they have word…
I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.
One of the most treasured and unusual books in my personal library. It’s an encyclopedia from another world, entirely written in a made-up language. Page after page of haunting and strange illustrations, organized into specific categories and concepts. Sitting with this book transports me back to the time before I could read, when words felt like incomprehensible symbols. Taking the time to puzzle over this book feels like such a valuable experience. It takes me right out of the familiar ways of taking in information and puts me in a state of mind that has to search and consider the juxtaposition of images and ideas in totally new ways. I can’t recommend this book enough.
An extraordinary and surreal art book, this edition has been redesigned by the author and includes new illustrations. Ever since the Codex Seraphinianus was first published in 1981, the book has been recognized as one of the strangest and most beautiful art books ever made. This visual encyclopedia of an unknown world written in an unknown language has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, the Codex confused, fascinated, and enchanted a generation.
My education began in a one room school in rural western New York. A lonely, curious childhood led me to love reading, and to explore woods, fields, and creeks. After high school I had no expectations of college, but serendipity led me to earn science degrees from Cornell University and the University of Massachusetts. Soon serendipity struck again: I was hired for a rookie editing/writing job at a children's science magazine. Lucky me, my curiosity about "how" and "why" questions led to being an award-winning author of 125 books, some for adults, nearly all children's nonfiction—about history, environmental problems, ecology, lives of scientists, and many creatures—including some that fascinated me as a kid.
I am impressed by how the author packs into just 94 pages a wealth of basic information, and even some fascinating obscure details about the process of evolution.
It is generously illustrated with color photographs and charts. Drawings and captions show "How Fossils Form," "Geological Time," and "Evidence in the Rocks," and Anne Wanjie's text is inviting and clear.
This compelling text examines evolution, its definition, the scientific evidence that evolution has taken place, natural selection, Darwin’s Origin of Species, genetics and evolution, population genetics, patterns in evolution and species concepts, the story of life and geological time, and human evolution. The easy-to-follow narrative offers students additional biological information in sidebars, such as “Closeup” boxes that give details about main concepts, “Try This” boxes that provide safe experiments for readers to perform, “What Do You Think?” panels that challenge students’ reading comprehension, “Applications” boxes that describe how biological knowledge improves daily life, “Red Herring” boxes that profile failed theories,…
I am a classicist (Greek and Latin) and a serious student of history. Modernity has obsessed me for the last 10 years, how it unfolds, what its implications are, whether it generates more gains than losses, whether it’s changing us profoundly and whether we can dodge it or not. Because of this interest (which I lecture on often) I am fascinated to see modernity’s gleanings in earlier times and always curious to see what other critics make of it. Because its effects will only grow down the road, the task of understanding its mechanisms and outcomes is one of extreme urgency, as these books illustrate in different ways.
This book is one of the nuttiest I’ve read in its imaginings of a modern world on steroids. The part that teases most is that its predictions might come true.
I know our smartphones and laptops have changed our world, but cures that would extend longevity ad infinitum? Neural interfaces that would connect us directly to the internet? Nanobots that would reduce the cost of goods to zero?
Because the topic of modernity has come to engross me so, the big question always is, “How far will it carry us?” The answer to which (according to Kurzweil) is much farther than you can possibly imagine and much sooner than you think. One should have one’s mind blown every couple of years, and Kurzweil does exactly that.
"Startling in scope and bravado." -Janet Maslin, The New York Times
"Artfully envisions a breathtakingly better world." -Los Angeles Times
"Elaborate, smart and persuasive." -The Boston Globe
"A pleasure to read." -The Wall Street Journal
One of CBS News's Best Fall Books of 2005 * Among St Louis Post-Dispatch's Best Nonfiction Books of 2005 * One of Amazon.com's Best Science Books of 2005
A radical and optimistic view of the future course of human development from the bestselling author of How to Create a Mind and The Singularity is Nearer who Bill Gates calls "the best person I know at…
From my first foray into poetry when I was in high school, I've been creative writing for over fifty years. Poetry proceeded into writing alternative song lyrics to established songs while in college. After graduating I naively pursued a career as a professional song lyricist, achieving limited success and unable to continue. While in the midst of a long career in the landscape industry, upon realizing that I wanted to write a novel based on an idea I had, I eventually completed a supernatural thriller titled, The Poe Consequence. Years of watching detective shows and reading memorable crime thrillers provided the inspiration to write a murder mystery as well. You Say Goodbye is the result.
Scientific cloning fears come to life and the possible consequences of that dynamic?The protagonist, a geneticist, makes a startling and extremely consequential discovery and away we go. The story is a combination of science, crime drama, and bad guy intrigue that keeps the reader wondering how things will play out in terms of experiments and mysterious, secretive plots. Follett offers an array of engaging characters that left me pulling for some and proverbially punching others. As with the other Ken Follett novels I’ve read, the man does his research which offers educational elements as a bonus without it interfering with the flow.And the ending is a beauty.
Questions about who we really are in terms of ourselves and maybe, just maybe, a cloned twin ‘out there’ who apparently isn’t the nice person you are?Why and how could that be? Creative ideas such as this, from the imagination…
A thrilling, chilling story of hidden evil, The Third Twin is a heart-stopping, spine-tingling story from master of suspense, Ken Follett.
An Impossible Result Jeannie Ferrami, a scientific researcher investigating the behaviour of identical twins who have been raised separately, uncovers a perplexing mystery; identical twins who were born on different days, to different mothers, in different places.
A Blossoming Love One, Steve, is a law student and the other, Dennis, a convicted murderer. As Jeannie works with Steve on her project she finds herself falling in love with him, but their world is shattered when he is accused of…
A computer programmer turned author; I’ve been a fan of science fiction for as long as I remember. Star Wars, Dune, Alien, you name it. I’ve also been a follower of Christ since childhood and so enjoy stories where authors have a faith component to their work. It’s hard to imagine a future where belief systems won’t be in play—for good and evil. So, why not explore that element? Even if it means taking the Amish into space to encounter vampires? (As I did in one of my stories.) Hopefully, we discover something about ourselves and the world we live in along the way.
I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.
The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.
The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.
A planet on the edge of life. A woman on the edge of hope.
Microbiologist Graysha Brady-Phillips accepts a hazardous position assisting in terraforming the planet Goddard, partly to get out of debt and partly in desperate hope. There's a chance that the colonists are conducting illegal genetic research, which could provide a cure for the genetic disorder slowly killing her.
But genetic engineering is banned by the powerful Eugenics Board, and Graysha is the daughter of the board’s high commissioner. When the colonists discover her connection, she is ostracized—the possible penalties for conducting their…
