Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
A computer programmer turned author; I’ve been a fan of science fiction for as long as I remember. Star Wars, Dune, Alien, you name it. I’ve also been a follower of Christ since childhood and so enjoy stories where authors have a faith component to their work. It’s hard to imagine a future where belief systems won’t be in play—for good and evil. So, why not explore that element? Even if it means taking the Amish into space to encounter vampires? (As I did in one of my stories.) Hopefully, we discover something about ourselves and the world we live in along the way.
I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.
The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.
The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.
A planet on the edge of life. A woman on the edge of hope.
Microbiologist Graysha Brady-Phillips accepts a hazardous position assisting in terraforming the planet Goddard, partly to get out of debt and partly in desperate hope. There's a chance that the colonists are conducting illegal genetic research, which could provide a cure for the genetic disorder slowly killing her.
But genetic engineering is banned by the powerful Eugenics Board, and Graysha is the daughter of the board’s high commissioner. When the colonists discover her connection, she is ostracized—the possible penalties for conducting their…
My first passion, as a youngster, was speculative fiction—stories and comics that set the imagination ablaze with visions of wondrous possibilities and impossibilities. Later, my experiences of being queer, transgender, and autistic led me to an academic career in which I helped create the field of Neurodiversity Studies and something called Neuroqueer Theory (which is what you get when you mix Queer Theory and neurodiversity together and shake vigorously). These days I’m back to writing fiction, including the urban fantasy webcomic Weird Luck, and I’m thrilled to find myself part of an emerging wave of neuroqueer speculative fiction. Here are some of the best so far...
Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories,We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.
Death cults, queer love, and the end of everything.
Spaceships, man-eating lesbian mermaids, swords, spears, demons, ghouls, thieves, hitchhikers, and life in the margins. Margaret Killjoy’s stories have appeared for years in the science fiction and fantasy magazines both major and indie. Here, we have collected the best previously published work along with brand new material. Ranging in theme and tone, these imaginative tales bring the reader on a wild and moving ride. They’ll encounter a hacker who programs drones to troll CEOs into quitting; a group of LARPers who decide to live as orcs in the burned forests of…
When I look at the challenges our world faces, I find myself imagining how things could be better. For years, I've been captivated by the solutions that could bring about a better future. Through science fiction, especially in the books on this list, I seek out visions of better societies and ideas that could help shape a more hopeful world.
This is a captivating and thought-provoking novel set on a multi-generation starship traveling to another star. Robinson skillfully develops the characters' backgrounds and personalities.
I found the meticulous detail Robinson provides about the ship's design and operation particularly fascinating. The rotating artificial gravity, the precarious workings of the ship systems, and the ecological balance required to sustain life on the starship are described with such precision that Aurora feels like a real place.
The story takes unexpected turns, and through the struggles of the characters and the harsh realities of space colonization, he emphasizes that our home planet is irreplaceable and that it's a better choice to preserve it than to depend on the hope of life in outer space.
As a scientist, I love hard science fiction, especially when the story makes me think about the true nature of reality or takes me on an adventure to places unknown. We’ve all read the classics from Clarke, Heinlein, Bear, or Asimov. But books written decades ago are becoming increasingly dated as society progresses into a new century. (Will people of the future really chain smoke? And why are all the characters men?) Never fear, modern hard sci-fi is alive and well. Here are five recent books that tell an intriguing, uplifting, or awe-inspiring story. Even better than the classics, it’s hard sci-fi for the 21st century!
Rysa Walker offers a grab bag of fiction, from time travel to murder mysteries. Her latest series is an alien artifact story set on Mars.
An eccentric and not-so-honest billionaire is terraforming the planet (sound familiar?) and multiple factions of homesteaders are in conflict with the temporary workers. Enter a principled journalist who just wants to bring the breaking alien artifact story to readers back on Earth. She quickly learns that virtually no one on Mars can be trusted. In over her head, she has no ride home.
I like this story in part because Rysa is such a good writer, but also because it feels supremely relevant to our world today.
A chamber from an ancient civilization is uncovered deep below the surface of Mars. Science reporter Claire Echols is assigned to cover the story, but someone is determined to stop her. Is it the wealthy entrepreneur leading the ongoing terraforming effort? The mining companies desperate to protect their livelihoods? The cult leader who wants to put a stop to all scientific progress? Or is someone else so threatened by this discovery that they'll kill to keep it hidden?
Science Fiction can explore many themes, including relationships, philosophy, politics, and more. While this is common to many genres, SF is unique in that it also focuses on science-based “what ifs.” What if we could travel to distant stars? What if we could visit the past? The theme of “what if” hinges upon the forward progress of science. This explores the realm of the possible… a realm for which I am passionate.
Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.
The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!
The first novel in Kim Stanley Robinson's massively successful and lavishly praised Mars trilogy. 'The ultimate in future history' Daily Mail
Mars - the barren, forbidding planet that epitomises mankind's dreams of space conquest.
From the first pioneers who looked back at Earth and saw a small blue star, to the first colonists - hand-picked scientists with the skills necessary to create life from cold desert - Red Mars is the story of a new genesis.
It is also the story of how Man must struggle against his own self-destructive mechanisms to achieve his dreams: before he even sets foot…
My tagline is “sci-fi with heart and humor,” and that’s the core of who I am. Making others smile is my reason for being—whether that’s through the books I write, the silly things I say, or the crazy things I do. I’ve written twenty-eight books so far, and the purpose of every one of them is to make you giggle. I’ve written funny sci-fi, cheerful space opera, and a series of terrestrial romantic comedies set in a kitschy, over-the-top small town.
This book isn’t objectively funny, but it left me with a smile on my face. It has a well-written, believable, neurodiverse character who grabbed my heart. I have a child on the autistic spectrum, and Booth captured the essence of autism without slipping into the depressing parts.
Nexus’s confusion over things “normal” people do, for example, tickled my funny bone but didn’t make me laugh. The characters who help him on his journey aren’t sappy do-gooders but people who genuinely like him and want to help. The overall tone of the book made me believe the world could be a better place.
When Nexus catches the attention of the alien croc ambassador, his first space travel goes weirdly astray.
A backwoods Earth terraformer, young Nexus is awkward with people, good with creatures, at a time when the human worlds are bumping against the alien races who surround them.
He sets off to explore human space.
But to leave home, he must first repay a debt of honor, and smuggle a highly illegal sentient robot off-planet. Memory murky, the poor robot got stranded on Earth before Nexus was born.
Nexus is delighted when the alien ambassador boards his space train to Luna. Most…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Borges loved this 29-volume “book” and consulted it with near religious fascination.
Through all the volumes flows the colonial mind of the British Empire. Its desire to gather “all knowledge” and present it with an index.
What comes forth now are the fascinating, individual voices of the writers (whose work has been used to build Wikipedia) sounding out of the void.
The thing is, they’re all different. Some are clear and calm, some youthful and manic, others stodgy, snobbish. Maps of the States in 1906 have almost no highways, only topography.
A full-page plate, under “Cats,” where no cats appear, only their skins, showing the different patterns of their stripes.
This is a work of world-building, a terraforming “real” fiction. Repulsive, time-folding, fascinating.
Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.
How many times have I reread it? Science/futurist fiction in the style of an Odyssey-scale and -style epic poem about (yes) the terraforming of Mars, a spectacular interplanetary saga framed against the background of the struggle against a misanthropic and authoritarian “Ecotheism” that has taken over Earth, and ending with a long and compelling hymn to the result, a new start on our transformed sister planet. Ecotopia, in short... on Mars!
Originally published in 1988, Genesis was the first major work of fiction that addressed the idea of terraforming Mars. It not only suggested the idea, but provided a feasible solution for doing so. During its initial publication, Genesis was on the list of recommended reading at NASA, and has since gone on to enjoy cult status. Its acknowledged list of admirers includes such literary luminaries as Brian Aldiss, Amy Clampitt, Arthur C. Clarke, Thomas M. Disch, Kim Stanley Robinson, and Pulitzer Prize winning poet, James Merrill. It is with great pride that Ilium Press brings this influential and prescient work…
I’m proud to be Irish, from a long heritage of storytellers and poets. Science fiction grabbed me from the first Asimov books I found, and I see the genre as an exploration of possibilities. I volunteer at SF Cons, including Dublin’s Worldcon in 2019. My profession is tree surgery, with an early apprenticeship in demolition, all of which has brought me to interesting places. I also love horses and became a national standard showjumper. I’ve qualified in multimedia journalism and ecology. My novels explore the past, present, and future. I write crime, science fiction, romance, and YA stories, including the Irish Lockdown series about young people during the Pandemic.
In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span.
My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.
The first 100 scientists and engineers landed on Mars in 2027, their task to "terraform" the planet, creating an atmosphere, warming the environment, building human habitats, freeing the water trapped in underground aquifiers and seeding the new landscape. This book tells their story.
