As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Borges loved this 29-volume “book” and consulted it with near religious fascination.
Through all the volumes flows the colonial mind of the British Empire. Its desire to gather “all knowledge” and present it with an index.
What comes forth now are the fascinating, individual voices of the writers (whose work has been used to build Wikipedia) sounding out of the void.
The thing is, they’re all different. Some are clear and calm, some youthful and manic, others stodgy, snobbish. Maps of the States in 1906 have almost no highways, only topography.
A full-page plate, under “Cats,” where no cats appear, only their skins, showing the different patterns of their stripes.
This is a work of world-building, a terraforming “real” fiction. Repulsive, time-folding, fascinating.
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
I love this book for its science fiction and magical realism. This generational saga of a small town on a recently terraformed Mars is both a love letter to and an evolution on Gabriel Garcia Marquez’sOne Hundred Years of Solitude.
McDonald wanted to capture the frontier magic of a whole new world in a way that wasn’t just moving the American West to space, and in the end he breathes new life into one of the oldest tropes of SF, the colony story.
Charming, fantastical, and witty, it shares its source material’s deep humanism even in the face of cynical realism. It may very well be my favorite novel of all time, and luckily for all of us, there’s an equally great sort of sequel, Ares Express.
It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black's Wonderful Travelling Chautauqua and Educational 'Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.
Its inhabitants are just as storied. From Dr. Alimantando -- founder and resident genius -- to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the…
A computer programmer turned author; I’ve been a fan of science fiction for as long as I remember. Star Wars, Dune, Alien, you name it. I’ve also been a follower of Christ since childhood and so enjoy stories where authors have a faith component to their work. It’s hard to imagine a future where belief systems won’t be in play—for good and evil. So, why not explore that element? Even if it means taking the Amish into space to encounter vampires? (As I did in one of my stories.) Hopefully, we discover something about ourselves and the world we live in along the way.
I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.
The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.
The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.
A planet on the edge of life. A woman on the edge of hope.
Microbiologist Graysha Brady-Phillips accepts a hazardous position assisting in terraforming the planet Goddard, partly to get out of debt and partly in desperate hope. There's a chance that the colonists are conducting illegal genetic research, which could provide a cure for the genetic disorder slowly killing her.
But genetic engineering is banned by the powerful Eugenics Board, and Graysha is the daughter of the board’s high commissioner. When the colonists discover her connection, she is ostracized—the possible penalties for conducting their…
Science Fiction can explore many themes, including relationships, philosophy, politics, and more. While this is common to many genres, SF is unique in that it also focuses on science-based “what ifs.” What if we could travel to distant stars? What if we could visit the past? The theme of “what if” hinges upon the forward progress of science. This explores the realm of the possible… a realm for which I am passionate.
Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.
The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!
The first novel in Kim Stanley Robinson's massively successful and lavishly praised Mars trilogy. 'The ultimate in future history' Daily Mail
Mars - the barren, forbidding planet that epitomises mankind's dreams of space conquest.
From the first pioneers who looked back at Earth and saw a small blue star, to the first colonists - hand-picked scientists with the skills necessary to create life from cold desert - Red Mars is the story of a new genesis.
It is also the story of how Man must struggle against his own self-destructive mechanisms to achieve his dreams: before he even sets foot…
I’m proud to be Irish, from a long heritage of storytellers and poets. Science fiction grabbed me from the first Asimov books I found, and I see the genre as an exploration of possibilities. I volunteer at SF Cons, including Dublin’s Worldcon in 2019. My profession is tree surgery, with an early apprenticeship in demolition, all of which has brought me to interesting places. I also love horses and became a national standard showjumper. I’ve qualified in multimedia journalism and ecology. My novels explore the past, present, and future. I write crime, science fiction, romance, and YA stories, including the Irish Lockdown series about young people during the Pandemic.
In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span.
My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.
The first 100 scientists and engineers landed on Mars in 2027, their task to "terraform" the planet, creating an atmosphere, warming the environment, building human habitats, freeing the water trapped in underground aquifiers and seeding the new landscape. This book tells their story.
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
Most realistic fiction set on Mars is about small exploratory expeditions. There is surprisingly little available about colonization that doesn't bring in the discovery of intelligent inhabitants or a lost civilization, or at least traces of one having existed in the past. And the few novels with no fantastic elements tend to focus on political controversy. So I was happy to find this recent book that depicts what a colony on Mars might really be like. It's based on the board game "Terraforming Mars," which I haven’t seen, but doesn't depend on any knowledge of the game. The story is part murder mystery and while it’s intended to be entertainment rather than serious literature, it will be enjoyed by readers who are excited by the idea of settling a new world.
Mars is the new frontier for humanity, as we launch an epic saga of inspiring planetary exploration set in the award-winning Terraforming Mars boardgame
Mars, 2316. The recently created Terraforming Committee arbitrates the dramatic development of Mars by powerful rival corporations. When a rogue asteroid crashes into a research center and kills its lone technician, the fragile balance between corporations is shattered. The World Government's investigation into the accident reveals a multitude of motives, while a corporation insider stumbles on a dark conspiracy. Two Martians with very different agendas must navigate a trail of destruction and treachery to uncover the…
My first passion, as a youngster, was speculative fiction—stories and comics that set the imagination ablaze with visions of wondrous possibilities and impossibilities. Later, my experiences of being queer, transgender, and autistic led me to an academic career in which I helped create the field of Neurodiversity Studies and something called Neuroqueer Theory (which is what you get when you mix Queer Theory and neurodiversity together and shake vigorously). These days I’m back to writing fiction, including the urban fantasy webcomic Weird Luck, and I’m thrilled to find myself part of an emerging wave of neuroqueer speculative fiction. Here are some of the best so far...
Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories,We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.
Death cults, queer love, and the end of everything.
Spaceships, man-eating lesbian mermaids, swords, spears, demons, ghouls, thieves, hitchhikers, and life in the margins. Margaret Killjoy’s stories have appeared for years in the science fiction and fantasy magazines both major and indie. Here, we have collected the best previously published work along with brand new material. Ranging in theme and tone, these imaginative tales bring the reader on a wild and moving ride. They’ll encounter a hacker who programs drones to troll CEOs into quitting; a group of LARPers who decide to live as orcs in the burned forests of…
Pierce Brown has created an imaginative future closely aligned with a Roman world, yet existing in our own solar system and filled with characters you will want to root for or despise. I've read all five books and each continues with the original theme of a Roman hierarchy where those who are privileged control the lives and destinies of those beneath them. If this sounds a little like our current society, you have probably hit the nail on the head.
NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ENTERTAINMENT WEEKLY, BUZZFEED, GOODREADS AND SHELF AWARENESS
Pierce Brown's heart-pounding debut is the first book in a spectacular series that combines the drama of Game of Thrones with the epic scope of Star Wars.
**********
'Pierce Brown's empire-crushing debut is a sprawling vision . . . Ender, Katniss, and now Darrow' - Scott Sigler, New York Times bestselling author of Pandemic
'[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field' - USA Today
Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.
How many times have I reread it? Science/futurist fiction in the style of an Odyssey-scale and -style epic poem about (yes) the terraforming of Mars, a spectacular interplanetary saga framed against the background of the struggle against a misanthropic and authoritarian “Ecotheism” that has taken over Earth, and ending with a long and compelling hymn to the result, a new start on our transformed sister planet. Ecotopia, in short... on Mars!
Originally published in 1988, Genesis was the first major work of fiction that addressed the idea of terraforming Mars. It not only suggested the idea, but provided a feasible solution for doing so. During its initial publication, Genesis was on the list of recommended reading at NASA, and has since gone on to enjoy cult status. Its acknowledged list of admirers includes such literary luminaries as Brian Aldiss, Amy Clampitt, Arthur C. Clarke, Thomas M. Disch, Kim Stanley Robinson, and Pulitzer Prize winning poet, James Merrill. It is with great pride that Ilium Press brings this influential and prescient work…
When I look at the challenges our world faces, I find myself imagining how things could be better. For years, I've been captivated by the solutions that could bring about a better future. Through science fiction, especially in the books on this list, I seek out visions of better societies and ideas that could help shape a more hopeful world.
This is a captivating and thought-provoking novel set on a multi-generation starship traveling to another star. Robinson skillfully develops the characters' backgrounds and personalities.
I found the meticulous detail Robinson provides about the ship's design and operation particularly fascinating. The rotating artificial gravity, the precarious workings of the ship systems, and the ecological balance required to sustain life on the starship are described with such precision that Aurora feels like a real place.
The story takes unexpected turns, and through the struggles of the characters and the harsh realities of space colonization, he emphasizes that our home planet is irreplaceable and that it's a better choice to preserve it than to depend on the hope of life in outer space.
