Fans pick 81 books like Genesis

Callenbach’s tale of ecological secession by Washington, Oregon, and Northern California remains an inspiration to those who believe another world is possible.

Callenbach imagined cheap solar electricity and newspapers being delivered through what was, essentially, street corner fax machines. Right on the first, wrong on the second. Unfortunately, Callenbach’s novel is sexist and even a little racist in places, and its utopian vision is unlikely to ever materialize. 

The Biosphere 2 project was the wackiest multimillion-dollar enterprise to emerge from the New Age movement. This book is a nonfiction account of how a New Mexico commune, with a charismatic leader, developed a plan to test the viability of off-planet living by creating a sealed-off biosphere, which would be a self-sustaining and organizing ecosystem in which humans could survive. The goal was to create not a sterile environment but one that supported life that would make off-planet living appealing. The four men and four women sequestered for two years in the 3.14-acre domed-off area outside Tucson grew into two factions that hated one another. All came close to starvation, CO2 poisoning, and madness. For readers that simply must have narrative in fiction form, T. Corraghesson Boyle’s The Terranauts is based on this same early 1990s episode. 

This book shifted the way I think about climate change and made me appreciate a renewed focus on the biodiversity crisis, which is just as urgent.

Eisenstein presents alternative ways of framing and thinking about these issues and always leaves you with something to think about. One small caveat is that there is some science skepticism in here and some less-than-stellar ideas—you’ll just have to use your own judgments.

Eisenstein’s books are always a mixed bag, but I really felt like most of this one resonated with me and challenged me in all the right ways.

Architect-philosopher Paolo Soleri writes in an oracular style introducing his way-outsized book of designs for hyper-dense, concrete-megastructure cities in the deserts or oceans or even in space, none actually realized except for a very small prototype called “Arcosanti” in the high plateaus north of Phoenix, a campus that could have been built in a summer by a middle-sized reinforced-concrete contractor but in fact has been slowly erected by trainee-volunteers and a diehard community of followers over the last half-century. But there is something to it. “Tightly-woven minimalist packages will become mandatory.” I recommend the tabloid-sized original edition: it fits the buildings.

Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.

The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!

In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span. 

My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.

Most realistic fiction set on Mars is about small exploratory expeditions. There is surprisingly little available about colonization that doesn't bring in the discovery of intelligent inhabitants or a lost civilization, or at least traces of one having existed in the past. And the few novels with no fantastic elements tend to focus on political controversy. So I was happy to find this recent book that depicts what a colony on Mars might really be like. It's based on the board game "Terraforming Mars," which I haven’t seen, but doesn't depend on any knowledge of the game. The story is part murder mystery and while it’s intended to be entertainment rather than serious literature, it will be enjoyed by readers who are excited by the idea of settling a new world.

I love this book for its science fiction and magical realism. This generational saga of a small town on a recently terraformed Mars is both a love letter to and an evolution on Gabriel Garcia Marquez’s One Hundred Years of Solitude.

McDonald wanted to capture the frontier magic of a whole new world in a way that wasn’t just moving the American West to space, and in the end he breathes new life into one of the oldest tropes of SF, the colony story.

Charming, fantastical, and witty, it shares its source material’s deep humanism even in the face of cynical realism. It may very well be my favorite novel of all time, and luckily for all of us, there’s an equally great sort of sequel, Ares Express.

Rysa Walker offers a grab bag of fiction, from time travel to murder mysteries. Her latest series is an alien artifact story set on Mars.

An eccentric and not-so-honest billionaire is terraforming the planet (sound familiar?) and multiple factions of homesteaders are in conflict with the temporary workers. Enter a principled journalist who just wants to bring the breaking alien artifact story to readers back on Earth. She quickly learns that virtually no one on Mars can be trusted. In over her head, she has no ride home.

I like this story in part because Rysa is such a good writer, but also because it feels supremely relevant to our world today.

I recommend this book because it is my favorite modern sci-fi series. What gripped me with this was the overall premise of the story.

This story starts with the curtain being dropped for the book’s MC, and he realizes his life is not what it seems and his people are nothing more than slaves for a higher order. He sets out to change that. It is an amazing story that took the battle-school trope that I loved in Ender’s Game to a whole new level. I instituted the trope into my book and feel it has a good balance between the YA version of Ender’s Game and the very mature version of Red Rising.

This is my first foray into actual science fantasy, and it definitely influenced my work.