100 books like Desolation Road

It’s kinda funny; I actually didn’t finish this book the first time around. I don’t even remember why. I tend to juggle a lot of books and sometimes get distracted, and to be fair, this book doesn’t necessarily start with much of a bang. But man, oh man, was I hooked on the journey once I sank my teeth into the seven pilgrims’ stories and really got going. The worlds are fantastically imagined, and the mysteries (of the Shrike and of everything else) kept me turning pages in the best way possible.

Love or hate the rest of the series, I’ll never forget my time with Hyperion. It stands in my mind as a shining example of what sci-fi worldbuilding can be on a similar level to what Frank Herbert accomplished in Dune (which absolutely deserves an honorary spot on this list but won’t be included because it’s getting… show more.

This science fiction and mystery story is about an astronaut from a world without men crashes on Earth and blows all our minds… except we’re also reading a story about a woman living in our 1970s, and a parallel Earth where WWII never happened… it gets a little confusing, in a really fun way.

Russ uses this engaging, sometimes funny, sometimes tragic multiverse story to explore topics of sex essentialism and gender fluidity in a way that still feels bracing and mind-expanding today.

You could say this is as much a philosophical treatise as a novel but that makes it sound like it isn’t any fun, when in fact it’s a blast. If you’re open to a far-out read you will not be disappointed.

I grew up reading Isaac Asimov, and it must be at least forty years since I first read this.

Far in the future, a New York detective is partnered with a robot to investigate the murder of a leading citizen. At the heart of the book is an intriguing murder mystery. However, what makes this a favourite of mine is the growing relationship between the two investigators.

Asimov wrote this to prove that crime and science fiction are not incompatible genres – and succeeded brilliantly, paving the way for those who have followed him.

I absolutely cannot spoil what might be the greatest twist in genre lit, so you’re just going to have to take my word on this one.

Lee was a master of character-driven plots and this one starts with an oldie but goodie trope: the character who wakes up with amnesia and has to explore a whole world to find herself. Our heroine has no name and no face—she always wears a mask—but the mystery of why she does so will keep your turning page after page.

If the title alone doesn’t make you want to read this book, you need to ask what happened to your sense of wonder. Don’t worry, though, because this novel will bring it back from the dead.

I loved this collection of short stories primarily for the characters that Kevin Wilson created. The humanity and eclectic traits that he puts into them connected with me on a personal level. It’s almost as if the characters could live in a Wes Anderson film. While the people shine in these stories, the plots still have that inventive odd twist that left me smiling. And the story from which the collection takes its name was a melancholic surreal tale that left me thinking about its layers of meaning long after I finished reading it.

In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span. 

My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.

Natsuki is an outsider to polite Japanese society. She is content with an asexual-by-design marriage and comfortable questioning the norms and expectations of marriage and babies. She also has an alien called Piyyut living in her backpack, which happens to be a talking plush hedgehog.

Wherever you think this bizarre, bonkers novel is going, it goes even further–I read the final pages with my jaw basically detached.

I came across this novel after I started following the author on Instagram. It was my first time dabbling in magical realism, and I found myself instantly hooked. Angie is an overweight, fifty-year-old housecleaner with a special skill—she can see the dead. Despite her best efforts to ignore her intuition, the spirits follow her, seek her out, and try to absorb and siphon her human powers. I love the arc of this novel, following the most unlikely of heroines into a death-defying struggle, where she learns that she is stronger than she ever thought possible and more importantly, she doesn’t need anyone else to save her. I rooted for her the entire way through, and now I’m excited to hear the author is making this into a trilogy.

I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.

The title story of this brilliant collection is a very funny alien invasion story told from the point of view of a woman who is convinced that the invasion is all about her. The other stories are similarly quirky and delightful.

The late Carol Emshwiller was a groundbreaking visionary writer who began publishing her funny, intriguing, unusual work after she was 30 and had to pry writing time away from the demands of her growing family.

When necessary, she would empty out the playpen in her living room, get into it with her typewriter, and work on her fiction while her preschool children enjoyed the freedom of the apartment. She was known for avant-garde approach, unreliable narrators, quirky humor, and a liberal, feminist outlook. 

Recipient of the Nebula and the  Philip K. Dick Award. The late Ursula K. LeGuin called her "a major fabulist, a marvelous magical realist, one of… show more.