I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
Time and again, I’ve given this book to folks in need of inspiration or opened it on a bad day to remind myself of the astonishing inventiveness, generosity, and stamina working people possess.
Recounting the life of a Mexican-American farm worker who became a community activist and union organizer, the book emerged from hundreds of hours of conversation in which Maria Elena Lucas told her story to Fran Leeper Buss and from hundreds of pages of creative writing Lucas had earlier produced. The result is riveting, because of the breadth of Lucas’s experience and the depth of what she shares about her inner life.
Especially stirring to me are the passages that lay out a personal theology that sees the divine in ordinary people and identifies God as a woman of color seeking the best for her children.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
Though naive and sheltered, Felicita nonetheless makes the courageous decision to run away from home to escape an arranged marriage.
One of the things I loved about her character development was that even though she's committed to escaping her privileged upbringing, she still yearns to return and genuinely considers doing so multiple times–she longs for the comforts of wealth, and she's often surprised by just how difficult it is to live like the working class, sleeping on a hard floor and scrubbing dishes for ten hours a day for meager pay. She's not someone who immediately sheds her privilege and judgment and blends seamlessly into her new surroundings. Rather, she struggles immensely and has a huge blind spot when it comes to what her wealthy family is capable of.
In sixteen-year-old Felicita's world, magic is strictly controlled - or so those in power like to believe. After her dearest friend, Ilven, kills herself to escape an arranged marriage, Felicita chooses freedom over privilege. She fakes her own death and leaves her sheltered life as one of Pelimburg's magical elite behind. Living in the slums, scrubbing dishes for a living, she falls for charismatic Dash while also becoming fascinated with vampire Jannik. Then something shocking washes up on the beach: Ilven's death has called out of the sea a dangerous, wild magic. Felicita must decide whether her loyalties lie with…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
I have an unusual personal history. I majored in math in college and aspired to a life as a scientist. However, the civil rights movement and other events of the 1960s and 1970s inspired me to switch and earn a doctorate in sociology. (Which considers itself a science.) My first faculty position, at Yale beginning in 1972, involved a joint appointment in the Sociology Department and the Institution for Social and Policy Studies, which focused on public policy. During the remainder of my career I have worked and published together with economists and sought to do research that uses the perspectives of both fields.
Sociologist Cherlin was one of the earliest researchers to become aware of the importance of how, during the second half of the 20th century, during the computer revolution when skill demands of jobs were increasing, the job market collapsed for workers without a college education.
Without a stable job paying a living wage, men and women without a 4-year college education could not see their way to a stable marriage that prepared children for school and life success. This decimated blue-collar families, and led to "culture wars," and working-class resentment of college-educated elites.
Many of these less-educated individuals have left their traditional place in the Democratic party, and come to form Trump's and the Republican's voting base.
Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This is the debut novel by Ely Percy, and tells the story of Kirsty Campbell, an ordinary Scottish girl as she navigates her way through high school in Renfrewshire.
An extremely relatable novel, it is told in short, buzzy chapters, and I love it for relating the best of what a Scottish working-class childhood can give you – resilience, humour, and the will to succeed. The book covers issues like teen pregnancy, drugs, and violence, but it does so without lecturing; rather, it celebrates what it means to be brought up in contemporary, working-class Scotland.
Duck Feet is a coming-of-age novel, set in the mid-noughties in Renfrew and Paisley, Scotland.
It follows the lives of 12-year-old Kirsty Campbell and her friends as they navigate life from first to sixth year at Renfrew Grammar school. This book is a celebration of youth in an ever-changing world. It uses humour to tackle hard-hitting subjects such as drugs, bullying, sexuality, and teenage pregnancy. But moreover, it is a relatable and accessible portrait of figuring out who you are, plunging into the currents of life, and most of all, finding hope.
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Probably my favourite book, this is BS Johnson’s most fun novel. It’s about a man who decides the world is in debt to him, and sets out to redress the balance, often murderously. Johnson doesn’t so much break the fourth wall as grind it up for pudding. Christie Malry’s Own Double-Entry is very dark, very funny, and a small masterpiece.
Christie Malry is a simple person. Born into a family without money, he realised early along in the game that the best way to come by money was to place himself next to it. So he took a job as a very junior bank clerk in a very stuffy bank. It was at the bank that Christie discovered the principles of double-entry book keeping, from which he evolved his Great Idea. For every offence Christy henceforth received at the hands of a society with which he was clearly out of step, a debit must be noted; after which, society would…
A Chicago writer, I've always been drawn to quirky books. My first novel, The Prospect of My Arrival, was a finalist in Amazon's novel contest and centers on a human embryo that is allowed to preview the world. My current work-in-progress is nonfiction. The Invention of Fireflies is a memoir of the magical and monstrous moments of my life. Varied day jobs have included being a professional cuddler, web designer, and caregiver. Affirmative Entertainment represents me for possible movie/TV projects. My work was selected for inclusion in the HBO New Writers Project, The Norton Introduction to Literature, many textbooks, and anthologies.
If ever there was a book that cast a spell over me, it was Incendiary. The novel is written as a letter to Osama Bin Laden; the letter writer is a woman whose husband and son were killed in a terrorist attack. How male author Chris Cleave manages to speak in the voice of a heartbreakingly traumatized, possibly drunk woman is a true act of ventriloquism. I could imagine the whole thing performed on a black box stage as a monologue and it would be riveting. The heroine's rage is understandable throughout the course of the story. What is surprising is her grace, her sense of humor, even her tenderness toward the man who destroyed her family. At one point she urges him to "stop making boy-shaped holes in the world."
You aren't stupid. You know there's no such thing as a perfect mother. Plenty of other books will tell you there is, but this one won't lie to you.
I was weak and I cheated and I was punished, but my god I loved my child through all of it. Love means you never break, and it means you're stronger than the things they do to you. I know this is true because I have been through fire, and I am the proof that love survives.
I am not a perfect mother but I will tell you the perfect truth,…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
I could have mentioned other books written by E.P. Thompson. Each of his books has influenced my work.
Customs and Tradition contains "Time, Work-Discipline and Industrial Capitalism." This brilliant and elegantly written essay shows how capitalism, to impose itself, had to modify the experience of time. This change occurred through numerous conflicts with the traditions and customs of the working classes.
E.P. Thompson teaches us to consider the political importance and emancipatory potential of these struggles and not to leave "tradition" and its energy to the right.
E.P. Thompson taught me to look at these conflicts not just as forms of resistance, but as tensions between mutually incompatible legal systems. A useful corrective to Foucault.
Customs in Common is the remarkable sequel to E.P. Thompson's influential, landmark volume of social history, The Making of the English Working Class. The product of years of research and debate, Customs in Common describes the complex culture from which working class institutions emerged in England a panoply of traditions and customs that the new working class fought to preserve well into Victorian times.
In a text marked by both empathy and erudition, Thompson investigates the gradual disappearance of a range of cultural customs against the backdrop of the great upheavals of the eighteenth century. As villagers were subjected to…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project.
The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages.
The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational.
The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."
The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.
The Ragged Trousered Philanthropists tells the story of a group of working men in the fictional town of Mugsborough, and socialist journeyman-prophet Frank Owen who attempts to convince his fellow workers that capitalism is the real source of the poverty all around them.
Owen's spirited attacks on the greed and dishonesty of the capitalist system, and support for a socialist society in which work is performed to satisfy the needs of all, rather than to generate profit for a few, eventually rouses his fellow men from their political passivity.
Described by George Orwell as a piece of social history and…
