Here are 100 books that The Corpse Walker fans have personally recommended if you like
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I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
Ida B. Wells was a journalist. She was also an organizer of an anti-lynching campaign.
She’s a wonderful example of a woman who ignored the limitations the world of the time set on her to do what she felt was needed. She and others collected accounts of lynchings, many of them from white newspapers and published them to force society to confront the fact that they were happening.
As a young woman she sued a railroad for physically ejecting her from a carriage because she was African American. She won.
She’s just a great example of a young woman bucking the system. I’m so glad my feminine forebearers did!
"She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country."-Alfreda M. Duster
Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a…
The Beatles are widely regarded as the foremost and most influential music band in history and their career has been the subject of many biographies. Yet the band's historical significance has not received sustained academic treatment to date. In The Beatles and the 1960s, Kenneth L. Campbell uses The…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
This book wrecked me; it’s such a deep dive into the lives of the woman brutally murdered by Jack the Ripper. Rubenhold reconstructs their lives with great empathy, bringing them to the forefront of the story. The five were real women who felt love, pain, and hope—not faceless victims of sensationalized murder.
These women are often portrayed as “five prostitutes” in pop culture, but Rubenhold shows that there is no evidence of sex work for most of the women. This book pulls back the curtain on the tension, violence, poverty, and heartbreak in Victorian London. This book brought me to absolute tears.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
This 1934 work tells the moving story of a young country girl called Cuicui and her ferryman grandfather. As the girl comes of age, she catches the eye of two brothers. It’s a simple plot but beautifully told, with sympathetic depictions of the common folk and rich nostalgic evocations of rural life. The “border” in the title refers to the West Hunan setting near the provincial border with Sichuan. The area is also a cultural border between the Han and various minorities. Shen Congwen grew up there and was himself of mixed heritage. Chosen to receive the 1988 Nobel Prize in Literature, he died before the announcement, and the prize – following the rule against awarding posthumously – went to another writer.
Originally published in 1934, "Border Town" tells the story of Cuicui, a young country girl who is coming of age during a time of national turmoil. The granddaughter of a poor ferryman, Cuicui grows up in Chadong, a small town in China's exotic southwestern frontier, where she is sheltered from the warlord fighting that was prevalent in China in the 1920s. Like any teenager, Cuicui dreams of romance and finding true love. She's caught up in the spell of the local custom of nighttime serenades, but she is also haunted by her grandfather's aging and imminent death. Both Cuicui and…
With Franklin Roosevelt’s death in April 1945, Vice President Harry Truman and Senator Arthur Vandenberg, the Republican leader on foreign policy, inherited a world in turmoil. With Europe flattened and the Soviets emerging as America’s new adversary, Truman and Vandenberg built a tight, bipartisan partnership at a bitterly partisan time…
I arrived in China in 1995 as one of the country’s first Peace Corps volunteers, and for over a decade lived in rural Sichuan, historic Beijing, and arcadian Jilin. These settings inform my trilogy of books about daily life in corners of the country overlooked by correspondents. I’ve won a Whiting Writers’ Award, a Guggenheim Fellowship, two Lowell Thomas Awards for travel writing, and I am currently a Fulbright Scholar in Taiwan. I’m a member of the National Committee on United States-China Relations‘ Public Intellectuals Program, a recipient of a 2017 National Endowment for the Humanities Public Scholar Fellowship, and a Professor of English at the University of Pittsburgh, where I teach nonfiction writing.
Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.
When the three novellas in The King of Trees were published separately in China in the 1980s, "Ah Cheng fever" spread across the country. Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student's obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children-made into an award-winning film by Chen Kaige, the…
I arrived in China in 1995 as one of the country’s first Peace Corps volunteers, and for over a decade lived in rural Sichuan, historic Beijing, and arcadian Jilin. These settings inform my trilogy of books about daily life in corners of the country overlooked by correspondents. I’ve won a Whiting Writers’ Award, a Guggenheim Fellowship, two Lowell Thomas Awards for travel writing, and I am currently a Fulbright Scholar in Taiwan. I’m a member of the National Committee on United States-China Relations‘ Public Intellectuals Program, a recipient of a 2017 National Endowment for the Humanities Public Scholar Fellowship, and a Professor of English at the University of Pittsburgh, where I teach nonfiction writing.
If you read only one book set in Beijing, let it be this one. During the Japanese occupation, a rickshaw puller named Xiangzi ping-pongs between success and misfortune in his quest to one day own a vehicle of his own. The author, a Manchu who grew up in the capital’s dense net of hutong alleyways, knows his material and his city unlike any Beijing writer before or since, especially its fatalist sense of humor. The editor of its first American edition changed the ending so everyone lived happily-ever-after. Lao She knew better; three decades later, he was among the most prominent casualties of the Red Guards.
A beautiful new translation of the classic Chinese novel from Lao She, one of the most acclaimed and popular Chinese writers of the twentieth century, Rickshaw Boy chronicles the trials and misadventures of a poor Beijing rickshaw driver. Originally published in 1937, Rickshaw Boy—and the power and artistry of Lao She—can now be appreciated by a contemporary American audience.
I’ve been fascinated by China and Chinese culture since I was a kid. I had bilingual books with Chinese characters on one page and an English translation on the other. I’d spend hours looking for patterns to match characters to their English meaning. That process became easier once I started studying Chinese at university. I’ve since lived in Beijing and Shanghai and return to China regularly, either by plane or by book.
Written in the 1940s, this book takes readers to Hong Kong as the Japanese occupation replaced the British colony. It’s mostly a love story in which the intensity of war reflects the passion of emotions and the restraint on actions.
But like all of Eileen Chang’s works, it’s also beautifully written. Though the fall of Hong Kong is at the heart of the novella, I’ve always found the city less important in the story than the domestic settings. When the Bai family talks, I’m in the room, sitting in a wingback chair, sipping green tea, and listening.
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China.
A New York Review Books Original
“[A] giant of modern Chinese literature” –The New York Times
"With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can…
An eyewitness account of the first major international war-crimes tribunal since the Nuremberg trials, Twilight of Impunity is a gripping guide to the prosecution of Slobodan Milošević for war crimes, crimes against humanity, and genocide committed during nearly a decade of wars in the former Yugoslavia.
We think we know the American founders, who have offered subject matter for countless biographies. But those piles of books on the same circle of founders tend to flatten them out with a tiresome formula. Aren't there other ways to approach the lives of figures at the heart of the nation's earliest, formative years? As a U.S. historian, I prefer exploring that important time and place through less-traveled byways. I got pulled into that world by attempting to spin Robert Morris’s dramatic rags-to-riches-to-rags story in Robert Morris’s Folly. The other characters on this list have further widened those horizons for me.
Jill Lepore is a Swiss-Army-Knife historian, capable of tackling any topic in American history with verve. Here she offers a biography of Jane Franklin Mecom, best known as Benjamin Franklin's younger sister. Jane's life gives us a wonderful foil for "Benny," who arose from obscurity in Boston to the center of the American stage. Lepore keeps the dual narratives moving briskly along while also opening a window on how biographies are assembled.
Along the way, the reader finds recipes for making soap, an assortment of maxims from Poor Richard and Silence Dogood, family gossip and tragedies, Jane's reactions to rising Revolutionary violence, her fear of dementia in old age, and the idiosyncrasies of Benjamin Franklin's earliest biographers. The chatter between the siblings, on matters large and small, is captivating. Lepore has to fill in many gaps in the source material to complete the life of Jane Mecom, but the pleasure…
ONE OF THE BEST BOOKS OF THE YEAR NPR • Time Magazine • The Washington Post • Entertainment Weekly • The Boston Globe
A NEW YORK TIMES NOTABLE BOOK
From one of our most accomplished and widely admired historians—a revelatory portrait of Benjamin Franklin's youngest sister, Jane, whose obscurity and poverty were matched only by her brother’s fame and wealth but who, like him, was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator.
Making use of an astonishing cache of little-studied material, including documents, objects, and portraits only just discovered, Jill Lepore…
There's magic in a book that opens a window to the lives of ordinary people who lived in a time and place very different from our own. That’s why I enjoy exploring these stories. The narratives of the famous are often polished to the point that all the odd edges of a delicious pea soup or a long trip in uncomfortable boots are worn away. But I love these little details: how certain boarding house rules meant women had no place to stay when Jack the Ripper was prowling, or how a journal might consist of rag paper with a hand-stitched binding. They show us a distant era, but also reinforce our common humanity.
Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.
This amazingly wise and nimble collection investigates the horrors inflicted on so-called "witches" of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives. In one essay about a trial, we learn through folklore that Jesus's mother was a midwife who cured her own son's rheumatism. In other essays there are subtle parallels to contemporary discourse around abortion and environmental destruction. Nuernberger weaves in her own experiences, too. There's an ironic look at her…
I grew up in China during the years of the one-child policy. In 1989 I joined millions of people in the pro-democracy protests. Our hope and joy were crushed by the Tiananmen Square Massacre. A year later, I left China and came to the States. I wanted to write a story about the students’ fight but create a more meaningful arc. It took me twenty years of soul searching to find my story. At the heart of my novel Living Treasures is a metaphor for the Tiananmen Square Massacre. My heroine continues the fight by doing grassroots work and helping rural women, who are victimized by the one-child policy.
Mei Fong has spent years documenting and traveling across China to meet the people who live with the consequences of the draconian one-child policy. I was riveted by this slim but expansive book, its searing clarity, deep compassion, and unflinching interrogation only avail to an outsider unhampered by the censorship in China. Mei Fong explores in depth how the one-child policy has changed every facet of social life from cradle to grave: courtship, marriage, women’s work, only children, adoption/baby trafficking, surrogate, IVF, aging, retirement, hospice/death, and much more. Weaving in with the author’s own quest to become a mother, Mei Fong weighs the cost of parenthood and asks the hard question: Why do we have children?
Tang Shuxiu and her husband are on an 800-mile train journey from Beijing to Shifang, where they believe their only child has perished in a recent earthquake. Three days after the event, Tang is too dehydrated to cry.
Liu Ting becomes a national hero when he brings his mother to college, a celebration of filial piety in a nation that now legally compels adult children to visit their elderly parents.
Tian Qingeng and his parents are deeply in debt. They have bought an apartment they hope will improve his eligibility in a nation that has 30 million bachelors, or 'bare…
Bernardine's Shanghai Salon
by
Susan Blumberg-Kason,
Meet the Jewish salon host in 1930s Shanghai who brought together Chinese and expats around the arts as civil war erupted and World War II loomed on the horizon.
Bernardine Szold Fritz arrived in Shanghai in 1929 to marry her fourth husband. Only thirty-three years old, she found herself in…
I grew up in China during the years of the one-child policy. In 1989 I joined millions of people in the pro-democracy protests. Our hope and joy were crushed by the Tiananmen Square Massacre. A year later, I left China and came to the States. I wanted to write a story about the students’ fight but create a more meaningful arc. It took me twenty years of soul searching to find my story. At the heart of my novel Living Treasures is a metaphor for the Tiananmen Square Massacre. My heroine continues the fight by doing grassroots work and helping rural women, who are victimized by the one-child policy.
As a writer who works under China’s censorship, Mo Yan spins literary gold in his novel Frogby blending high farce with social commentary. Narrator Tadpole’s aunt Gugu, a feisty woman with extraordinary gifts, evolves from a legendary midwife to a demonic one-child policy enforcer, then becomes an incorrigible go-between for surrogate and intentional parents. Readers see how China and rural Gaomi townships have changed, almost beyond description, from Maoist times to the current hyper-capitalistic phase. Much of the story is funny, brutal, yet firmly grounded, as people endure, and many perish during a half-century of social and political turmoil.
A NEW YORK TIMES TOP BOOK OF THE YEAR WASHINGTON POST NOTABLE BOOK
From the Nobel-prize winning author of Red Sorghum and one China's most revered writers, a novel exploring the One-Child Policy
Before the Cultural Revolution, Gugu, narrator Tadpole's feisty aunt, is a respected midwife in her rural community. She combines modern medical knowledge with a healer's touch to save the lives of village women and their babies. Gugu is beautiful, charismatic, and of an unimpeachable political background.
After a disastrous love affair with a defector leaves Gugu reeling, she throws herself zealously into enforcing China's draconian new family…