100 books like Rickshaw Boy

This 1934 work tells the moving story of a young country girl called Cuicui and her ferryman grandfather. As the girl comes of age, she catches the eye of two brothers. It’s a simple plot but beautifully told, with sympathetic depictions of the common folk and rich nostalgic evocations of rural life. The “border” in the title refers to the West Hunan setting near the provincial border with Sichuan. The area is also a cultural border between the Han and various minorities. Shen Congwen grew up there and was himself of mixed heritage. Chosen to receive the 1988 Nobel Prize in Literature, he died before the announcement, and the prize – following the rule against awarding posthumously – went to another writer. 

Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.

The 27 interviews in The Corpse Walker are selected from the 60 interviews in Liao Yiwu’s book, originally titled Interviews with People from the Bottom Rung of Society in Chinese. Liao gives voices to social outcasts: a human trafficker, corpse walkers, a leper, a peasant emperor, an abbot, a mortician, a Tiananmen father, artists and shamans, crooks, even cannibals. Ironically, every one of them speaks more honestly than Chinese official media, which causes the book to be banned in mainland China. These are the stories of unsung heroes and epic tragedies, but to me, most importantly, the work that people performed, the families they raised, many lost to famines, political purges, and massacres, and the persecutors they forgave, the conscience they wrestled with, their past, present, and future—these are the remarkable stories of ordinary Chinese people from 1949 to present in their raw, unvarnished form.

Though these collected stories were popular in Chang’s native China when first published in the 1940s, decades passed before they were translated into English. The title story brings war-torn Hong Kong to life, but even against the most dramatic political backdrop, Chang’s focus is firmly on women and relationships. Though the time and place may seem remote, readers will find universal emotions in these carefully constructed tales. 

Books on Chinese cities by foreigners have long lamented the redevelopment juggernaut’s steamrolling of old buildings and neighborhoods (Juliet Bredon’s Peking for one). Meyer’s exhaustively researched study of the Beijing neighborhood in which he lived in the early 2000s takes this a step further to a grassroots political call for action, before “replicas replace architectural heritage across China.” By illuminating his neighbors’ lives and their histories and reaching back into the city’s past, Meyer attempts to immortalize the disappearing Dashilar neighborhood literally in the form of a book, which if nothing else will be of future documentary value. Driving the old-vs.-new dichotomy too hard, however, obscures the more interesting question of how Chinese cities today are creatively blending the old and the new, as again they have long done in the past. As a longtime Beijing resident, I am stuck with the present and nonetheless find that history doesn’t stop… show more.

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.

Here we have the most politically incorrect of novels, an unflinchingly vicious take on China by a Westerner, though Party Members (pun on the second word) does have an acknowledged precursor in fellow Englishman Ralph Townsend’s Ways That Are Dark, an equally unsentimental account of China published in 1933. We follow the faceless bureaucrat protagonist, Yang Wei, as he inventively combines his passions for sex and KFC (China’s comfort food of choice) at one and the same time, and eggs on the state-sanctioned thugs who set his mother’s house on fire to clear it for developers – with her inside. To be fair, China is evolving out of the nasty pre-2008 Olympics era Meursault is documenting and this is after all satire. But the novel is not only very funny, it’s required reading precisely due to its pariah status.

Chun Sue is like the literary little sister to Mian Mian and Wei Hui, copying her elder sisters and trying to follow in their footsteps – but stumbling because their heels were still too big for her to wear. In fact, despite its derivative nature, Beijing Doll did quite well, landing Chun on the cover of Time Magazine in 2004 and turning her into a pseudo-celebrity for her punky, tough-girl persona (a stark contrast to Wei’s slinky, sexy image). Western adult readers may roll their eyes at the melodramatic musings of middle-school heartbreak, but read within the context of its confining culture, Beijing Doll is no less an important addition to the annals of Chinese literature.

This expertly translated Chinese novel tells the compelling story of a family in Beijing with an aging patriarch. Narrated largely from the perspective of the rural nurse hired to care for him, Longevity Park reveals the many difficulties facing Chinese individuals as they age as well as the difficulties facing Chinese families with an aging loved one. These challenges resonate with those of individuals and families globally, including pervasive stigmas against the elderly, particularly those who are not as agile mentally or physically as they once were; and the particular hurdles facing family members with their own mental health and other concerns. Zhou’s novel also eloquently describes the many hurdles facing healthcare providers.