Here are 100 books that Forged Under the Sun/ Forjada Bajo el Sol fans have personally recommended if you like
Forged Under the Sun/ Forjada Bajo el Sol.
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I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
As a reader of history, I’m often drawn to novels, and when it comes to historical nonfiction, I favor books that combine epic tales with personal drama.
The Long Deep Grudge hits that nail on the head. It recounts the long-running conflict between the Farm Equipment Workers (FE)—a small communist-led labor union—and the corporate behemoth International Harvester. It also features a host of memorable individuals: radical and anticommunist labor leaders, captains of industry, public officials dedicated to preserving private wealth, and rank-and-file workers fighting for power on the job out of love for one another as well as anger at the boss.
Although the FE ultimately fell victim to the Red Scare, this is a fundamentally inspiring book about how much a militant democratic union can accomplish.
2020 Book of the Year * International Labor History Association
Honorable Mention * Philip Taft Labor History Prize
This rich history details the bitter, deep-rooted conflict between industrial behemoth International Harvester and the uniquely radical Farm Equipment Workers union. The Long Deep Grudge makes clear that class warfare has been, and remains, integral to the American experience, providing up-close-and-personal and long-view perspectives from both sides of the battle lines.
International Harvester - and the McCormick family that largely controlled it - garnered a reputation for bare-knuckled union-busting in the 1880s, but in the 20th century also pioneered sophisticated union-avoidance techniques…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
As a U.S. labor historian, I’ve read loads of books on the unionization of mass production during the Great Depression.
Labor’s New Millions stands above the rest for its power to make you feel like you’re right there at the picket lines, union halls, and other venues that the journalist Mary Heaton Vorse visited as she gathered material for this book about worker uprisings that put the Congress of Industrial Organizations on the map. As she shows in vivid detail, whole communities rallied to build the CIO, and campaigns for justice on the job spilled over into other realms.
Housewives going toe to toe against police, kids hand painting their own picket signs, strikers chanting “Freedom! Freedom”:Labor’s New Millions brings to life all of this and much more.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
When workers organize, it’s not only for themselves and for generations to come, but also a response to suffering by generations past.
Thomas Bell (born Adalbert Belacyk) brings this to light in his saga of Slovak-American life in steel town of Braddock, Pennsylvania, where he grew up in a family much like the one at the novel’s center. The story stretches from the 1880s into the mid-1930s, culminating with the unionization of U.S. Steel, a megacorporation that had previously crushed all efforts at labor organizing.
No book offers a more intimate view of what it took to bring this company to the bargaining table, and the unforgettable chapters on family members who didn’t live to see that victory make clear that the fight for a contract manifested a longer, more fundamental struggle for justice and human dignity.
Out of This Furnace is Thomas Bell’s most compelling achievement. Its story of three generations of an immigrant Slovak family -- the Dobrejcaks -- still stands as a fresh and extraordinary accomplishment.
The novel begins in the mid-1880s with the naive blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, Pennsylvania, and his eventual downfall through foolish financial speculations and an extramarital affair. The second generation is represented by Kracha’s daughter, Mary, who married Mike Dobrejcak, a steel…
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
There’s a lot to love about this book. An alpha heroine who knows what she wants. A large extended family. An angry ghost. An old house with hidden passages and a long-established, much-loved bar/restaurant renovation.
There’s also a very spicy love affair. Curl up with this after a long day renovating.
"A sexy, emotional, and pitch-perfect romance." —NPR on Lush Money
Opposites attract in this rivals-to-lovers romance from Lush Money author Angelina M. Lopez
Guapo pobrecito her grandmother calls him. The “poor handsome man.”
Professor Jeremiah Post, the poor handsome man, is in fact standing in the way of Alejandra “Alex” Torres turning Loretta’s, her grandmother’s bar, into a viable business. The hot brainiac who sleeps in one of the upstairs tenant rooms already has all of her Mexican American family’s admiration; she won’t let him have the bar and building she needs to resurrect her career, too.
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Blackwell’s book is very different from Springer’s, and that difference is my favorite part. Instead of giving an overview of several Chicana feminist groups, as Springer does with Black feminists, Blackwell dives deep into one major ones, Las Hijas, in Los Angeles. Oral history is a major source for Blackwell, and the way she includes some of her major characters not only talking about their historical actions but reflecting on them several decades later makes this a great read.
The first book-length study of women's involvement in the Chicano Movement of the late 1960s and 1970s, !Chicana Power! tells the powerful story of the emergence of Chicana feminism within student and community-based organizations throughout southern California and the Southwest. As Chicanos engaged in widespread protest in their struggle for social justice, civil rights, and self-determination, women in el movimiento became increasingly militant about the gap between the rhetoric of equality and the organizational culture that suppressed women's leadership and subjected women to chauvinism, discrimination, and sexual harassment. Based on rich oral histories and extensive archival research, Maylei Blackwell analyzes…
I am the USS Midway Chair in Modern US Military History at San Diego State University. I’ve been teaching courses on the relationships between war and society for years and am fascinated not just by the causes and conduct of war, but, more importantly, by the costs of war. To me, Americans have a rather peculiar connection with war. In many ways, war has become an integral part of American conduct overseas—and our very identity. And yet we often don’t study it to question some of our basic assumptions about what war can do, what it means, and what the consequences are for wielding armed force so readily overseas.
I teach at a Hispanic-Serving Institution (HSI) and it’s important for my students to identify with the historical actors we study. Escobedo resonates with them because she artfully discusses how the “Good War” was perceived within Mexican American families living in Southern California. She argues that Mexican American women, especially those working in the defense industry, were “racially malleable” and members of an “in-between” community during the war.
There’s so much going on in this story—insights into race and gender, sexuality and family dynamics, fears about “race mixing,” and wartime demographic shifts. Yet in all this, Escobedo never loses sight of the women themselves and their powerful voices.
During World War II, unprecedented employment avenues opened up for women and minorities in U.S. defense industries at the same time that massive population shifts and the war challenged Americans to rethink notions of race. At this extraordinary historical moment, Mexican American women found new means to exercise control over their lives in the home, workplace, and nation. In From Coveralls to Zoot Suits, Elizabeth R. Escobedo explores how, as war workers and volunteers, dance hostesses and zoot suiters, respectable young ladies and rebellious daughters, these young women used wartime conditions to serve the United States in its time of…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
There aren’t very many books by union organizers because union organizers tend to be busyorganizing unions rather than writing books. Daisy Pitkin is the rare person who can do both.
Inthis book, she recounts her own experience as an organizer on a bitter, five-yearcampaign to unionize an industrial laundry in Arizona. If you’ve never been through a unioncampaign yourself, this is the next best thing.
"Lyrical . . . candid, clear-eyed and utterly engrossing, Pitkin’s writing couldn’t come at a better—or more necessary—time.” —Jessica Bruder, New York Times bestselling author of Nomadland
“A riveting and intimate meditation on power, class consciousness, and the true meaning of solidarity.” —Francisco Cantú, New York Times bestselling author of The Line Becomes a River
On the Line takes readers inside a bold five-year campaign to organize workers in the dangerous industrial laundry factories of Phoenix, Arizona. Employees here wash hospital, hotel, and restaurant linens and face harsh conditions, and unfair U.S. labor law makes it nearly impossible for them…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
The most gaping hole in most people’s knowledge of American history is labor history. Everyoneknows the wars and the civil rights movement, but few people know the bloody, grindingstruggles that went into giving us all the eight-hour workday and basic protections on the job.
Erik Loomis’s book builds a coherent vision of how major strikes have shaped this nation everybit as much as better-known movements have. This is one book that will open your eyes to thebattles that went into many things we all take for granted.
Powerful and accessible, A History of America in Ten Strikes challenges all of our contemporary assumptions around labour, unions, and American workers.
From earliest childhood I have been passionate about creating community, always seeking a sense of place and cultivating belonging. While completing my master's degree in Whole Systems Design, I co-founded a nonprofit which began my 20+ year career in philanthropy. I enjoy examining community-wide challenges and working with others to ask better questions and find the levers for systems change. Never satisfied with ‘the way things are,’ I actively pursue ways to make the world better. I’ve worked for nonprofits and foundations, founded several community initiatives, and held retreats for women philanthropists, all with a focus on being an informed, intentional and joyful philanthropist.
This whole book is mindblowing, laying out the ways that the success of our current economic system of work is built on the unpaid labor of women and people of color. The section on nonprofits is essential reading for anyone working or volunteering in the sector. This is not a treatise for not working or quiet quitting; it is a case study of why we work and how we can work better, and surprise surprise, it also comes back to understanding the economics of power and privilege, who is benefiting, and who is being left behind. This book gave me the confidence in my convictions that my work in the nonprofit sector had been contributing to the problem rather than reimagining new ways of being.
A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives.
You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.
In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on…
