Here are 100 books that A History of America in Ten Strikes fans have personally recommended if you like
A History of America in Ten Strikes.
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I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
You can’t understand the role of labor in America unless you understand slavery, which set the original template for American labor exploitation that still echoes to this day.
This book is one of the best explorations of American slavery, its roots, and its integral connection to the capitalism that surrounds us all.
When you appreciate how long and completely slaves were oppressed and who got the gains of the work they did, you will develop a much sharper appreciation for the importance of maintaining worker power today.
Americans tend to cast slavery as a pre-modern institution,the nation's original sin, perhaps, but isolated in time and divorced from America's later success. But to do so robs the millions who suffered in bondage of their full legacy. As historian Edward E. Baptist reveals in The Half Has Never Been Told , the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
Steven Greenhouse, who spent decades as The New York Times' labor reporter, writes as gooda survey of the state of the present-day labor movement as you can find anywhere.
Uberdrivers, health care workers, auto workers, and more, this is a book for anyone who wonderswhere union power stands, how it’s gotten here, and who the players are who are trying torevive unions for a new century.
“A page-turning book that spans a century of worker strikes.... Engrossing, character-driven, panoramic.” —The New York Times Book Review
We live in an era of soaring corporate profits and anemic wage gains, one in which low-paid jobs and blighted blue-collar communities have become a common feature of our nation’s landscape. Behind these trends lies a little-discussed problem: the decades-long decline in worker power.
Award-winning journalist and author Steven Greenhouse guides us through the key episodes and trends in history that are essential to understanding some of our nation’s most pressing problems, including increased income inequality, declining social mobility, and the…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
Iknow Kim Kelly not just as a great labor reporter but also as an activist in my own union.
Shebrings her deep enthusiasm for radicalism and social justice to her book, which givesreaders a ton of background on the ways that the labor movement has fought not just for rightsin the workplace but also for the rights of women, disabled workers, sex workers, prisoners, andother groups marginalized by society.
A great book to learn how organized labor is a full part ofthe struggle for equality.
This revelatory and inclusive book "unearths the stories of the people-farm laborers, domestic workers, factory employees-behind some of the labor movement's biggest successes" (The New York Times) from independent journalist and Teen Vogue labor columnist Kim Kelly.
Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the heroes who propelled…
I'm a labor journalist. I've spent the past 20 years writing widely about inequality, class war, unions, and the way that power works in America. My parents were civil rights and antiwar activists in the 1960s and 70s, and they instilled in me an appreciation for the fact that social movements are often the only thing standing between regular people and exploitation. My curiosity about power imbalances in America drew me inexorably towards the absence of worker power and led me to the conclusion that the labor movement is the tool that can solve America's most profound problems. I grew up in Florida, live in Brooklyn, and report all over.
There aren’t very many books by union organizers because union organizers tend to be busyorganizing unions rather than writing books. Daisy Pitkin is the rare person who can do both.
Inthis book, she recounts her own experience as an organizer on a bitter, five-yearcampaign to unionize an industrial laundry in Arizona. If you’ve never been through a unioncampaign yourself, this is the next best thing.
"Lyrical . . . candid, clear-eyed and utterly engrossing, Pitkin’s writing couldn’t come at a better—or more necessary—time.” —Jessica Bruder, New York Times bestselling author of Nomadland
“A riveting and intimate meditation on power, class consciousness, and the true meaning of solidarity.” —Francisco Cantú, New York Times bestselling author of The Line Becomes a River
On the Line takes readers inside a bold five-year campaign to organize workers in the dangerous industrial laundry factories of Phoenix, Arizona. Employees here wash hospital, hotel, and restaurant linens and face harsh conditions, and unfair U.S. labor law makes it nearly impossible for them…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
I first read this book while I was conducting anthropological fieldwork in the mines of Guanajuato, Mexico. Even though the conditions in the mines I visited were somewhat better, and even though I was in silver and gold mines and not coal mines, I was amazed by the continuity in mining practices and the kinds of conflicts that emerge, such as the danger caused when miners are paid by the amount produced since they don’t want to take the time needed to support the tunnels with wooden timbering.
I also love that it includes descriptions of women and girls as mineworkers, which very few books about mining do.
Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'. The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations,…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is such an inspirational book from the heart of the anti-globalisation movement in 2001. It documents the lives of immigrant women working in underground sweatshops not just in the USA but right across the world. It resolutely stands as a monument against the ‘down trodden’ woman stereotype and welcomes you into an often ignored world where workers are fighting back against some of the biggest corporations on the planet.
In this up-close and personal look at the heroines who make family, community, and society tick, Miriam Ching Yoon Louie showcases immigrant women workers speaking out for themselves, in their own words. While public outrage over sweatshops builds in intensity, this book shows us who these workers really are and how they are leading campaigns to fight for their rights.
In-depth, accessible analyses of the immigration, labor, and trade policies, which together have forced these women into the most dangerous, poorly paid jobs, dovetail with vivid portraits of the women themselves. Louie, a longtime writer/activist and well-known figure in feminist,…
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
Although this story is not set in a school setting, this historical fiction novel-in-verse still fits really nicely into this theme of youth activism. I found Salazar’s writing very poetically moving yet accessible to young readers at the same time.
Lula’s dream to be the ringleader of a Mexican traveling service is creative and fun, yet the realities and struggles of her migrant farmworker family are very real and viscerally felt. I felt very inspired by Lula’s strength and voice as she and her family fought in the farmworkers’ rights movement in California in the 1960s, making this book a must-read for the future changemakers of today.
A farm-working girl with big dreams meets activist Dolores Huerta and joins the 1965 protest for workers' rights in this tender-hearted novel in verse, perfect for fans of Rita Williams-Garcia and Pam Munoz Ryan.
Lula Viramontes aches to one day become someone whom no one can ignore: a daring ringleader in a Mexican traveling circus. But between working the grape harvest in Delano, California, with her older siblings under dangerous conditions; taking care of her younger siblings and Mama, who has mysteriously fallen ill; and doing everything she can to avoid Papa's volatile temper, it's hard to…
My great uncle was an eccentric book collector who lived in an old, rambling house stuffed floor-to-ceiling with thousands and thousands of books. After he died, I inherited a tiny portion of his collection: a set of state guidebooks from the 1930s and 40s. These were the American Guides created by the Federal Writers’ Project, the New Deal program that put jobless writers to work during the Great Depression. I dipped into these weird, rich, fascinating books, and I was hooked immediately. Some years later, I quit my job in publishing to research and write my own account of the FWP’s unlikely rise and lamentable fall, Republic of Detours.
When I was researching my book, I spent hours and hours in the National Archives and the Library of Congress, poring over the records of the Federal Writers’ Project. But I turned up few documents that offered as much insight into the FWP as this absorbing novel from 1941. Its author, Jack Balch, worked for the project in Missouri—one of the most dysfunctional and tumultuous outposts anywhere in the country. His thinly fictionalized account describes how the project’s idealistic workers came up against the machinations of a local political machine and, eventually, went out on strike. Balch’s memories, and his anger, are still fresh as he takes stock of both the FWP’s promise and the obstacles it faced in carrying out its mission.
The Federal Arts Projects were created by FDR in the summer of 1935. A year later, a handful of writers employed in the St. Louis office of the Missouri Writers' Project, including Jack Balch, went out on strike. Lamps at High Noon is the only novel about this strike and the only one to treat comprehensively any aspect of the Federal Writers' Project, whose participants included some of the country's most accomplished and promising authors.
Charlie Gest, the wide-eyed and well-intentioned protagonist of the novel, confronts firsthand the project's sometimes underhanded efforts to monitor the political views of its writers.…
Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.
I first discovered this book as a kid in my early twenties. It was the first novel to really blow my mind, to make me realize just how powerful the written word could be, how simple words on a page could so entirely engage the senses. It was, I tell you, an epiphany.
Loggers in Oregon. A union strike. A stubborn, independent family. Nothing was complex about the plot, but the characters stepped out of the book and wandered around my bedroom like I’d taken hallucinogens. Their attitudes and emotions poured out from between the covers. The growl of chainsaws filled my ears, and the smell of gasoline filled my nostrils. Grease and woodchips somehow found their way under my fingernails.
The magnificent second novel from the legendary author of One Flew Over the Cuckoo's Nest and Sailor Song is a wild-spirited and hugely powerful tale of an Oregon logging clan.
A bitter strike is raging in a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers: Henry, the fiercely vital and overpowering patriarch; Hank, the son who has spent his life trying to live up to his father; and Viv, who fell in love with Hank's exuberant machismo but now finds it wearing thin. And then there is Leland, Henry's bookish younger…
I’ve been fascinated by how ordinary people can change the course of their own lives since I was a child. However, I had no idea until later in life that there were entire fields of study devoted to understanding how this process works historically. When I discovered “new labor history” many years ago, I knew I wanted to be part of it. It was the privilege of a lifetime to study under some of the best labor historians in the world at the University of Chicago. And I can’t describe how I felt when my dissertation won the Herbert Gutman Prize in Labor History. I hope these books spark your interest!
I’ve always been a sucker for a good labor strike.
But a labor strike of Black women in the South—only a decade removed from slavery—demanding dignity, equality, and a living wage so they could simply “enjoy their freedom” in a region where a rich, white, slaveholding regime was just recently toppled? That’s next-level stuff.
Hunter tells the story of this Black female majority who worked in domestic labor in the years following the Civil War. Can you imagine going to work as a wage-earning domestic laborer in the home of your former owner? And then collectively organizing to demand that “freedom” actually means something in this godforsaken region?
Come for the organized labor protests. Stay for the moment these women pack their bags and move to the North seeking the joy and pleasure they deserve.
As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta--the economic hub of the newly emerging urban and industrial south--in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization.
