Here are 100 books that Out of This Furnace fans have personally recommended if you like
Out of This Furnace.
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I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
As a reader of history, I’m often drawn to novels, and when it comes to historical nonfiction, I favor books that combine epic tales with personal drama.
The Long Deep Grudge hits that nail on the head. It recounts the long-running conflict between the Farm Equipment Workers (FE)—a small communist-led labor union—and the corporate behemoth International Harvester. It also features a host of memorable individuals: radical and anticommunist labor leaders, captains of industry, public officials dedicated to preserving private wealth, and rank-and-file workers fighting for power on the job out of love for one another as well as anger at the boss.
Although the FE ultimately fell victim to the Red Scare, this is a fundamentally inspiring book about how much a militant democratic union can accomplish.
2020 Book of the Year * International Labor History Association
Honorable Mention * Philip Taft Labor History Prize
This rich history details the bitter, deep-rooted conflict between industrial behemoth International Harvester and the uniquely radical Farm Equipment Workers union. The Long Deep Grudge makes clear that class warfare has been, and remains, integral to the American experience, providing up-close-and-personal and long-view perspectives from both sides of the battle lines.
International Harvester - and the McCormick family that largely controlled it - garnered a reputation for bare-knuckled union-busting in the 1880s, but in the 20th century also pioneered sophisticated union-avoidance techniques…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
As a U.S. labor historian, I’ve read loads of books on the unionization of mass production during the Great Depression.
Labor’s New Millions stands above the rest for its power to make you feel like you’re right there at the picket lines, union halls, and other venues that the journalist Mary Heaton Vorse visited as she gathered material for this book about worker uprisings that put the Congress of Industrial Organizations on the map. As she shows in vivid detail, whole communities rallied to build the CIO, and campaigns for justice on the job spilled over into other realms.
Housewives going toe to toe against police, kids hand painting their own picket signs, strikers chanting “Freedom! Freedom”:Labor’s New Millions brings to life all of this and much more.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
Time and again, I’ve given this book to folks in need of inspiration or opened it on a bad day to remind myself of the astonishing inventiveness, generosity, and stamina working people possess.
Recounting the life of a Mexican-American farm worker who became a community activist and union organizer, the book emerged from hundreds of hours of conversation in which Maria Elena Lucas told her story to Fran Leeper Buss and from hundreds of pages of creative writing Lucas had earlier produced. The result is riveting, because of the breadth of Lucas’s experience and the depth of what she shares about her inner life.
Especially stirring to me are the passages that lay out a personal theology that sees the divine in ordinary people and identifies God as a woman of color seeking the best for her children.
A friend with Parkinson's Disease requested my help in his attempts to understand the famine and its impact on his ancestors in County Clare. Once I began reading the material he brought me I was impelled to discover more. I had already researched and written about an earlier period in Irish history - the Anglo-Norman invasion - and it seemed that everything that happened on both sides of the Irish Sea in the centuries that followed was instrumental in making the famine such a disaster. Our book is the result.
This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.
Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.
A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.
Between 1845 and 1855, 2 million Irish men and women fled their famine-ravaged homeland, many to settle in large British and American cities that were already wrestling with a complex array of urban problems. In this innovative work of comparative urban history, Matthew Gallman looks at how two cities, Philadelphia and Liverpool, met the challenges raised by the influx of immigrants. Gallman examines how citizens and policymakers in Philadelphia and Liverpool dealt with such issues as poverty, disease, poor sanitation, crime, sectarian conflict, and juvenile delinquency. By considering how two cities of comparable population and dimensions responded to similar challenges,…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
Ravvin has written excellent works of fiction and literary scholarship. His book is a masterful blend of two genres: family biography and social history.
I found this book to be so engrossing I could barely put it down. It traces the author’s grandfather’s dogged saga to emigrate from Poland to Canada, to find some mooring amidst the precarity of being a new immigrant, a foreigner, and a Jew, and to try desperately to bring over his wife during a time when Canada’s immigration gates were closing.
I love this book’s ability to seamlessly alternate between deep archives-based history (how did the immigration labyrinth actually work and why was it designed that way?) and personal/ancestral memoir (what was it like for one human–of existential consequence for the author–to navigate that labyrinth?).
It's a remarkable story of one immigrant crisscrossing the country in the era that immediately preceded the much more frequently…
One man's immigration to the Canadian Prairies in the early 1930s reveals the character of Canada today as sharply as it did long ago. In 1930, a young Jewish man, Yehuda Eisenstein, arrived in Canada from Poland to escape persecution and in the hopes of starting a new life for himself and his young family. Like countless other young European men who came to Canada from "non-preferred" countries, Yehuda was only granted entry because he claimed to be single, starting his Canadian life with a lie. He trusted that his wife and children would be able to follow after he…
I am Christina Vo, an author deeply passionate about exploring themes of healing and intergenerational trauma, particularly within the Vietnamese community. My personal journey and family history have profoundly influenced my understanding of these topics, as my own experiences have driven me to seek out stories that resonate with resilience and recovery. Writing and reading about these themes have been a way to process my past and connect with others who share similar experiences. Through my books and this curated list, I aim to highlight the voices and stories that inspire healing and foster a deeper understanding of our collective history.
Thanhha Lai's semi-autobiographical novel in verse form tells the story of a young girl's journey from war-torn Vietnam to the United States.
I was deeply touched by the poetic narrative and the vivid depiction of the refugee experience. The book beautifully captures the challenges of adapting to a new life while carrying the weight of past trauma, making it a compelling read for all ages.
Ten-year-old Ha has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her family and friends close by. But when the Vietnam War reaches the gates of her home, Ha and her family are forced to flee.
The journey onboard a refugee ship bound for America is hard - but nothing can prepare Ha for the strangeness of the country that greets them on the other side. The language is impossible, the food is strange - and not all the locals are friendly. But amongst her struggles, Ha finds joy, friendship…
My stepfather lived in Latin America, and when he died, I spent time with migrants as a way of feeling closer to him. I was overwhelmed by the warmth and welcome offered to me. As I met more migrants who had uprooted their lives with hope and determination, I became disillusioned with typical narratives on the left and the right that portray migrants as helpless victims or dangerous invaders. I love books that tell more complex stories about the broad range of migrant experiences, and I am particularly drawn to books that capture the hope that many migrants feel and that they bring to their new homes.
I love the multigenerational stories that this book tells, tracing the children and grandchildren of the protagonists across generations.
I appreciate how the author does not flinch from describing challenges while also attending to the hope and persistence of the migrant women from Nicaragua. I also love how the story moves toward the possibilities that are open for future generations.
Andrea, Silvia, Ana, and Pamela were impoverished youth when the Sandinista revolution took hold in Nicaragua in 1979. Against the backdrop of a war and economic crisis, the revolution gave them hope of a better future - if not for themselves, then for their children. But, when it became clear that their hopes were in vain, they chose to emigrate. Children of the Revolution tells these four women's stories up to their adulthood in Italy. Laura J. Enriquez's compassionate account highlights the particularities of each woman's narrative, and shows how their lives were shaped by social factors such as their…
I write about family, inspired by the exquisitely flawed one I dwell within. Loving my children is the easiest and hardest thing I have ever done in that it was easy to fall in love with them the moment they came into this world but the accountability to that love can be staggering. The same can be said for my siblings. I hope my novels and stories help readers examine the ways we are all tethered to one another. My writing is where I try to untangle all of that. It’s about the ties that bind and how we choose to wear those bindings, especially in times of crisis.
Siblings tend to circle the wagon around one another. Sure, we squabble amongst ourselves, but when the outside world comes at one of us, it might as well have come for all of us. At least that’s been my experience. But honestly, this constant rescuing can be tiresome and perhaps it asks too much of us—especially if we’re dealing with our own unresolved heartache. This novel is so honest in its portrayal of three sisters, frantic to save a sister and finally forced to share in the grief and blame. I also loved that the main character, a former college professor, turns to literature to help her find her moral way.
A Time Magazine Must-Read Book of 2020 A Most-Anticipated Book of the Year: O, The Oprah Magazine * The New York Times * The Washington Post *Vogue * Bustle * BuzzFeed * Ms. magazine * The Millions * Huffington Post * PopSugar * The Lily * Goodreads * Library Journal * LitHub * Electric Literature
The first adult novel in almost fifteen years by the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents
“A stunning work of art that reminds readers Alvarez is, and always has been, in a class…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
The Day You Beginis a lovely, lyrical reminder that we all have unique experiences and moments of not belonging, but we find connections through sharing our stories. Jacqueline Woodson’s repetitive phrase, “There will be times,” paired with the use of a 2nd person narrator, instantly draws us into the story. As a result, we feel part of the story as we think of times when we didn’t fit in or people didn’t understand our experience. So powerful!! I am a huge proponent of the power of sharing personal stories, and I often speak to groups about how sharing stories can serve as a bridge that might connect us. The Day You Begin is a glorious reflection of this truth.
There will be times when you walk into a room and no one there is quite like you.
There are many reasons to feel different. Maybe it's how you look or talk, or where you're from; maybe it's what you eat, or something just as random. It's not easy to take those first steps into a place where nobody really knows you yet, but somehow you do it.
Jacqueline Woodson's lyrical text and Rafael Lopez's dazzling art reminds us that we all feel like outsiders sometimes and how brave it is that we go forth anyway. And that sometimes, when…
