The most recommended books about Leeds (United Kingdom)

Alan Leeds does a wonderful job presenting his eyewitness experiences as part of the James Brown entourage in the 1960s and beyond. The reader can’t wait to find out what happens next in the riveting story he presents of Soul Brother No. 1, the “hardest working man in show business.” It’s a fascinating tale, which presents Brown as an innovative musical force, determined artist, forceful businessman, and unpredictable personality. It’s a behind-the-scenes look at the Chitlin’ Circuit when soul music was taking off as a dynamic new genre—as recalled by a young, Jewish kid from Queens who joined James Brown’s team and learned the music business at the hand of the performer who mastered it.

Another book of photos? Yes, because these, spanning 110 years, capture the changing face of Leeds. So many of the places in these images have gone, just like the faces caught by the camera. Most of the yards and courts, the ginnels that made up the fabric of old Leeds. If Riboud acutely observed the city in 1954, this book illustrates how it reached that point. One image, a view of part of Lower Briggate in the early 1860s, might easily have come from a century earlier, with the low, bowed, battered roofs of the buildings. Another, of slums about to be demolished forms a dark juxtaposition to the bright new council houses of the 1920s as they await tenants. It’s social history for the eyes.

Sometimes, love is not all it takes to help the ones you love. Sometimes, love pulls you in different directions. If you enjoy reading psychological thrillers with twists, turns, and ultimately engrossing, uncomfortable, and an unpredictable storyline full of paranormal romance. Then I recommend reading Layla. Not my normal genre, but I will say this the writer had me turning pages and I had to read to the end.

Riboud was already famous when he first arrived in Leeds to document the city in 1954. What his black and white images startlingly portray, though, is a place that could easily still be in the 19th century. He doesn’t go for the great and the good, but searches out ordinary people and children playing in the streets. It’s life among emotional and physical rubble, a contrast to the shiny, bright colours 50 years later (and now also a part of history as time speeds by). It’s searing, starkly beautiful, and the essay by Leeds-born playwright Caryl Phillips adds another dimension. Through the right eye, an image can be worth a thousand words in seeking the soul of a town and its people.

Waterhouse was famous as a journalist, dramatist, and novelist. But this memoir of growing up in Leeds from the 1930s-50s brings the place and time completely alive. He didn’t have a privileged upbringing, by any means, and Waterhouse captures the day-to-day of poor areas and estates, and well as the magic of the city centre. The novel Billy Liar brought him fame, and while the location was unnamed, it was the Leeds he’d known, right down to the funeral home where he worked after leaving school. Waterhouse innately understood Leeds and its people, and they jump off the page – even if he leaves at the end (something Billy Liar could never bring himself to do). Read this and you’ll carry a magnificent picture of the city in your head.

This tells the story, not just of Beckett Street Cemetery, supposedly the oldest municipal cemetery in the UK, but more important of those buried there, both rich and poor (and there are plenty of both). It sits across the road from what was once Leeds Workhouse, and has its share of former inmates from there in unmarked graves. Poignantly, there’s are also many guinea graves, where several are buried on top of each other, names listed on a headstone, all for a guinea (just over a pound). In its tales, this becomes a 19th-century social history of Leeds – there’s even a survivor of the Battle of Waterloo buried there. Not a widely-known book, but it has a wonderful, quiet importance. I have relatives in unmarked, guinea, and regular graves.

When a local drug dealer goes missing in the small town of Wortley, West Leeds, no one cares. No one except Detective Sergeant Joe Romano, back on home turf in ‘God’s Own County’ of Yorkshire. And even when the drug dealer turns up dead some believe it poetic justice. Romano believes every life counts though, and with the killer about to strike again he puts everything on the line, including his career, to prove that no one has the right to kill. This is a very modern take on the classic police procedural novel, a world-weary cop fighting against the world-weary system in order to do the right thing. 

Another memoir, but very different to Waterhouse. An academic, Hoggart had already drawn on his Leeds childhood for the seminal text, The Uses of Literacy. This expands on that, fleshing out the bones of the other work. It paints a broader picture of Leeds, overlapping a decade with City Lights. Hoggart has a prodigious memory, and while he can tend to paint the poor, working-class past with rosy colours sometimes, he certainly does evoke a time, seeing the events of the days through a child’s – and adolescent’s – eyes. He made good, going on to university, and getting a grant to travel abroad, but for those times he was a true exception. Between this and City Lights, there’s a full picture of early 20th century Leeds.