Here are 100 books that There Was a Time fans have personally recommended if you like
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I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
This is an in-depth look at the life and career of the magnetic Otis Redding Jr., soul singer extraordinaire. We learn tons about Redding’s family background and his hometown of Macon, Georgia (also the hometown of Little Richard). Redding died at 26 in a 1967 plane crash just as he was starting to climb to the heights of the music industry. Even so, he left behind a much-admired body of work though his time was cut so tragically short. The author did an enormous amount of research for the book, then crafted an energetic and easy-reading story that captures the remarkable journey that was Otis Redding’s—from preacher’s son to charismatic soul singer who touched millions.
When he died suddenly at the age of twenty-six, Otis Redding (1941-1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story-still largely untold-is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding's life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a…
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
Joni Mitchell’s career extended long after the 1960s, but that was the decade when she burst on the scene with her distinctive voice and incredible song-writing and musical abilities. This book provides in-depth details of how she went from being an unknown blonde girl from Saskatchewan to an undisputed folk music superstar with songs like no one else. As Leonard Cohen put it: “She was like a storm.” To present Joni’s story, the author conducted interviews with Mitchell and her childhood friends, and with the many others who played important roles in her life—including Cohen, Joan Baez, Judy Collins, and David Crosby. Along the way, David Yaffe reveals the backstory behind all of Joni’s songs. It’s a fascinating book.
Reckless Daughter is the story of an artist and an era that have left an indelible mark on American music.
Joni Mitchell may be the most influential female recording artist and composer of the late twentieth century. In Reckless Daughter, the music critic David Yaffe tells the remarkable, heart-wrenching story of how the blond girl with the guitar became a superstar of folk music in the 1960s, a key figure in the Laurel Canyon music scene of the 1970s, and the songwriter who spoke resonantly to, and for, audiences across the country.
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
If you know the music of the 1960s, you know that Lamont Dozier was at the heart of the hit-producing machine that was Motown Records. He was one-third of the Holland-Dozier-Holland songwriting team that came up with hit after hit for an amazing number of celebrated artists. Later, after leaving Motown, Dozier continued to be a creative musical force (and still is today). He contributed his song-writing talents to over 100 Top 10 singles and was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. This book is a window into Dozier’s musical world—in the 1960s and beyond. Dozier recalls what it was like to grow up in Detroit when he did and then reveals his experiences collaborating with some of the greatest musical talents of the era.
As part of Motown’s legendary songwriting and production team of Holland-Dozier-Holland, Lamont Dozier is responsible for such classics as “Baby I Need Your Loving,” “You Can’t Hurry Love,” “I Can’t Help Myself (Sugar Pie, Honey Bunch),” “Stop! In the Name of Love,” “Heat Wave,” “Baby Love,” “It’s the Same Old Song,” “Nowhere to Run,” “You Keep Me Hanging On,” “Reach Out I’ll Be There,” “How Sweet It Is (To Be Loved by You),” and many more. After leaving Motown, he continued to make his mark as an influential songwriter, artist, and producer with hits such as “Give Me Just a…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
The title of this book might suggest that it will be a book of lists. It is not, not even close. Instead, Greil Marcus offers something closer to a philosophical meditation on what rock ‘n’ roll is. Or aspires to be when played and sung as a heartfelt, life-altering, reckless abandon musical genre. It’s largely about attitude and feeling. The book is a fascinating read as one travels along with the author while he ruminates on different artists and their work and how some songs have resonated deeply with (and influenced) later musicians across the span of time.
One of our finest critics gives us an altogether original history of rock 'n' roll
Unlike all previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatize how each embodies rock 'n' roll as a thing in itself, in the story it tells, inhabits, and acts out-a new language, something new under the sun.
"Transmission" by Joy Division. "All I Could Do Was Cry" by Etta…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I enjoy finding science in places where you might not expect it. Science really is everywhere. It's tempting to think of it as its own category of news or its own shelf in the bookstore. But science is a way of thinking about every aspect of the world, including our passions and daily lives. I love finding the spaces where these lines are blurred, and these books are such great examples of finding science in surprising places.
I enjoyed reading about Gary Marcus's journey of learning guitar because I know what it's like to try to master an instrument. I didn't know, at least not back when I was taking violin lessons, that neuroscientists have been studying what happens in our brains when we learn to play music.
Marcus is a neuroscientist, so he followed his musical progress through a scientific lens and created this entertaining and educational book about the science of music.
On the eve of his fortieth birthday, renowned cognitive scientist Gary Marcus decided to fulfil a lifelong dream and learn to play the guitar. He had tried many times before - failing miserably. This time, he decided to use the tools of his "trade" to see if he might suceed. On his quest he jams with twelve-year-olds and takes master classes with guitar gods. A groundbreaking exploration of the allure of music, Guitar Zero is also an empowering case for the mind's ability to grow throughout life.
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
I spent 34 years writing for daily papers, most of them at the News & Observer in Raleigh, North Carolina. I’ve also freelanced for numerous magazines, primarily about music, while hosting a podcast and writing the occasional book. Through it all I’ve had a particular fascination for the music business and its peculiar ways, especially record companies. The industry’s darker side was the subject of my first book way back in 2000, the novel Off The Record, which was a notebook dump of thinly fictionalized war stories I’d accumulated over the years. The record business is the subject of my latest book, too, although it’s a much more positive story.
A century ago, the record industry sent representatives all over the country to do field recordings of vernacular artists playing folk, blues, and early country for “hillbilly” and “race” records (the sort that Rounder would start putting out in the 1970s).
One of these scouts was Ralph Peer from the Victor Talking Machine Company, for which he oversaw 1927’s legendary “Bristol Sessions.” It was the first time that Hall of Fame titans the Carter Family and Jimmie Rodgers recorded, generally cited as the beginning of the country music industry.
As explained in Barry Mazor’s excellent biography, Peer went on to become one of the giants of the recording and publishing industry, laying the groundwork that pretty much every record label including Rounder has followed since.
This is the first biography of Ralph Peer, the revolutionary A&R man and music publisher who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music, and this book book tracks his role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues,” the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B,…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
This is an absolute must for anyone interested in almost any musical genre.
Now in its fifth edition, it takes on the arduous task of sifting through the back stories of over 1,000 of the most familiar tunes through 500 years of musical history.
A more recent, albeit still antique reference, is the story of how “Jingle Bells” came to be, and the controversy regarding where it was actually, written; the snow-covered streets of Medford, Massachusetts, or the live oak-lined thoroughfares of Savanah, Georgia.
This classic, painstakingly researched compilation of music information, newly revised and enlarged, analyzes nearly 1,000 of the world's most familiar melodies, tracing them back to their original printed sources. Here in one convenient volume are the composers, lyricists, copyright date, first lines of music, lyrics, physical condition of first editions, and other data on a tremendous range of compositions, including We Shall Overcome, Haydn's Surprise Symphony, The Well-Tempered Clavier, There's No Business Like Show Business, Silent Night, Pictures at an Exhibition, Schubert’s Ave Maria, and many more. 30 black-and-white illustrations.
I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.
The innovative thinking in this book inspired me to put my original ideas into writing. Here was someone else who was looking into the profound origins of humanity and how the world is made up. It reassured me I was on the right track in associating the Major Arcana of the Tarot with the I-Ching. Michael Hayes goes further in detecting a numerical and musical synthesis between ancient doctrines and current scientific discoveries. It is not a quick read, but a real eye-opener. Whilst not agreeing with all of it, there was so much fascinating information; I had to read it through twice straight off.
This is a numerical study proving that religion and science share a common underlying structure, which is very similar to music theory. This study proposes that all the world's major religious and esoteric doctrines share a common scientific origin. Further that this hidden science is none other than musical theory: music being the true common denominator of both religious and scientific traditions. From the mysterious cults of ancient Egypt, China and India and Greece right through to the latest findings in molecular biology and particle physics, there is a law of proportions that corresponds to the rules of music.
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
My mom was an excellent artist, and my father was an accomplished scientist, so I grew up with a passion and mission to combine these in my life’s work. I have played clarinet since 8, in classical, jazz, world, experimental, and sound healing, and have mastered a variety of visual storytelling arts (painting, sculpture, filmmaking, game development). My fascination with mind/body led me to neuroscience research and developing edtech for autism. These all integrated into writing my book and offering this inspiration to others. This book list has nurtured my deepest interests and propelled me to discover more of our human potential to experience sound, storytelling, and well-being.
This book is one of the biggest influences in my life as a sound designer, musician, neuroscientist, and super curious researcher/creator. Dan’s personal life trajectory mirrors my own love of music and science, and his writing style is so accessible and engaging.
He and I have met personally, signed each other’s books, and are literally and figuratively on the same page. I also love his book, The World in Six Songs, a deep dive into how and why music affects us emotionally, culturally, and socially, which is very pertinent to sound design storytelling and portraying human nature from prehistoric to current pop culture.
In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music-its performance, its composition, how we listen to it, why we enjoy it-and the human brain.
Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:
* How composers produce some of the most pleasurable effects of listening to music by exploiting the way…
