100 books like Reckless Daughter

Alan Leeds does a wonderful job presenting his eyewitness experiences as part of the James Brown entourage in the 1960s and beyond. The reader can’t wait to find out what happens next in the riveting story he presents of Soul Brother No. 1, the “hardest working man in show business.” It’s a fascinating tale, which presents Brown as an innovative musical force, determined artist, forceful businessman, and unpredictable personality. It’s a behind-the-scenes look at the Chitlin’ Circuit when soul music was taking off as a dynamic new genre—as recalled by a young, Jewish kid from Queens who joined James Brown’s team and learned the music business at the hand of the performer who mastered it.

This is an in-depth look at the life and career of the magnetic Otis Redding Jr., soul singer extraordinaire. We learn tons about Redding’s family background and his hometown of Macon, Georgia (also the hometown of Little Richard). Redding died at 26 in a 1967 plane crash just as he was starting to climb to the heights of the music industry. Even so, he left behind a much-admired body of work though his time was cut so tragically short. The author did an enormous amount of research for the book, then crafted an energetic and easy-reading story that captures the remarkable journey that was Otis Redding’s—from preacher’s son to charismatic soul singer who touched millions.

If you know the music of the 1960s, you know that Lamont Dozier was at the heart of the hit-producing machine that was Motown Records. He was one-third of the Holland-Dozier-Holland songwriting team that came up with hit after hit for an amazing number of celebrated artists. Later, after leaving Motown, Dozier continued to be a creative musical force (and still is today). He contributed his song-writing talents to over 100 Top 10 singles and was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. This book is a window into Dozier’s musical world—in the 1960s and beyond. Dozier recalls what it was like to grow up in Detroit when he did and then reveals his experiences collaborating with some of the greatest musical talents of the era.

The title of this book might suggest that it will be a book of lists. It is not, not even close. Instead, Greil Marcus offers something closer to a philosophical meditation on what rock ‘n’ roll is. Or aspires to be when played and sung as a heartfelt, life-altering, reckless abandon musical genre. It’s largely about attitude and feeling. The book is a fascinating read as one travels along with the author while he ruminates on different artists and their work and how some songs have resonated deeply with (and influenced) later musicians across the span of time. 

“Joni Mitchell painted with words,” begins this beautifully lyrical book on the well-known singer/song-writer. The colorful and imaginative collage illustrations jump off the page, telling the story of the girl from a small town in Canada who vanquished polio to go on to become a household name. Joni Mitchell used poetry to paint her feelings into song. We know her music and lyrics as a familiar soundtrack to our lives; now children can learn about the enigmatic spirit behind all that creative musicality.

Tegan and Sara’s joint autobiography reminded me how often music acts as a lifeline to survive childhood and beyond.

These identical twins from Calgary have such an amazing vibe and energy to their songs, and through their music they have been super advocates for gender and sexuality equality. Learning more about them also made me proud to be Canadian.

This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight. 

I can’t resist the combination of magic, music, and forests. Plus my mother grew up in Canada, and I’ve meandered along those berry- and bear-rich pebbly beaches. In this book, magic, fey-inhabited Wales crashes into modern Ottawa. De Lint’s setting and style seized my soul as a young adult reader. That yearning youngster is not only still part of me, but part of everyone, I hope.

To Speak for the Trees is one of my favorite books ever, partly because I love trees, and partly because of my own Celtic heritage from my maternal line. Diana Beresord-Kroeger, a scientist in biochemistry and botany, begins with her childhood in Ireland. After losing her parents at a young age, she is raised in the ancient Celtic nature wisdom and Druid beliefs by an entire community, and literally taught the language of trees: Ogham. Blending scientific discoveries about trees and the importance of forests to our species' survival, this book is a fast and delightful read that I won’t forget. I feel enriched from having been blessed to spend time with such a brilliant woman through the pages of her book. 

I loved this book because I loved the characters. Richards invested them with dignity even when they were flawed or endlessly frustrated by fate. They can go through life largely unnoticed except by their closest acquaintances and relatives. But they offer hope despite their failures and tragedies.

This was the first novel in Richards’ Miramichi Trilogy. It and the two subsequent novels, plus much of Richards’ later work, create a strong sense of the province of New Brunswick, even when the characters have a universal quality.