I was bowled over with how novelist O’Neill skillfully transmutes a raw and desperate tale into a haunting and unforgettable fable of faith and sacrifice.
The stories of Aitor and Jacob, two priests selected to help rebuild the world following a nuclear apocalypse, are interwoven with those of Talik and Ziek, friends exiled from a city of mutants after Ziek exhibits symptoms of the dreaded Burdening disease.
The two tragic storylines eventually converge as the sets of characters must confront daunting odds, constantly questioning whether God cares at all for mankind, or if He has finally turned His face away from a hopeless, murderous species. While it’s certainly a dark tale, I absolutely loved the achingly beautiful writing in this work.
Sixteen hundred years ago, as the old world died, a ship carried thirty-three priests and one hundred pilgrims into orbit. One by one, the priests lived solitary lives, praying for salvation. At his vigil's end, Father Aitor wakes the final priest--Jacob, whom he loves--to lead the survivors as they rebuild civilization. Their mission is clear: bring Christ to the wilderness. But Aitor has never heard God's voice, and he is beginning to believe that Jacob hasn't either. And when they encounter strange, deformed creatures, doubt is not their only threat. In a nearby community, Talit has always believed in the…
My love of realms and fantastic imagination comes from growing up in the backwoods of Alabama. The woods inspired me and beckoned me to dance and build and imagine among the trees. I created characters and worlds and could be a witch, a fairy, a troll, or a girl lost in time. I owe my love of creating characters to the woods that built me and one day I will go back and thank them for the beautiful life they gave me.
Most fantasy books take so long to tell the story. This series starts quickly and enchants the entire time! A hero who defends a blind priest against all manner of evil and danger. This is a story you will fall in love with and will not be able to put down! Without revealing too much... Not all heroes wear capes
A blind priest. A book that can't be seen. Can a young hero protect one long enough to save the other?
Tormjere has never left his home valley, peaceful in its isolation from both monsters and men. His first journey into the outside world meets with disaster, thrusting him into the realities of a kingdom on the brink of war.
To save the life of a friend, he pledges himself to a path for which he is ill-prepared: guiding a blind priest on a quest to retrieve a sacred relic that only he can find.
The past is a powerful thing. It’s what we turn to when confronted with the question “how did we get here?” When I began my journey as an author in earnest, that was the question I was facing, and it was the one I wanted my characters to explore. But one book wasn’t enough to satisfy me, and I went searching for other titles that scratched that same itch of examining and confronting our pasts to work out our future. For me, these books were the ones that struck that cord the hardest.
This is the book that made me want to write fantasy. It is the story of a soldier coming home from war, of a person trying to be better than the worst things they’ve ever done, and of rekindling a sense of purpose when you’ve been lost for too long. I’ve never felt a world more lived-in, prose more decisively punchy, or tiny moments with more perfect poignancy. I re-read this book all the time, and every time, I am as jealous as I am inspired. If you check out nothing else from this list, check out Priest.
For centuries the people of Ollghum Keep relied on the knights of the Green Order to protect them from the horrors of the haunted wood. Now, as before, a monstrous army marches on their small town. But this time, the Green Order is nowhere to be found.
The Bishop sends the priest Heden into the wood, to find out why. Arriving at their secret priory, Heden discovers their commander is dead, the remaining knights paralyzed with despair. They will not act, they will not tell him what happened, and with each hour the monstrous army gets closer to Ollghum Keep.…
Novels about humanity move me, as I love the messiness and complexities of imperfection. Because I’m passionate about reading these kinds of books, I’m also passionate about writing them. My first book, Paint Me Fearless, debuted at #1 on Amazon’s Hot New Release List in Christian Contemporary Fiction in 2021. It seemed readers found relevance in subjects like challenging family dynamics, weight issues, crippling insecurity, and the repercussions of abuse. My subsequent books continue in this vein. I aspire to write stories that reflect universal emotions like heartache and grief, but also joy and laughter. One reviewer described my books as a “rollicking good time,” which was a good day because I strive to entertain.
I read Home Again many years ago, and while I love all of Kristin Hannah’s books, this story in particular combined everything I love—ill-fated love, mother-daughter conflict, friendship, sibling rivalry, and an utterly shocking ending.
Madelaine Hillyard is a heart surgeon whose relationship with her teenage daughter, Lina, is strained. The DeMarco brothers, one a priest and one a bad boy, are a crucial part of Madelaine and Lina’s past, and as the plot evolves, I admit I fell a little in love with both of them. A relatable, heartbreaking story full of humanity, Home Again hits all the marks…and makes you believe in miracles again.
From the New York Times bestselling author The Four Winds, a moving, powerful novel about the fragile threads that bind together our lives and the astonishing potential of second chances
“A tender, beautifully told story of emotional growth, forgiveness [and] the possibility of miracles.”—Publishers Weekly (starred review)
Madelaine Hillyard is a world-famous heart surgeon at the top of her game. Her personal life is far less successful. A loving but overworked single mom, she is constantly at odds with her teenage daughter. At sixteen, Lina is confused, angry, and fast becoming a stranger to her mother—a rebel desperate to find…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I love traditional, play-fair mysteries and the puzzles they present. But I also love writers who get the technical details right while also writing engaging novels I can get lost in. Nothing better than curling up with a good mystery.
Those who think of Agatha Christie as a “soft” crime writer need to look at her books again. She qualified as a pharmacist during WWI, and she made good use of her knowledge of poisons in her novels. Cyanide was her most often used poison choice, but I like The Pale Horsebecause it’s one of the rare—and accurate—appearances of thallium in a mystery novel. Christie’s writing made my discoveries about North Carolina’s serial female serial poisoners even more intriguing.
A priest's death leads to sinister goings-on in an old country pub...
To understand the strange goings on at The Pale Horse Inn, Mark Easterbrook knew he had to begin at the beginning. But where exactly was the beginning?
Was it the savage blow to the back of Father Gorman's head? Or was it when the priest's assailant searched him so roughly he tore the clergyman's cassock? Or could it have been the priest's visit, just minutes before, to a woman on her death bed?
Or was there a deeper significance to the violent squabble which Mark Easterbrook had himself…
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
I write the West Investigations series, a romantic thriller series, centered around the men and women running a private investigations firm. When I began the series I knew I wanted it to be set in an urban city, not just because I’m a city girl at heart, but because of the eclectic nature, diversity, and color that can be found in the big city. Each of the books I’ve recommended below features a big city PI that jumps off the page, grabs you, and doesn’t let go for 200+ pages.
This book takes place in the windy city of Chicago and Clark is adept at making you feel like you are right there in the midst of the fast-paced, gritty city as you read.
The plotting helps by kicking off with a bang – a priest and a gang member found dead in church. Questions abound. But what really kept me turning the pages of this book (or technically swiping since I read it on my Kindle) was Cass Raines, retired cop turned PI.
Her last case on the police force left her reeling and she struggling to deal with the aftermath.
It’s Cass that makes this book stand out amongst other PI novels, you care about what she’s going through, about this new trauma that has been introduced into her life, and that through it all she’s still working to get justice for people that are often overlooked and…
Former cop Cass Raines has found the world of private investigation a less stressful way to eke out a living in the Windy City. But when she stumbles across the dead body of a respected member of the community, it’s up to her to prove a murderer is on the loose . . .
Cops can make mistakes, even when they’re not rookies. If anyone knows that it’s Cass Raines, who took a bullet two years ago after an incompetent colleague screwed up a tense confrontation with an armed suspect. Deeply traumatized by the incident, Cass resigned from the Chicago…
I’ve always been fascinated by our creative urges and ambitions, and by what makes us who we are and why we make the choices we do. While I’m interested in many aspects of human experience and psychology, from the mundane to the murderous, I’m especially drawn to narratives that probe our deeper psyches and look, particularly with a grain of humor, at our efforts to expand our understanding and create great works—or simply to become wiser and more enlightened beings. What is our place in the universe? Why are we here? Who are we? The books I’ve listed explore some of these matters in ways both heartfelt and humorous.
Pastoralis one of my favorite recent discoveries. It’s one of a quincunx of novels linked by exploration of five classic literary genres—in this case the currently unfashionable pastoral. Newly ordained priest Christopher Pennant isn’t greatly pleased that his first parish assignment is to a rural town where sheep are numerous. He assumes he’ll be a suitable shepherd to the humans, people he expects to be simple and straightforward. Of course, they aren’t. They’re not only as complex as people anywhere else, but very unexpected. Father Pennant not only finds he has a self-appointed cello-playing chef as rectory caretaker, but he witnesses three possible miracles. Or are they trickery? I love the depth and gentle humor in the priest’s attempts to understand his parishioners and himself. And nature, too.
There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish,…
I love good stories and I like to learn about other cities even if it is in a work of fiction. With few exceptions, every story I’ve written is in a location I’ve visited. When you can’t visit a place, then reading about a city in modern-day fiction is a close substitute. How many readers feel like they know the English countryside after reading multiple British mysteries? Or feel like you know Boston when reading the Robert Parker Spenser series? That’s the point of a good mystery – to take you someplace you’re not.
Daniel Silva has written a long series about Israeli spy chief and art restorer Gabriel Allan. I enjoyed the series and there’s a subplot the author has long weaved together with Gabriel Allan and the Vatican. If you ever visit Anne Frank’s house in Amsterdam, you might hear the church bells from the Catholic Church next to her house. It’s a stunning contrast. I like the powerplay between Gabriel and the Vatican portrayed in the story, and I gain a little history even though it’s a work of fiction.
From Daniel Silva, author of the #1 New York Times bestsellers The New Girl and The Other Woman, comes a stunning new action-packed thriller of high stakes international intrigue featuring the enigmatic art restorer and master spy Gabriel Allon.
LOST FOR CENTURIES,
ONE BOOK HOLDS THE KEY.
Legendary spy and art restorer Gabriel Allon has slipped into Venice for a much-needed holiday with his wife and two young children. But when Pope Paul VII dies suddenly, Gabriel is summoned to Rome by the Holy Father's loyal private secretary, Archbishop Luigi Donati. A billion Catholic faithful have been told that the…
Although I currently write romantic women’s fiction, because I came up in the Literary Fiction community, I frequently have writer friends ask me to recommend well-written Romance. Leaving aside the subjectivity of well-written and the snobbery inherent in the suggestion that Romance—a category they’ve admitted to never having read—isn’t generally well-written, I first have to explain that Romance has rules: While we often associate Romance with sex on the page, technically, it’s not a requirement. There are only two requirements, according to the Romance Writers of America: the love story has to be the central storyline of the book; and there has to be a happily ever after (HEA).
Look. I could tell you it’s a modern-day gothic. I could tell you it wields its heresy to illuminate the true meaning of God. I could tell you she writes with the clarity of an imprisoned martyr watching the pyre being assembled outside her window. But, really, I just want you to know that I read Sierra Simone with a goofy smile on my face, marveling at how she makes the bonkers believable. She’s a surreal realist. There’s an energy here that’s simply unmatched. The book vibrates. And if you make it through Priest, might I suggest her New Camelot trilogy, which tackles the only thing more sacred than the Catholic church: the American presidency.
There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God.
I've always been good at following rules.
Until she came. Then I learned new rules.
My name is Tyler Anselm Bell. I'm twenty-nine years old. Six months ago, I broke my vow of celibacy on the altar of my own church, and God help me, I would do it again.
