I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
There is nothing that enhances the process of building guitars more than having a solid foundation in the history of the instrument.
Although there are a number of excellent guitar histories available, few offer as clear and accessible information as this book does. The book is the catalog of a traveling museum show about guitars that was curated by the author at the Museum of Fine Arts Boston.
It is lavishly illustrated, and contains just the right amount of text on the subject to keep the reader engaged. No builder of stringed musical instruments should be without this book.
"The guitar and the dog, in order not to be separated from man, have submitted themselves with resignation to the worst alterations of size and appearance." Andres Segovia
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Madame Sidney Pratten is a unique figure in the history of the guitar and sadly neglected by history. She was well known and well connected in her day and taught many notable members of Victorian London society to play guitar, including Princess Alexandra. Her real name was Catharina - in her public work she used her husband’s name, as was common at the time - and she published her Guitar School after many years of teaching, to great acclaim. It is the most informative, wise, and practical guitar book I know, full of useful information, beautiful music, and insight into the learning process.
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
One of the living legends of builders of archtop guitars, Bob Benedetto describes his personal construction methods in this excellent book.
Although some aspects of guitar building are common among all types of guitars, archtop guitars have an architecture that borrows a lot from the violin family. Building this style of instrument offers unique challenges, and this book describes the entire process in exquisite detail. This is where many modern builders of archtop guitars got their start.
(Book). The definitive work on the design and construction of an acoustic archtop guitar, this updated second edition features 288 pages of content, including 24 color pages and 4 tear-outs. See what industry greats have said about this book: "I know of no other work offering comprehensive step by step coverage of the making of an acoustic jazz guitar." George Gruhn "This book is for everyone who loves woodworking, loves guitars, appreciates artistry, and believes that organic materials like spruce, maple and ebony can only achieve their highest function through the hands of a craftsman." Howard Paul "I can think…
I’ve been immersed in playing and teaching guitar and in rock culture all my life. Since graduating from The Guitar Institute of Technology in 1987, I’ve been a full-time guitar professional. So, I’m known in my hometown of Baltimore as the go to guy for rock guitar chores of all kinds. I play for companies like Johns Hopkins, Center Stage and The Baltimore Ravens. I taught Guitar at The Gilman School for thirteen years. I’ve played every venue from the biggest stadiums to the smallest clubs. My publications include fifteen guitar books internationally distributed by Alfred Publications and features in most major trade journals. Endorsements: Paul Reed Smith Guitars, Ernie Ball Strings and Fractal Audio.
This book hit me hard and fast. It validated what I previously thought were my private ideas. I’d never met the author, but it seemed to be written about me… for me… or was it written for and about the other 100k plus readers who must have felt the same? I don’t know. Maybe you’re next.
Each of us carries a song inside us, the song that makes us human. ZEN GUITAR provides the key to unlocking this song - a series of life lessons presented through the metaphor of music. Philip Sudo offers his own experiences with music to enable us to rediscover the harmony in each of our lives and open ourselves to Zen awareness uniquely suited to the Western Mind. Through fifty-eight lessons that provide focus and a guide, the reader is led through to Zen awareness. This harmony is further illuminated through quotes from sources ranging from Eric Clapton and Jimi Hendrix…
I’ve been immersed in playing and teaching guitar and in rock culture all my life. Since graduating from The Guitar Institute of Technology in 1987, I’ve been a full-time guitar professional. So, I’m known in my hometown of Baltimore as the go to guy for rock guitar chores of all kinds. I play for companies like Johns Hopkins, Center Stage and The Baltimore Ravens. I taught Guitar at The Gilman School for thirteen years. I’ve played every venue from the biggest stadiums to the smallest clubs. My publications include fifteen guitar books internationally distributed by Alfred Publications and features in most major trade journals. Endorsements: Paul Reed Smith Guitars, Ernie Ball Strings and Fractal Audio.
The Beatles didn’t know how to read music, and typically, rock musicians don’t read and write music. So therefore it’s a challenge to us, the people who learned to play around campfires, at the beach, and in the roadhouse, just cause we wanted to. Instead of merely presenting an increasingly difficult set of examples, Oaks teaches us how to think about reading music. He’s a great guy and it’s the best book of its kind I’ve come across.
(Musicians Institute Press). Starting at the elementary level and progressing to advanced techniques, this comprehensive method is like a complete two-year guitar course in book form. It includes over 450 songs and examples, and covers: notes, rhythms, keys, positions, dynamics, syncopation, chord charts, duets, scale forms, phrasing, odd time, and much more. Designed from an MI core curriculum program.
I enjoy finding science in places where you might not expect it. Science really is everywhere. It's tempting to think of it as its own category of news or its own shelf in the bookstore. But science is a way of thinking about every aspect of the world, including our passions and daily lives. I love finding the spaces where these lines are blurred, and these books are such great examples of finding science in surprising places.
I enjoyed reading about Gary Marcus's journey of learning guitar because I know what it's like to try to master an instrument. I didn't know, at least not back when I was taking violin lessons, that neuroscientists have been studying what happens in our brains when we learn to play music.
Marcus is a neuroscientist, so he followed his musical progress through a scientific lens and created this entertaining and educational book about the science of music.
On the eve of his fortieth birthday, renowned cognitive scientist Gary Marcus decided to fulfil a lifelong dream and learn to play the guitar. He had tried many times before - failing miserably. This time, he decided to use the tools of his "trade" to see if he might suceed. On his quest he jams with twelve-year-olds and takes master classes with guitar gods. A groundbreaking exploration of the allure of music, Guitar Zero is also an empowering case for the mind's ability to grow throughout life.
As a self-taught guitarist at age 18, I was limited to certain styles I could do justice. I began listening to artists that were more schooled, such as Steely Dan, Weather Report, and Yes. I became obsessed with getting the background musical knowledge to expand into these styles. Easier said than done! The difficulty was in blending my “street” knowledge with the more legit “college” knowledge. As I began to write books, I realized my claim to expertise was not that I was overly schooled, but that I was “just like you,” and somehow developed these shortcuts that brought the higher concepts within reach, unifying all musicians.
I found his book to show a great comparison of chord construction to chemistry. For example, if I asked you for H2O, you could really only give me water. The naming of a molecule tells you all you need to know about what’s in it. In the case of a chord, if I said play me a G13b9, even if you had never played one, you could construct it from the name only, knowing that a letter name followed by an odd number implies dominant, and that in this particular dominant you will be adding two other elements: a 6 and a flat 9. Brilliant!
Ted Greene's Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is a beautiful book written by a master, who wants to inspire others to make classical guitars. These nylon string guitars look outwardly like other acoustic guitars. However, they are for a different kind of music and are made differently. Bogdanovich does a great job in leading a new builder through each step. I refer to this book a lot. It’s so nicely produced that I find myself just browsing through it, even when I’m not actually working on a classical guitar.
What a thrill for any musician: playing a fine-sounding instrument that he or she has lovingly crafted from scratch. With this richly illustrated manual, well-known luthier and guitarist John Bogdanovich shows exactly how to build that first, beautiful guitar, using traditional, time-tested methods. All that’s required are basic woodworking techniques and a minimally equipped shop. Bogdanovich discusses the anatomy of the guitar, sound, choosing an instrument, selecting woods, templates and molds, and preparation. In more than 300 pages of text, he painstakingly lays out the details of construction, from assembling the neck and sides to installing the fingerboard and bridge.
Common thought on romance novels is that they must be filled with conflict to keep the reader interested—for example, the couple is supposed to clash somehow. I love pushing back against the idea that there’s only one way to write a successful romance, and I love when I find books that break the rules and still hook me.
Well Traveled features a lawyer who quits her job on a whim to travel with a Ren Faire for the summer. She begins a super steamy relationship with a kilt-wearing guitar player.
Part of the joy of the book is that you feel like you are at the Faire with Lulu, discovering it as she does. The slow pace of her new life helps her see what’s important.
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
When I started playing guitar, all I wanted to do was play the blues. Why a working-class Scottish boy would be so entranced by music so culturally and geographically remote is curious even to me but this book gave me a way in, a key to unlock the skills required to emulate the sounds of the blues greats I loved to hear. As an autodidact, clear explanations, technical advice, and background information were essential to my development and I still use this book with students to this day.
(Music Sales America). Covers the whole spectrum of this exciting area of guitar playing. Careful grading enables beginners to progress through this course playing well-known songs, as well as learning the technical aspects. Songs: A Basic Blues * 'a' Simple Blues * 'a' Twelve Bar * Alice's Restaurant * Bounce Blues * Candyman * Candyman Blues * Cocaine Blues * Come Back Baby * Deep River Blues * The Entertainer * Extension Blues * First Time Blues * Gee Rag * Good Morning Blues * Half-way Rag * Harmony Blues * Hesitation Blues * Horizon Rag * How Long How…
