Here are 42 books that Dangerous Curves fans have personally recommended if you like
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I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
One of the living legends of builders of archtop guitars, Bob Benedetto describes his personal construction methods in this excellent book.
Although some aspects of guitar building are common among all types of guitars, archtop guitars have an architecture that borrows a lot from the violin family. Building this style of instrument offers unique challenges, and this book describes the entire process in exquisite detail. This is where many modern builders of archtop guitars got their start.
(Book). The definitive work on the design and construction of an acoustic archtop guitar, this updated second edition features 288 pages of content, including 24 color pages and 4 tear-outs. See what industry greats have said about this book: "I know of no other work offering comprehensive step by step coverage of the making of an acoustic jazz guitar." George Gruhn "This book is for everyone who loves woodworking, loves guitars, appreciates artistry, and believes that organic materials like spruce, maple and ebony can only achieve their highest function through the hands of a craftsman." Howard Paul "I can think…
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
Electric guitars and basses are the most popular stringed musical instruments.
Many players dream of building their own instrument. This book provides step-by-step instructions for doing just that. The author is an enthusiastic builder himself, and is also a teacher of instrument construction.
The book is written in a direct and personal style, and anticipates all of the questions a novice builder will ask. This is amazingly confidence-building. For first-time builders of electric guitars, there is no better place to start than this book.
This book tells you everything about making electric guitars following professional standards, phase-by-phase, step-by-step.
It's all about leaving your dent in the universe in the shape of the most beautiful, incredibly sounding guitar you can make—that's clear. But building guitars professionally starts before you even cut the wood: You need to setup your workplace, you have to define your identity as guitar maker, and decide the guiding principles of your endeavor as luthier. What kind of guitars will you build? For whom? What is going to be the winning characteristic of your instruments?
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
Ukuleles are very popular instruments and it is no surprise that many people would love to make one for themselves.
This book has all the qualities of a great construction book; attention to detail, clear presentation, and optimal construction techniques. The author has honed these skills over the course of his instrument building career and his career as an author of lutherie (the art of building stringed musical instruments) books.
The book includes links to beautifully drawn downloadable plans for a number of ukuleles. Want to build a ukulele? This is the book to get.
The Ukulele is the first comprehensive book on building all styles of ukulele, from the little soprano ukuleles of 19th century Hawai’i to concert, tenor and baritone sizes. The book will lead the first-time ukulele builder through the various steps of crafting a ukulele with detailed written information complemented by nearly 350 photographs and diagrams. Full size plans of all the ukuleles are available to download and print. A full list of tools, hardware and timber required is included. The first chapters are devoted to making the individual parts of a ukulele. These are followed by chapters which focus on…
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
Most builders of stringed musical instruments desire some information about how the instruments they build actually produce sound.
The problem of producing a book on the subject is that it is highly technical and as such largely inaccessible. Mark French’s work expertly addresses this issue. The result is a work that is as accessible as possible and also complete and technically accurate.
The author has the perfect background for a work like this. He is a professor of engineering technology, and he uses guitar design and construction as the basis of teaching his highly popular courses on STEM subjects.
Featuring chapters on physics, structure, sound and design specifics, Technology of the Guitar also includes coverage of historical content, composition of strings and their effects on sound quality, and important designs. Additionally, author Mark French discusses case studies of historically significant and technologically innovative instruments.
This is a complete reference useful for a broad range of readers including guitar manufacturer employees, working luthiers, and interested guitar enthusiasts who do not have a science or engineering background.
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
We’re probably in a golden age of guitar making. The internet has made information on how to make guitars, once rare indeed, free to anyone who wants to learn. New builders need to see what the very top luthiers (makers of stringed instruments) are building. This book is full of beautiful pictures – more pictures than words – that show the highest levels of design and construction. When I want to dream about how my next guitar might look, I go here.
Feast your eyes on more than 300 of today's most creative, imaginative and gorgeous hand-made guitars - all illustrated in full colour and featuring information about the innovative artisans who created them. Meet guitar-making legends, such as C.F. Martin, Les Paul and Leo Fender, who revolutionised the instrument's design. Discover why the past 25 years have seen an explosion of craftspeople who build guitars by hand, employing an attention to detail factories can't afford and using higher quality materials and more technical skill than in any previous era. Explore the various guitar styles used in a range of musical traditions,…
Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Making a guitar is something many woodworkers aspire to, but are often stymied by what seems to be the daunting nature of the work. Actually, it’s fairly simple; something the average woodworker can easily do. All you need is the right advice. This is the best comprehensive book on guitar making you can find. It will give you straightforward information, step by step, to help you successfully build your own guitar.
Hailed by Guitar Player magazine as perhaps the finest book on guitars ever produced," and by Booklist as "a Rolls Royce of construction guidebooks," this impressive volume is the first book of its kind to describe in depth how both steel-string and classical guitars are actually designed and built. Over 450 photographs, drawings, and diagrams reveal in exquisite detail the hows, whys, and how-to's of the traditional craft of guitarmaking, all accompanied by fascinating historical and technical notes. A comprehensive bibliography; a list of tools, materials, and supply sources; and a full index complete this uniquely authoritative reference - and…
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is very nice a two-volume set, written by Trevor Gore, an accomplished guitar maker with an extensive technical background, and Gerard Gilet, a builder of fine acoustic guitars. This is required reading for people who are interested both in how to make guitars and how they work.
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Madame Sidney Pratten is a unique figure in the history of the guitar and sadly neglected by history. She was well known and well connected in her day and taught many notable members of Victorian London society to play guitar, including Princess Alexandra. Her real name was Catharina - in her public work she used her husband’s name, as was common at the time - and she published her Guitar School after many years of teaching, to great acclaim. It is the most informative, wise, and practical guitar book I know, full of useful information, beautiful music, and insight into the learning process.
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
When I started playing guitar, all I wanted to do was play the blues. Why a working-class Scottish boy would be so entranced by music so culturally and geographically remote is curious even to me but this book gave me a way in, a key to unlock the skills required to emulate the sounds of the blues greats I loved to hear. As an autodidact, clear explanations, technical advice, and background information were essential to my development and I still use this book with students to this day.
(Music Sales America). Covers the whole spectrum of this exciting area of guitar playing. Careful grading enables beginners to progress through this course playing well-known songs, as well as learning the technical aspects. Songs: A Basic Blues * 'a' Simple Blues * 'a' Twelve Bar * Alice's Restaurant * Bounce Blues * Candyman * Candyman Blues * Cocaine Blues * Come Back Baby * Deep River Blues * The Entertainer * Extension Blues * First Time Blues * Gee Rag * Good Morning Blues * Half-way Rag * Harmony Blues * Hesitation Blues * Horizon Rag * How Long How…
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Classical music is often seen as being unapproachable, demanding, and difficult, the domain of geniuses and prodigies not for ordinary mortals. This delightful book makes available some of the greatest guitar music ever written in a form that is accessible yet recognisable. It enables the intermediate-level guitarist to advance their abilities while playing pieces that will transfix any audience, impress friends and family and render great satisfaction to the performer.
(Guitar). This collection of 55 well-known masterpieces of classical music offers arrangements that are well suited to the guitar, while remaining as faithful as possible to the original setting. This includes widely known classical melodies through to South American tangos - music for entertainment that suits the guitar particularly well. Some historical arrangements by prominent musicians of their time such as Mertz, Coste and Tarrega are a valuable addition to this collection. This collection is a treasure trove for tuition purposes, concert performance and just for fun, with pieces presented in order of increasing difficulty.
