Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Whether starting from scratch or expanding into new woodworking ventures, correctly setting up your shop can spell the difference between success and failure. Here’s where to come for information on electricity and lighting, tools, heating and ventilation, dust collection, benches, shop layout, and even safety. You’ll know what to buy, what to avoid, and what to do to make your workspace as efficient and comfortable as possible, no matter what flights of woodworking fancy you pursue.
This book is ideal for fitting a shop for the first time, or expanding an existing shop. "Setting Up Shop, Revised" takes the practical knowledge and ingenious solutions of the first edition and combines them with additional photos and drawings to create the most comprehensive workshop book on the market. Includes new photos and also updates on technology especially regarding dust collection, pneumatic tools and safety. With guidance on the best shop location, shop layout, equipping the shop with tools and accessories, shop safety and storage.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Many would say Krenov’s approach stands in strong contrast to Frid’s books. Krenov’s books contain much valuable practical information, but I believe the great value of this book is in his attitude toward his work. It is— and I know this is an overused word — but I think it is inspirational. He speaks clearly and in-depth about his approach to and interaction with his materials; their interplay with design and function; how the physical act of doing the work affects it; his attitude towards time, energy, genuineness, and patronage, and achieving the highest levels of art, craft, and satisfaction. Highly recommended for artists and woodworkers.
Cabinetmaking at the highest level is an art, a discipline, a philosophy--even a way of life--in addition to being a useful craft. In this book one of the greatest living cabinetmakers reflects on the deeper meanings of his craft and explains for less accomplished workers how the right attitudes toward materials, tools, and time can increase the joys of this complex activity. Craftspeople in every medium will be inspired by this account of getting started and developing habits that lessen the difficulties of a complex craft.
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
Watson is both a talented artist and woodworker. He combines those skills in a number of books, but our favorite is Hand Tools. Everyone needs at least some hand tools in their shop, and they should know how to use them properly. Watson’s book contains 450 beautiful hand-drawn illustrations, in pencil, that beg to be framed and hung on the wall. The writing is close behind.
For those who would like to have the benefit of a woodworker's extensive experience with hand tools, this is the book to own. Crammed with practical information, it is the next best thing to looking over a craftsman's shoulder as he works with his tools, asking questions and getting straight answers in plain language, seeing how each tool is held and manipulated to get the best work out of it. From bit brace, chisel, and mallet to saws, specialized planes, drawknife, and spokeshave, Aldren Watson describes in detail the actions of the tools basic to good woodworking. All the procedures…
Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Now that you’ve mastered clear finishes and can make your prettiest wood projects glow with pride, it may be time to turn to a bit of whimsy. There are a wealth of “painted finishes” that completely change wood into something very different. They go from simple faux bois (fake wood grain) to complex recreations of quill, bamboo, and stone (malachite, lapis, etc.) This introduction to the art of making wood look like marble will give you both ideas and techniques for your finishing playtime.
Throughout history, decorative painters have captured the magic of marble in paint. For many people today, the painted illusion of marbling represents a way of introducing colour, elegance and atmosphere into their surroundings. This book explains the techniques.
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
There are more comprehensive and detailed books on green woodworking, but none with Alexander’s unedited, liberating spirit, or his pioneering work. Lines such as “You need very few tools to go into the woods and bust a chair out of a tree” gave me a kind of permission to be bold, experiment, and just have fun (which is what he did, and is where the book comes from). You’ll learn how to make chairs (chairs!) with a small set of tools. You’ll likely put the book down before finishing it, and run into the woods to get started.
When a tree is felled, the wood is green and is easy to cut, split, shave and shape. As it dries, the wood shrinks and hardensQand it becomes vastly more difficult to work. In the old days, wood-workers relied on the ease with which green wood could be worked to make the parts they needed, and on the way wood shrinks to hold these parts together. These old ways have almost been lost, but are revived here for the modern woodworker. Make a Chair From a Tree is a lively and informative introduction to the old ways of splitting and…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is on many people’s lists—and for good reason: an essential book, it will give you a solid foundation on which to build your knowledge and skill set, most specially if you are just starting out, though there is much to learn here for even the more experienced woodworker. Frid’s training contains the practical knowledge of centuries of woodworking passed through an apprenticeship system as it began its transition into the 21st Century, adapting power tools, new materials, and ways of working that will give you the information that will let you build almost anything. He wrote 2 more books in the set, also valuable, but if you can only afford one, get this one.
As a tribute to Tage Frid who passed away in 2004, combined with the 30th anniversary of The Taunton Press, this three-volume slipcase set is the most complete, authoritative guide to woodworking for readers of all skill levels. The books in the slipcase include: ""Book 1: Joinery,"" ""Book 2: Shaping, Veneering, Finishing,"" and ""Book 3: Furnituremaking,"" The techniques illustrated in these books are demonstrated step by step, with clarity and organization that allows readers to understand and carry out virtually any woodworking project. This is a limited edition.
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is one of those books that has inspired generations of woodworkers to aim higher in their work, and to think about broad aspects of both designing for and building with wood. Krenov’s construction methods (using dowels) are idiosyncratic, but his intense approach to woodworking has had a profound impact. It is well worth a read.
James Krenov's delicate, lyrical cabinets have inspired a generation of wood craftsmen, as has his impassioned insistence that one do his very best work, no matter what. In this volume, first published in 1979, Krenov invites the reader into his workshop, where he shares his techniques and uncompromising approach to craftsmanship, along with thoughts about his work and its place in the world. Photo sequences show how Krenov composes a cabinet directly in the wood, without dimensioned drawings. He also discusses working with shop-sawn veneers, the technique of fitting curved doors, and the problems of accuracy and mistakes. The book…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Franz Karg's book is a challenge: Design and build cabinets without any sheet goods—all solid wood— and make the designs exciting, the joinery accommodate stress and expansion and contraction while adding to the quality of design, or even inspiring the design. Working your way through these designs will kick your thinking and your construction approach up a notch!
A master cabinetmaker shows how to build a wide array of lasting furniture for your living room, dining room and bedroom. Sharp photographs and detailed drawings provide the technical information needed to build wall cabinets and other pieces of furniture.
Having been a teacher for many years, I have had the great fortune to be surrounded by young people most of my adult life. As a result, I’ve been witness to countless moments reflecting the struggles of teenagers facing various challenges in their lives. Without question, one of the most painful is having to grapple with loss, and regardless whether it involves a friend, a family member, a home, an opportunity, or any number of other misfortunes, the act of facing and rising above that loss is often character-defining. I will always be grateful to my many students whose candour and courage have both inspired me and informed my own writing.
Nix Minus Oneis a heartbreaking story of a 15-year-old boy who must come to terms with the death of his older sister, Roxy, whom he adored. Told in free verse, it recounts the guilt he feels at having argued with her on the night she got drunk at a party and staggered into the path of an oncoming truck. I loved how each poem can stand alone but, sequenced together as they are, they form an unforgettable narrative. More than a novel about the sorrow of loss, this is a poignant, beautifully written story about the painful process of healing.
An exquisite middle-grade novel by the award-winning Jill MacLean
Fifteen-year-old Nix Humbolt doesn't talk much. He's barely outgrown his "Fatty Humbolt" days, and although he is taller and leaner now, he has learned it is best to keep a low profile. He dreams about his only friend's girl, but of course she is hopelessly out of his league. Lonely and introverted, he is happiest in his father's woodworking shop, where he builds exquisite boxes and tables. The only battles Nix fights are on his Xbox - until the day he finds the guts to fight for Swiff Dunphy's neglected dog.…
