Here are 100 books that The Complete Japanese Joinery fans have personally recommended if you like
The Complete Japanese Joinery.
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Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book is a classic and is a beautifully informative excerpt from the author’s longer and more extensive The Japanese House: A Tradition for Contemporary Architecture which is long out of print. The drawings and plans are wonderful, and illuminate the Japanese House layout, modularity, proportions, and many structural and ornamental details. I particularly love the white-on-black visual treatment used for many of the plans.
A remarkable classic work on traditional Japanese architecture and its general integrative quality, the order of space and form, the flexibility of partitions and room functions and other important or unique qualities. The author describes in detail, and with numerous architectural plans and drawings, the influence of the anatomy of the Japanese human body on traditional units of measurement and on house construction. This work is not simply a description of the features of the Japanese house, but "an invitation to probe the possibilities of utilizing this architectural achievement of the Japanese ...in modern living and building," according to the…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is the definitive book in English on Japanese woodworking handtools. Anyone who is or contemplates using Japanese handtools — and I strongly suggest that you take a second look at them if you haven’t already as there are a number of them that are superior in their performance to their western counterparts —needs to be familiar with this book.
The classic work on the tools and spirit of the Japanese master craftsman.
In Japan, a woodworker spends years learning to use his tools with great speed and skill. Only after he has proved his mastery can he proudly call himself a shokunin, a master craftsman.
Japanese Woodworking Tools brings the traditions and training of the shokunin to the Western world. Calling on his own apprenticeship as a tategu-shi (sliding-door maker), and on 40 years of woodworking experience, Toshio Odate here offers a complete guide to Japanese tools: thin saws that cut on the pull stroke, laminated chisels with hollowed…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
Len Brackett trained with superb carpenters in Japan and returned to the US West Coast to create exquisite Japanese-stye houses and other buildings. His work is in extremely high demand. This book shows how high-quality Japanese-style design and construction can be adapted to our current lifestyles without sacrificing either aesthetically or functionally. Brackett’s descriptions of his design and construction process, as well as of the wood material he uses, are enticing and provide a lot of technical and philosophical insight.
Built like a piece of fine furniture, the traditional Japanese house is universally admired for its clean lines, intricate joinery, and unparalleled woodworking. Focusing primarily on a new guesthouse in California, this elegant volume shows how a classic Japanese house can be built to offer the warmth and comfort that modern homemakers require.Len Brackett, rigorously trained as a temple carpenter in Kyoto, has spent decades adapting the ancient Japanese design aesthetic to Western needs. Here he demonstrates step-by-step how both the traditional live-on-the-floor house, as well as models that accommodate furniture, can be constructed to provide such modern essentials as…
I’m a Tokyo-based writer who first came to Japan during university to live with a host family and study the language. After a stint in Shanghai, Japan brought me back in 2012 and I’ve lived here ever since. I’ve cycled across remote Okinawan islands, wandered Kyoto’s cobblestone lanes, and trekked to mountaintop temples in heavy snow. But some of my best memories have happened over homemade plum wine at a friend’s dinner table. I’ve written two books published by Moon Travel Guides and countless articles on Asia, with some being chosen for “best of” lists by The Washington Post, The Atlantic, Foreign Policy, andReal Clear World.
Written by the 20th century’s leading interpreter of things Japanese, this travel memoir has a timeless, elegiac quality. Donald Richie lived in Tokyo, but he based this work on a series of trips through the waterways and fishing villages of the glittering Inland Sea. Beyond his beautiful sketches of the seascape itself, his warm, human interactions with fishermen, aunties, merchants, and monks give voice to a disappearing side of Japan. They also serve as a mirror into the metaphorical inland sea within himself––the good, bad, and ugly––which he freely reveals. Seeing the world Richie describes vanish evermore in the decades since, the book’s resonance only grows with age. This is why I find myself diving back into it again and again.
"An elegiac prose celebration ...a classic in its genre."-Publishers Weekly In this acclaimed travel memoir, Donald Richie paints a memorable portrait of the island-studded Inland Sea. His existential ruminations on food, culture, and love and his brilliant descriptions of life and landscape are a window into an Old Japan that has now nearly vanished. Included are the twenty black and white photographs by Yoichi Midorikawa that accompanied the original 1971 edition. Donald Richie (1924-2013) was an internationally recognized expert on Japanese culture and film. Yoichi Midorikawa (1915-2001) was one of Japan's foremost nature photographers.
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
The actual story as told by an actual geisha (rather than the male author of Memoirs of a Geisha), I was absolutely obsessed with this book when I began studying Japanese.
I loved the depictions of Kyoto pre-war and all the festivals, ceremonies, and intricacies that go into the life of a geisha. The post-retirement part of the story is also so real and human, and while it is a much quieter book compared to the sturm and drang of Memoirs of a Geisha, it has a delicate beauty that stuck with me.
GEISHA, A LIFE "No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards.…
I lived and taught in Asia for over 30 years and love the place to bits. Leaving Oxford for Singapore may have seemed like a daring adventure in 1980, but it complemented my doctoral research and introduced me to a wonderful set of students who have enriched my life ever since. Asia has a fascination for me that I can’t resist. I have written and edited 15 books on naval and defence themes, much of which have been set in the Asian continent. An associate editor of the Oxford Dictionary of National Biography for the past 25 years, I am also the editor for the series Cold War in Asia.
If you know your Pacific War and are familiar with all the major land and sea battles, you may think there’s not much that’s new to discover about the campaign for Okinawa. And maybe there isn’t. But for those who aren’t specialists, this book will prove fascinating. It’s not a page-turner in the accepted sense of the term because most pages appall with the dreadful futility of it all. I couldn’t read more than a dozen pages at a time without feeling a sense of desperation at the almost casual sacrifice of lives on both sides in this war of attrition. No wonder many veterans of Okinawa found it difficult to talk about the horror of it afterward and carried dark memories of their tortured experiences to their graves.
From the award-winning historian, Saul David, the riveting narrative of the heroic US troops, bonded by the brotherhood and sacrifice of war, who overcame enormous casualties to pull off the toughest invasion of WWII's Pacific Theater -- and the Japanese forces who fought with tragic desperation to stop them.
With Allied forces sweeping across Europe and into Germany in the spring of 1945, one enormous challenge threatened to derail America's audacious drive to win the world back from the Nazis: Japan, the empire that had extended its reach southward across the Pacific and was renowned for the fanaticism and brutality…
I’ve been an avid ready of fantasy for over twenty years, and I’ve spent nearly as long at least thinkingabout writing. In that time, I have definitely found some fantasy that wasn’t for me and some that really, really was. I like my fantasy fun and relatively light—I own nearly every Discworld book but could never get into George R. R. Martin. And my writing has naturally evolved around the same lines. I love a good joke or a well-timed pun almost as much as I love unexpected takes on fantasy tropes.
A Japanese light novel, manga, and anime, Kyo Kara Maoh!is perhaps the foundation upon which my obsession with trope-defying fantasy humor was built. I will admit to watching the anime first (as an impressionable young teenager) and being hooked. It wasn’t like any show I had seen before. It was funny because it made fun of itself and the genres and tropes that normally constrained such a series. And as soon as I found that such a thing existed I wanted it. Tropes are great, but I love them so much more when they’re turned upside down or inside out or stretched out of shape completely, because then you get to see what they’re really made of.
When Japanese schoolboy Yuri Shibuya, who has a strong sense of justice, gets flushed into another world, he is hailed as the king of the Mazoku, beautiful demons who want him to lead them in their war against humans.
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
Together with TV anime, the first video games (e.g. Space Invaders, Pac-Man, Donkey Kong) arrived in Italy between 1978 and 1981 and completely changed the way my friends and I spent our free time and pocket money. Ten years later I moved to Japan and, again, spent insanely long hours in dark game arcades playing Virtua Fighter. If, like me, you are a game addict, this book will tell you everything you need to know about game history and the intricacies and main personalities of each genre, from shooting and fighting games to retro and card-based games. It’s a huge saccharine high. Now excuse me but I gotta have my fix.
Home of Sega, Nintendo, and Sony, Japan has a unique and powerful presence in the world of video games. Another thing that makes Japan unique in the gaming world is the prevalence of game arcades. While the game arcade scene has died in the U.S., there are 9,500 "game centers" in Japan with more than 445,000 game machines. Arcade Mania introduces overseas readers to the fascinating world of the Japanese gemu senta. Organized as a guided tour of a typical game center, the book is divided into nine chapters, each of which deals with a different kind of game, starting…
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
This is one of the first books on Japan that I read when I moved to the country in 1997, and it still resonates with me. While still a college student, Alex Kerr buys a rundown farmhouse in the Iya Valley of Shikoku, re-thatches it, and maintains the traditional Japanese architecture of pre-WWII Japanese wooden houses.
Kerr went on to write many more books on Japan, most of which have become classics. He is the foundation of the akiya movement, lectures widely around the archipelago, and is responsible for revitalizing country villages around Japan.
An enchanting and fascinating insight into Japanese landscape, culture, history and future.
Originally written in Japanese, this passionate, vividly personal book draws on the author's experiences in Japan over thirty years. Alex Kerr brings to life the ritualized world of Kabuki, retraces his initiation into Tokyo's boardrooms during the heady Bubble Years, and tells the story of the hidden valley that became his home.
But the book is not just a love letter. Haunted throughout by nostalgia for the Japan of old, Kerr's book is part paean to that great country and culture, part epitaph in the face of contemporary…
