Here are 100 books that Measure and Construction of the Japanese House fans have personally recommended if you like
Measure and Construction of the Japanese House.
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Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book, first published in 1995, is a detailed how-to guide that answers a lot of questions about how carpentry is practiced in contemporary Japan. The drawings and plans are fabulously informative. It does not focus on tool use per se, but beautifully conveys the structural logic and reasoning that lie behind the joints and connections themselves. I keep it handy as a reference.
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is the definitive book in English on Japanese woodworking handtools. Anyone who is or contemplates using Japanese handtools — and I strongly suggest that you take a second look at them if you haven’t already as there are a number of them that are superior in their performance to their western counterparts —needs to be familiar with this book.
The classic work on the tools and spirit of the Japanese master craftsman.
In Japan, a woodworker spends years learning to use his tools with great speed and skill. Only after he has proved his mastery can he proudly call himself a shokunin, a master craftsman.
Japanese Woodworking Tools brings the traditions and training of the shokunin to the Western world. Calling on his own apprenticeship as a tategu-shi (sliding-door maker), and on 40 years of woodworking experience, Toshio Odate here offers a complete guide to Japanese tools: thin saws that cut on the pull stroke, laminated chisels with hollowed…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
Len Brackett trained with superb carpenters in Japan and returned to the US West Coast to create exquisite Japanese-stye houses and other buildings. His work is in extremely high demand. This book shows how high-quality Japanese-style design and construction can be adapted to our current lifestyles without sacrificing either aesthetically or functionally. Brackett’s descriptions of his design and construction process, as well as of the wood material he uses, are enticing and provide a lot of technical and philosophical insight.
Built like a piece of fine furniture, the traditional Japanese house is universally admired for its clean lines, intricate joinery, and unparalleled woodworking. Focusing primarily on a new guesthouse in California, this elegant volume shows how a classic Japanese house can be built to offer the warmth and comfort that modern homemakers require.Len Brackett, rigorously trained as a temple carpenter in Kyoto, has spent decades adapting the ancient Japanese design aesthetic to Western needs. Here he demonstrates step-by-step how both the traditional live-on-the-floor house, as well as models that accommodate furniture, can be constructed to provide such modern essentials as…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
Sam Baldwin spent two years living in Ono, Fukui, a rural area of Japan. For Fukui's Sake is a true account of his adventures. He has written about travel for The Guardian, The Times and The Independent and has contributed to numerous magazines and guidebooks. After returning to his native UK, he relocated to Slovenia where he writes about the adventures of restoring a 300-year-old mountain cabin.
Minka is the true story of an American AP correspondent who, reluctantly at first, fell into buying a 250 year-old traditional Japanese farmhouse for a pittance (it was in an area soon to be flooded by dam construction) had it disassembled, transported, and re-built in the rural outskirts of Tokyo.
It's an insight into two aspects of Japan; firstly the rural, artisan side as Roderick befriends a family from Gifu and uses many of the rural folk from the prefecture for their carpentry skills, and secondly it provides us with an interesting view on some of the high society that Roderick mixes with, being a well-connected ex-pat (Hilary Clinton once visits his house!).
Roderick writes with a good deal of humor, and his love and knowledge of Japan makes him a welcome guide as he takes us through the quirks and curios of Japan during the ‘60s and ‘70s. The…
In 1959 journalist John Roderick joined the Tokyo bureau of the Associated Press. There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the family unbeknownst to Johnset out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof and held together entirely by wooden pegs and joinery. It was about to be washed away by flooding and was being offered for only fourteen dollars. Roderick graciously bought the house, but was privately dismayed at the prospect of living…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through devastating stories of unoccupied housing developments in China and Spain, gargantuan mansions built mostly underground the streets of London, and pencil-thin skyscrapers in New York where residents never have to see each other, Soules explains how “architecture has become finance and finance has become architecture.”
In its relentless pursuit of profit, capital has created the conditions for the built environment to be redesigned and standardized for easier trading as cash liquidity. This movement since the 1980s explains both the rampant urbanization of the world and the increasing canyon between the haves and have-nots.
"Soules's excellent book makes sense of the capitalist forces we all feel but cannot always name... Icebergs, Zombies, and the Ultra Thin arms architects and the general public with an essential understanding of how capitalism makes property. Required reading for those who think tomorrow can be different from today."- Jack Self, coeditor of Real Estates: Life Without Debt
In Icebergs, Zombies, and the Ultra Thin, Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
The new monograph of the work of one of our favorite architects from our book — San Francisco-based Feldman Architecture. It's a look at 20 years of the firm's work, a collection of homes that both reflects and defines what it means to live authentically within the landscape of Northern California. We particularly love how the architects design for site, whether the home is situated high on a ridge, nestled amongst oaks or tucked within a cityscape, and their masterful use of materials. Their Surf House, overlooking the ocean in Santa Cruz, is lined inside and out with local Monterey cypress. An existing San Francisco Edwardian was transformed by the addition of a central staircase with skylights bringing light deep into the interior. Butterfly House speaks to the land trust on which it dwells as a sustainably-minded home designed as three separate volumes united by a butterfly roof. No matter…
Immersed - The California Houses of Feldman Architecture is an indepth look at 20 years of the firm's defining residential work spanning three areas: Urban, Suburban, and Rural. Feldman Architecture, a vibrant San Francisco-based studio, aims to create authentic, sitesensitive, sustainable spaces through a deeply collaborative process. This book, which includes commentary from Aaron Betsky and Daniel P. Gregory, as well as an interview with Vladimir Belogolovsky, situates Feldman Architecture's work within the northern California design canon and illustrates how the firm's voice subtly translates across diverse geographies and contexts. Jonathan Feldman, in closing, reflects upon the values and aspirations…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.
Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
If you’re in the middle of renovating and feel like you’ve lost your way, you might need a new perspective. This book will get you back on track.
Easy for laypeople to understand—the writing is simple and elegant—it’s philosophical and wise. It might even change how you look at the world, or at least the way you look at architecture. Hopefully, you’ll remember why you’re renovating in the first place.
What makes a house beautiful? Is it serious to spend your time thinking about home decoration? Why do people disagree about taste? Can buildings make us happy? In The Architecture of Happiness Alain de Botton tackles a relationship central to our lives. Our buildings - and the objects we fill them with - affect us more profoundly than we might think. To take architecture seriously is to accept that we are, for better and for worse, different people in different places. De Botton suggests that it is architecture's task to render vivid to us who we might ideally be. Turning…
