My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
101 questions and answers on why humankind always tries to build a better world. Well, perhaps not always, but the book also tells about why we fail. The answers are sometimes witty, never boring but always serious.
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Complexity and Contradiction made me believe that there is a way forward for architecture.
I got my copy as a gift from a girlfriend on the day I began my studies in architecture, and it has followed me ever since. The girlfriend did not.
Robert Venturi’s manifesto is more relevant today than ever. The title is a marvel of concentrated wisdom and the content is a sparkling argumentation for an inclusive, rich, humane, and sensitive architecture.
There are more than one hundred books written on Alvar and Aino Aalto but none of them are as personal as the ones written by their friend Göran Schildt.
I hold The Human Factor highest. Alvar Aalto conceived a deep understanding of life and created a sensitive architecture that embraced it. He was praised for that, but Schildt goes beyond the glory and explains how humane architecture remained controversial in a technological era.
To read about the long, long history of creating solid, sun-lit, comfortable, and sound houses and homes is truly inspiring.
I keep going back to Bill Addis bible again and again as I look for understanding of how the inventiveness of humankind have evolved the world we live in. To read about the symbiosis between material and matter is not only joyful; it is also a source of inspiration as we today have to re-invent many of the un-sustainable solutions we rely on.
Townscape is more than a book on how good cities are shaped. It is a book that describes generic qualities of space.
Cullens's way of understanding and analyzing urban structures with pen and paper has much to tell future architects. That the book has been around for more than sixty years is a compelling evidence of its outstanding capacity to educate generation after generation on how to create richness and avoid chaos.
Urban planners of today have much to learn from Cullen’s simple, but efficient, drawings and captions.
This book pioneered the concept of townscape. 'Townscape' is the art of giving visual coherence and organization to the jumble of buildings, streets and space that make up the urban environment. It has been a major influence on architects, planners and others concerned with what cities should look like.
Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.
Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.
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Looking at the books I have chosen, one might say they are all rather long in the tooth. They are, yet they are also the books that inspired me to do what I do today which is to teach and research the subject of urban design. I am a Professor of Planning and Urban Design at The Bartlett, UCL and firmly believe that understanding a subject like my own begins from the foundations upwards. Each of these classic texts represents part of those foundations, foundations that my own work attempts to build upon.
Discover why each book is one of Matthew's
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This third selection was published contemporaneously with the first two, but while the first two are really polemics, this book reports on empirical research. Perhaps because of that, it may seem a little dry, but the messages it has for us about the way we perceive cities are profound (albeit they have since been challenged). If you want to understand urban design then Kevin Lynch’s body of work is a must, and this is the best place to start.
What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly…
Growing up in a Dutch city, I vividly remember witnessing the excitement of urban life through the windows of a streetcar, on foot, or by bike. Soon, I began to recreate this excitement by drawing maps of imaginary cities of my own. My small towns turned into entire regions, their streets coming to life as I closed my eyes. I essentially turned my childhood fascination into my job, as I now study, design, and teach students how to improve cities. Our best cities are places where citizens can interact with one another, overcoming social, economic, and environmental evolutions and revolutions. I never cease to be fascinated with the key to these everlasting cities.
Discover why each book is one of Conrad's
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Why did Conrad love this book?
Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings.
The first Danish language version of this book, published in 1971, was very much a protest against the functionalistic principles for planning cities and residential areas that prevailed during that period. The book carried an appeal to show concern for the people who were to move about between buildings, and it urged an understanding of the subtle, almost indefinable - but definite - qualities, which have always related to the interaction of people in public spaces, and it pointed to the life between buildings as a dimension of architecture that needs to be carefully treated. Now 40 years later, many…
I have always been curious about why societies develop, which is why I was drawn to the social sciences as a student. I first encountered attempts to explain development in economics, but found that mainstream models were too neat and abstract to account for my everyday observations. Why are there no entrepreneurs in the models, and why do most economists assume that property rights are unambiguous? I eventually discovered that non-mainstream economic theories and some of the other social sciences are more concerned with reality. Eventually I developed an eclectic framework with a focus on entrepreneurship, institutions, and spatial agglomerations as factors that shape socio-economic development.
Discover why each book is one of David's
favorite books.
Why did David love this book?
This is the book that made me question what I had learned in urban economics as a Ph.D. student.
Cities are not neatly divided into homogeneous districts. Instead, cities are always changing and the most creative and productive areas tend to be diversified rather than specialized, since diversity begets creativity and innovation.
Jacobs argued that there are four design principles that cultivate dynamism: mixed primary uses, a high population density, a mixture of new and old buildings, and short blocks.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
