Here are 100 books that Immersed fans have personally recommended if you like
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By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
One of our all-time favorite books. Nathan Turner loves California, and we love how he translates that love to us, transporting even those of us who have lived here all of our lives to a new level of appreciation for our beautiful state. A combination of food, family, design, and adventure, it is an ode to our state — a love letter that is an absolute joy.
Designer Nathan Turner's style is synonymous with the easy glam of California living. His first book introduced readers to his casual American style and chic design sense. Now, he has written a love letter to his home state in I Love California. This book is a journey up and down Highway 1 that takes readers from the redwoods of northern San Francisco, to the mountains of the Sierra Nevada, to the beaches of Southern California. Simple recipes and tips for entertaining are featured alongside never-before-seen interiors. Lavish photographs capture the homes, people, and food of each unique location in glorious,…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
Under Western Skies celebrates the best in landscape design throughout many western climates, from mountains to desert to rainforest, from wine country to urban oasis. 36 harmonious designs prove that glorifying nature rather than work against it results in landscapes that belong. The book is full of ideas and inspiration, as well as practical information for the home gardener or the armchair traveler. One reader called it 'an homage to the horticultural arts.'
This photo-driven book explores how the rugged landscape of the American West deeply influences the way people garden. It profiles 35 of the most groundbreaking gardens in the region. From desert perch to seaside oasis, gardens in the American West are on the frontier of garden design. Under Western Skies proves this, with profiles of 35 of the West's most innovative gardens - places that truly capture the wild spirit of the region. Under Western Skies reveals how the grandeur and rugged beauty of the region's landscapes set the stage for stunning and innovative design, while the various climates allow…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
Jenny Kayne personifies the easy, laid-back approach to design and life that is so characteristic of California. Comfort plays a role equal to that of style, which is always organic, natural, and textural. Jenni Kayne's style leans toward a neutral palette that embraces and accentuates the light, color, and texture of the California landscape. She shares work from her own home, as well as homes of other creative women who share her natural design ethos.
A known tastemaker and authority on style, Jenni Kayne spans the worlds of fashion, interiors, and entertaining. Inspired by organic textures, thoughtful simplicity, and natural landscapes, Kayne embodies an earthy and effortless aesthetic one that is intentional and where beauty and authenticity exist in every detail. In her second book Kayne turns to interior design, sharing her beautifully designed interiors as well as the homes of other creative women who embrace a similar natural design ethos. The book introduces the homes by location, spanning varied landscapes and design characteristics: houses by the ocean, desert-style spaces, mountain homes, and abodes in…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
A big bold book glorious in its celebration of art with a West Coast perspective authored by collector Chara Shreyer and interior designer Gary Hutton. One of the most significant private collections of modern art in the U.S. — approximately 600 pieces — is showcased in homes ranging from a Pacific beach house to a Los Angeles aerie to a ridgetop residence in Marin County. The book features masterworks by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella, plus important works by emerging 21st-century artists. It is a colorful, vibrant, and poignant portrayal of one woman's art journey.
Leading art collector Chara Schreyer’s forty-year collaboration with interior designer Gary Hutton has produced five residences designed to house 600 works of art, including masterpieces by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella. Art House takes readers on a breathtaking visual tour of these stunning spaces, which range from an architectural tour-de-force to a high-rise “gallery as home.” An exploration of a life devoted to living with art and to designing homes that honor it, this title is an inspiration for art and design lovers alike.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Esther McCoy has long been admired for her writing on architecture in Southern California, particularly on the Case Study House program from 1945-1962.
This is a remarkable story of a once-in-a-lifetime program sponsored by Arts & Architecture magazine that brought together legendary architects, hopes and dreams, and some fantastic Mid-century Modern Homes.
Many of these Case Study homes are still standing today, and some are available to tour. You can also look up the addresses of these homes and drive by yourself.
Since the popular Museum of Contemporary Art exhibit of 1989, Blueprint for Modern Living, much attention has been paid to the pioneering work done by the architects of the Case Study Program. Sponsored by John Entenza's Art & Architectue Magazine, the Case Study Houses program brought new thinking, techniques, and materials to post-war California house building. Contains the work of Charles Eames, Eero Saarinen, Craig Ellwood, Pierre Koenig, Richard Neutra, William Wurster, and others.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This is one of the best introductions to architecture out there. It talks about buildings and the profession, and introduces users to key ideas and concepts in architecture history and theory. It’s an overall primer for anyone interested in discipline. Oh, and it’s a beautiful book, too, with stunning examples of projects that will hook any novice on the architecture field at large.
This book offers a thorough introduction to the entire field of architecture, outlining the steps that are normally taken in becoming a qualified architect, from initial education right through to professional practice, as well as how to apply this architectural training in other fields.
Complete with feature spreads on individual projects, Architecture: An Introduction's broad, up-to-date approach unites history, theory and practice. Subjects covered include how to develop a brief with a client; taking an idea from brief to project; types of visual presentation including drawings, models and computer renderings; project planning and management; the diverse roles within a company;…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Many books about architecture are like cookbooks, that is, they are written for the cook—the architect—and are concerned with how to make the stuff. But for the lay person, the joy of architecture lies in the actual experience of buildings; good architecture makes you feel good. This classic, written in 1962 by a wise old Dane, is a wonderful guide to the many sensory ways in which we experience buildings, old and new.
A classic examination of superb design through the centuries.
Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience.
In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place,…
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.
When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day.
This title offers an inspiration for homeowners and builders from a leading architect. "The Not So Big House" has sold over 500,000 copies since 1998. It features clear guidance that emphasises the use of quality not quantity. This anniversary edition includes 32 extra pages and a new introduction. Now available in paperback, the expanded 10th anniversary edition of Sarah Susanka's "The Not So Big House" is ready to inspire a whole new generation of homeowners and builders. Though a decade has passed, her deceptively simple message remains as powerful as ever: when it comes to our homes, quality should always…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
