Here are 100 books that Immersed fans have personally recommended if you like
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By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
One of our all-time favorite books. Nathan Turner loves California, and we love how he translates that love to us, transporting even those of us who have lived here all of our lives to a new level of appreciation for our beautiful state. A combination of food, family, design, and adventure, it is an ode to our state — a love letter that is an absolute joy.
Designer Nathan Turner's style is synonymous with the easy glam of California living. His first book introduced readers to his casual American style and chic design sense. Now, he has written a love letter to his home state in I Love California. This book is a journey up and down Highway 1 that takes readers from the redwoods of northern San Francisco, to the mountains of the Sierra Nevada, to the beaches of Southern California. Simple recipes and tips for entertaining are featured alongside never-before-seen interiors. Lavish photographs capture the homes, people, and food of each unique location in glorious,…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
Under Western Skies celebrates the best in landscape design throughout many western climates, from mountains to desert to rainforest, from wine country to urban oasis. 36 harmonious designs prove that glorifying nature rather than work against it results in landscapes that belong. The book is full of ideas and inspiration, as well as practical information for the home gardener or the armchair traveler. One reader called it 'an homage to the horticultural arts.'
This photo-driven book explores how the rugged landscape of the American West deeply influences the way people garden. It profiles 35 of the most groundbreaking gardens in the region. From desert perch to seaside oasis, gardens in the American West are on the frontier of garden design. Under Western Skies proves this, with profiles of 35 of the West's most innovative gardens - places that truly capture the wild spirit of the region. Under Western Skies reveals how the grandeur and rugged beauty of the region's landscapes set the stage for stunning and innovative design, while the various climates allow…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
Jenny Kayne personifies the easy, laid-back approach to design and life that is so characteristic of California. Comfort plays a role equal to that of style, which is always organic, natural, and textural. Jenni Kayne's style leans toward a neutral palette that embraces and accentuates the light, color, and texture of the California landscape. She shares work from her own home, as well as homes of other creative women who share her natural design ethos.
A known tastemaker and authority on style, Jenni Kayne spans the worlds of fashion, interiors, and entertaining. Inspired by organic textures, thoughtful simplicity, and natural landscapes, Kayne embodies an earthy and effortless aesthetic one that is intentional and where beauty and authenticity exist in every detail. In her second book Kayne turns to interior design, sharing her beautifully designed interiors as well as the homes of other creative women who embrace a similar natural design ethos. The book introduces the homes by location, spanning varied landscapes and design characteristics: houses by the ocean, desert-style spaces, mountain homes, and abodes in…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
A big bold book glorious in its celebration of art with a West Coast perspective authored by collector Chara Shreyer and interior designer Gary Hutton. One of the most significant private collections of modern art in the U.S. — approximately 600 pieces — is showcased in homes ranging from a Pacific beach house to a Los Angeles aerie to a ridgetop residence in Marin County. The book features masterworks by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella, plus important works by emerging 21st-century artists. It is a colorful, vibrant, and poignant portrayal of one woman's art journey.
Leading art collector Chara Schreyer’s forty-year collaboration with interior designer Gary Hutton has produced five residences designed to house 600 works of art, including masterpieces by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella. Art House takes readers on a breathtaking visual tour of these stunning spaces, which range from an architectural tour-de-force to a high-rise “gallery as home.” An exploration of a life devoted to living with art and to designing homes that honor it, this title is an inspiration for art and design lovers alike.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Esther McCoy has long been admired for her writing on architecture in Southern California, particularly on the Case Study House program from 1945-1962.
This is a remarkable story of a once-in-a-lifetime program sponsored by Arts & Architecture magazine that brought together legendary architects, hopes and dreams, and some fantastic Mid-century Modern Homes.
Many of these Case Study homes are still standing today, and some are available to tour. You can also look up the addresses of these homes and drive by yourself.
Since the popular Museum of Contemporary Art exhibit of 1989, Blueprint for Modern Living, much attention has been paid to the pioneering work done by the architects of the Case Study Program. Sponsored by John Entenza's Art & Architectue Magazine, the Case Study Houses program brought new thinking, techniques, and materials to post-war California house building. Contains the work of Charles Eames, Eero Saarinen, Craig Ellwood, Pierre Koenig, Richard Neutra, William Wurster, and others.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.
Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential…
The "tyranny of the private realm" is destroying our cities. Modern architecture, with its insistence on the mute object and its rejection of the conventions of street and square, has abdicated civic responsibility and eschewed the urban forms that express and promote it. In this eloquent and extensively illustrated study of the evolution of a modern conception of space, Michael Dennis explores the social, psychological, and especially the formal transformations that that led architects to trade the city of public space for a city of private icons. The French hôtel, an aristocratic town house developed largely in Paris between 1550…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through devastating stories of unoccupied housing developments in China and Spain, gargantuan mansions built mostly underground the streets of London, and pencil-thin skyscrapers in New York where residents never have to see each other, Soules explains how “architecture has become finance and finance has become architecture.”
In its relentless pursuit of profit, capital has created the conditions for the built environment to be redesigned and standardized for easier trading as cash liquidity. This movement since the 1980s explains both the rampant urbanization of the world and the increasing canyon between the haves and have-nots.
"Soules's excellent book makes sense of the capitalist forces we all feel but cannot always name... Icebergs, Zombies, and the Ultra Thin arms architects and the general public with an essential understanding of how capitalism makes property. Required reading for those who think tomorrow can be different from today."- Jack Self, coeditor of Real Estates: Life Without Debt
In Icebergs, Zombies, and the Ultra Thin, Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in…
I love cities, and as a former Mayor, I understand their vibrant complexity. Like all of us, I am deeply worried about planetary breakdown, but unlike most, I’ve had the privilege of seeing firsthand the great work that leading mayors are undertaking globally to address the climate crisis. It's my belief that if more of us knew what is happening in some cities, and therefore what is possible in all, we would not only see that it is possible to avoid climate breakdown but fuelled by that hope, we would demand change from those we elect. You can hear more in the podcast I lead, Cities 1.5, or read more in my occasional newsletter on substack.
Behind the Glass is an entire book about a building and the family that built it, lost it, and then reclaimed its heritage 60 years later. It is a complex nonfiction book written by an anthropologist, Michael Lambek, a grandchild of the couple that built the house in 1929. It is about the family, their friendship with famous philosophers like Martin Heidegger and Ernst Tuegend, but most of all, about the house.
If you are an avid supporter of cities, like I am, buildings are fascinating - for their history, their design, and, more recently, for their carbon reduction potential. The Villa Tugendhat, the glass house, was (and remains) a modernist masterpiece designed by Miles Van der Rowe in 1928. As an architect, Van der Rowe was incredibly influential in major cities globally - in my home city of Toronto, for example.
This book focuses on the philosophical reasons the…
