Here are 100 books that Case Study Houses fans have personally recommended if you like
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I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.
He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.
After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?
Since its publication in 1996, Holy Land has become an American classic. In "quick, translucent prose" (Michiko Kakutani, New York Times) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sections as carefully measured as a grid of tract houses, Holy Land is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
I was born in Burbank, CA. This book details the early land development deals made by Fritz Burns for new single-family homes in Burbank and the surrounding area beginning in the 1930s.
Fritz Burns was an innovator, showman, and very successful businessman. His office once occupied the historic House of Tomorrow located at the corner of Highland Ave. and Wilshire Blvd. that he commissioned architects Walter Wurdeman and Welton Becket to design and build.
He also helped develop the Kaiser tract homes in the San Fernando Valley, and some of the first large hotels in Hawaii in the 1950s. When driving around the neighborhoods of Southern California I’m always searching for historically important buildings and residences.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Alan Hess is theauthority on Googie Architecture. He’s written several excellent books on the subject.
His writing style and unique perspective (he’s also an architect) bring insight and authority to everything he writes, which also includes books on Frank Lloyd Wright and John Lautner. The original Googies Coffee Shop, located at the corner of Sunset Blvd. and Crescent Heights in West Hollywood, was designed by John Lautner.
If you do some research online, you can find some great old photos of the structure.
The euphoria about the future that followed World War II permeated the outlooks of architects, who, influenced by Frank Lloyd Wright and with ready access to remarkable new construction material and building techniques spawned by the war technologies, faced the intriguing prospect of redesigning the post war world. Initially the futuristic designs were outrageous, and detractors labeled these structures the Googie School of Architecture after a particularly outlandish coffee shop in Los Angeles. Googie would seem far from outlandish today as those once controversial design elements have become commonplace in both commercial and residential architecture. Author Alan Hess traces the…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
The new monograph of the work of one of our favorite architects from our book — San Francisco-based Feldman Architecture. It's a look at 20 years of the firm's work, a collection of homes that both reflects and defines what it means to live authentically within the landscape of Northern California. We particularly love how the architects design for site, whether the home is situated high on a ridge, nestled amongst oaks or tucked within a cityscape, and their masterful use of materials. Their Surf House, overlooking the ocean in Santa Cruz, is lined inside and out with local Monterey cypress. An existing San Francisco Edwardian was transformed by the addition of a central staircase with skylights bringing light deep into the interior. Butterfly House speaks to the land trust on which it dwells as a sustainably-minded home designed as three separate volumes united by a butterfly roof. No matter…
Immersed - The California Houses of Feldman Architecture is an indepth look at 20 years of the firm's defining residential work spanning three areas: Urban, Suburban, and Rural. Feldman Architecture, a vibrant San Francisco-based studio, aims to create authentic, sitesensitive, sustainable spaces through a deeply collaborative process. This book, which includes commentary from Aaron Betsky and Daniel P. Gregory, as well as an interview with Vladimir Belogolovsky, situates Feldman Architecture's work within the northern California design canon and illustrates how the firm's voice subtly translates across diverse geographies and contexts. Jonathan Feldman, in closing, reflects upon the values and aspirations…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Two of the biggest names in twentieth-century architecture. Thoroughly researched, Neumeyer’s book explores the thought processes of the first, the generally taciturn German architect Mies van der Rohe. It includes a discussion of his fascination with traditional African architecture and its clear relationship between form and the constructional potential of specific materials (timber, grass, stone, rope, mud…) which of course translates into Mies’s own work with modern materials (welded steel and plate glass). But there is a lot more to this book than that; too much to cover here.
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
Over his lifetime, Alexander’s controversial approach to architecture incited widespread criticism, yet it is precisely these unique and thought-provoking ideas that make The Nature of Order an essential read. Beyond his sometimes obscure writing style and lackluster built examples, Alexander's deep commitment to architecture as a complex layered system of patterns—an idea he first popularized in his hippy-architects bible, A Pattern Language—is still palpable in this four-volume magnum opus.
I found the second volume, where he offers a guide for how to “create life” through patterns, most pertinent to this list. Here he distills his earlier work down to fifteen essential patterns that lead to architecture as a living structure. There is gold to be mined here, for those in search of some semblance of order in the chaotic current of modern architecture.
Christopher Alexander's masterwork, the result of 27 years of research, considers three vital perspectives: a scientific perspective; a perspective based on beauty and grace; a commonsense perspective based on our intuitions and everyday life.
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.
I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.
It is opinionated, not afraid to criticise as well as applaud.
Clearly demonstrates the specific characteristics that make for comprehensible, friendly and controllable places; 'Responsive Environments' - as opposed to the alienating environments often imposed today. By means of sketches and diagrams, it shows how they may be designed in to places or buildings.
This is a practical book about architecture and urban design. It is most concerned with the areas of design which most frequently go wrong and impresses the idea that ideals alone are not enough. Ideals must be linked through appropriate design ideas to the fabric of the built environemnt itself. This book is a practical attempt to…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
