Here are 100 books that Case Study Houses fans have personally recommended if you like
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I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.
He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.
After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?
Since its publication in 1996, Holy Land has become an American classic. In "quick, translucent prose" (Michiko Kakutani, New York Times) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sections as carefully measured as a grid of tract houses, Holy Land is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
I was born in Burbank, CA. This book details the early land development deals made by Fritz Burns for new single-family homes in Burbank and the surrounding area beginning in the 1930s.
Fritz Burns was an innovator, showman, and very successful businessman. His office once occupied the historic House of Tomorrow located at the corner of Highland Ave. and Wilshire Blvd. that he commissioned architects Walter Wurdeman and Welton Becket to design and build.
He also helped develop the Kaiser tract homes in the San Fernando Valley, and some of the first large hotels in Hawaii in the 1950s. When driving around the neighborhoods of Southern California I’m always searching for historically important buildings and residences.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Alan Hess is theauthority on Googie Architecture. He’s written several excellent books on the subject.
His writing style and unique perspective (he’s also an architect) bring insight and authority to everything he writes, which also includes books on Frank Lloyd Wright and John Lautner. The original Googies Coffee Shop, located at the corner of Sunset Blvd. and Crescent Heights in West Hollywood, was designed by John Lautner.
If you do some research online, you can find some great old photos of the structure.
The euphoria about the future that followed World War II permeated the outlooks of architects, who, influenced by Frank Lloyd Wright and with ready access to remarkable new construction material and building techniques spawned by the war technologies, faced the intriguing prospect of redesigning the post war world. Initially the futuristic designs were outrageous, and detractors labeled these structures the Googie School of Architecture after a particularly outlandish coffee shop in Los Angeles. Googie would seem far from outlandish today as those once controversial design elements have become commonplace in both commercial and residential architecture. Author Alan Hess traces the…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
The new monograph of the work of one of our favorite architects from our book — San Francisco-based Feldman Architecture. It's a look at 20 years of the firm's work, a collection of homes that both reflects and defines what it means to live authentically within the landscape of Northern California. We particularly love how the architects design for site, whether the home is situated high on a ridge, nestled amongst oaks or tucked within a cityscape, and their masterful use of materials. Their Surf House, overlooking the ocean in Santa Cruz, is lined inside and out with local Monterey cypress. An existing San Francisco Edwardian was transformed by the addition of a central staircase with skylights bringing light deep into the interior. Butterfly House speaks to the land trust on which it dwells as a sustainably-minded home designed as three separate volumes united by a butterfly roof. No matter…
Immersed - The California Houses of Feldman Architecture is an indepth look at 20 years of the firm's defining residential work spanning three areas: Urban, Suburban, and Rural. Feldman Architecture, a vibrant San Francisco-based studio, aims to create authentic, sitesensitive, sustainable spaces through a deeply collaborative process. This book, which includes commentary from Aaron Betsky and Daniel P. Gregory, as well as an interview with Vladimir Belogolovsky, situates Feldman Architecture's work within the northern California design canon and illustrates how the firm's voice subtly translates across diverse geographies and contexts. Jonathan Feldman, in closing, reflects upon the values and aspirations…
I am a professor of architecture, urbanism, and landscape at Northeastern University in Boston, as well as a licensed architect and urban designer. I’ve always been fascinated by the ways the design of the world affects our decision-making, health, and opportunities, from the early days of my career designing hospitals to my current work researching and designing for green space equity and considering how we design in the age of pandemics and climate change. I hope these books, as well as my own writing and work, empower people to understand, ask for, and co-design healthier environments wherever they live, work, and play.
Michael Murphy is one of the co-founders of MASS Design Group, who may have seen profiled on60 Minutes or in the Wall Street Journal. This design firm and nonprofit probably does some of the best and broadest work in health and justice-centered design, in projects from the United States to Haiti to Rwanda. I began my career in hospital design, and this book is both a history of innovative healthcare facilities but also provides an introduction to MASS Design’s incredibly innovative work in this sector and is beautifully and richly illustrated to boot.
Architecture of Health is a story about the design and life of hospitals-about how they are born and evolve, about the forces that give them shape, and the shifts that conspire to render them inadequate. Reading architecture through the history of hospitals is a deciphering tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives.
This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change. They faced the contradictions of health care in…
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
This is an outlier that maybe not many have heard about or read. It features two award-winning designers who define, and illustrate, some 200 “rules of good architecture”. The artwork and lettering are by Malcolm Wells—an architect well-known for his sharp wit and off-beat leanings (underground houses being one). The messaging is accurate and timeless. The tone is light, as is the author’s back-and-forth banter. Wells’s illustrations bring the message home with clarity and force. It is a book that is at the same time funny, useful, and beautiful. Good luck finding one!
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.
Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
To read about the long, long history of creating solid, sun-lit, comfortable, and sound houses and homes is truly inspiring.
I keep going back to Bill Addis bible again and again as I look for understanding of how the inventiveness of humankind have evolved the world we live in. To read about the symbiosis between material and matter is not only joyful; it is also a source of inspiration as we today have to re-invent many of the un-sustainable solutions we rely on.
