Here are 100 books that Architecture fans have personally recommended if you like
Architecture.
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I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
Hands down, the best book on modern architecture from someone who lived it. Peter Blake was an architect and renowned critic who ran in serious architectural circles during the modern movement. As editor-in-chief of Architectural Forum, he was an expert on the topic and knew everyone involved. His engaging and approachable writing style makes this a must-read for every budding modernist. I re-read this book every year…it’s that good.
Brings to life the masters of twentieth-century architecture and art, sharing anecdotes and memories of Frank Lloyd Wright, Buckminster Fuller, Le Corbusier, Jackson Pollock, and others
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This stunning book features 100 inspiring interiors across the globe, and is a great resource to get to know some of the world’s best designers. There is just enough text to provide an understanding of the history, concepts, and ideas behind each project, while the core focus is on the photography of rooms and details. Quite simply, you may want to study interior design after reading this book cover to cover.
This compact volume features over 100 of the most spectacular interiors from across the world, spanning the entire 20th century to the present day. It includes interiors assembled by artists and fashion designers, architects, interior and set-designers, bringing together diverse design talents from Piero Fornasetti to Alvar Aalto, Marc Newson and Matthew Williamson. Twenty short profiles are presented in the introduction, with a single iconic photograph and a concise, informative text; the interiors are arranged by chronological order, with superb colour photography and texts recounting the stories of these remarkable designs. Representing every style from minimalism and Art Nouveau to…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This small format hardback is a really enjoyable read, as it asks a lot of good questions about architecture that will really get you thinking and curious about the topics. Each question is answered quickly (in a sentence), and then in a longer format, but still very digestible. It’s a great gift for any architecture lover.
This entertaining and informative book explores the world of architecture through a series of 101 questions and answers that cover a wide range of issues on its practice and theory. There are historical questions, such as "Who was the first architect?" and "Are all churches architecture?" as well as ones that relate to contemporary activity, such as "Have computers changed architecture?" and "How small can a home get?." There are also many that are intriguing and irreverent, such as "Why do architects want to paint the world white?" and "Is Dubai a city?". For each of the questions there is…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This is a fun sketching book to let your imagination run wild. More than just a coloring book, there are visual prompts that allow the user to modify or redesign an iconic building, or create one from scratch. It provides the framework; you provide the artistry. For kids and adults of all ages, this book will provoke creativity and encourage the architect in everyone.
This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more.
Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance…
My passion for ancient history and archaeology began in secondary school when I started learning Latin and we were taken on a field trip to Fishbourne Roman Palace. By the time I started my MA at Bristol, my obsession with ancient Roman housing was well and truly established, and it quickly became clear to me that this was the area that I wanted to study for my PhD. Now as an Associate Professor in Ancient History and Archaeology at Royal Holloway, University of London, I have been very lucky to study and teach a range of areas in ancient history and archaeology, including my beloved area of the Roman domestic realm.
Exploring how and why Romans built their houses to impact all bodily senses sits at the heart of my book.
Whilst interest in planning and building for such full body experiences in architecture today has declined, Pallasmaa’s The Eyes of the Skin presents a compelling argument for the importance of understanding the role of the multiple bodily senses in our experience of built spaces around us.
Divided into two main sections, the first of these examines the pre-eminence of sight in the West and its detrimental impact on architectural practise and our built environs.
The second part considers the role played our other bodily senses in experiencing architecture and proposes a new approach to building design and construction which seeks to integrate full sensory experience into the architectural process.
First published in 1996, The Eyes of the Skin has become a classic of architectural theory. For every new intake of students studying Pallasmaa s classic text, The Eyes of the Skin provides a totally fresh understanding of architecture and a new set of insights. This third edition is intended to meet students desire for a further understanding of the context of Pallasmaa s thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking. The new edition will includes a new…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book provides a compelling survey of the range of emerging work underpinning the development of the histories, theories, processes, and practices of interior architecture. Its diverse range of contributors and topics outlines a through survey of this new discipline. The book is varied in its scope and content. Start here for a thorough introduction to the fundamental issues surrounding the discipline.
The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.
I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.
It is opinionated, not afraid to criticise as well as applaud.
Clearly demonstrates the specific characteristics that make for comprehensible, friendly and controllable places; 'Responsive Environments' - as opposed to the alienating environments often imposed today. By means of sketches and diagrams, it shows how they may be designed in to places or buildings.
This is a practical book about architecture and urban design. It is most concerned with the areas of design which most frequently go wrong and impresses the idea that ideals alone are not enough. Ideals must be linked through appropriate design ideas to the fabric of the built environemnt itself. This book is a practical attempt to…
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Many books about architecture are like cookbooks, that is, they are written for the cook—the architect—and are concerned with how to make the stuff. But for the lay person, the joy of architecture lies in the actual experience of buildings; good architecture makes you feel good. This classic, written in 1962 by a wise old Dane, is a wonderful guide to the many sensory ways in which we experience buildings, old and new.
A classic examination of superb design through the centuries.
Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience.
In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place,…
