Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
Between the start of the Seven Years' War in 1756 and the onset of the French Revolution in 1789, Jamaica was the richest and most important colony in British America. White Jamaican slaveowners presided over a highly productive economic system, a precursor to the modern factory in its management of labor, its harvesting of resources, and its scale of capital investment and ouput. Planters, supported by a dynamic merchant class in Kingston, created a plantation system in which short-term profit maximization was the main aim. Their slave system worked because the planters who ran it were extremely powerful.
In Jamaica in the Age of Revolution, Trevor Burnard analyzes the men and women who gained so much from the labor of enslaved people in Jamaica to expose the ways in which power was wielded in a period when the powerful were unconstrained by custom, law, or, for the most part, public approbation or disapproval. Burnard finds that the unremitting war by the powerful against the poor and powerless, evident in the day-to-day struggles slaves had with masters, is a crucial context for grasping what enslaved people had to endure.
This book is based on impeccable empirical research, is beautifully and elegantly written, and places an event that should be better known as both a major slave revolt and a significant event in the Seven Years War into a Jamaican and global context.
Winner of the Anisfield-Wolf Book Award Winner of the Frederick Douglass Book Prize Winner of the Elsa Goveia Book Prize Winner of the James A. Rawley Prize in the History of Race Relations Winner of the P. Sterling Stuckey Book Prize Winner of the Harriet Tubman Prize Winner of the Phillis Wheatley Book Award Finalist for the Cundill Prize
A gripping account of the largest slave revolt in the eighteenth-century British Atlantic world, an uprising that laid bare the interconnectedness of Europe, Africa, and America, shook the foundations of empire, and reshaped ideas of race and popular belonging.
We tend to think of social relationships in societies like early eighteenth-century Jamaica in male terms – masters and enslaved men. Jamaica was a very masculine place with a distinct masculine culture based around sexual access to women and a vibrant economy. But white women were also there and tended to flourish – working with the slave system rather than against it. This book is testimony to gender history and to the diversity of experiences in colonial Jamaica.
Jamaica Ladies is the first systematic study of the free and freed women of European, Euro-African, and African descent who perpetuated chattel slavery and reaped its profits in the British Empire. Their actions helped transform Jamaica into the wealthiest slaveholding colony in the Anglo-Atlantic world. Starting in the 1670s, a surprisingly large and diverse group of women helped secure English control of Jamaica and, crucially, aided its developing and expanding slave labor regime by acquiring enslaved men, women, and children to protect their own tenuous claims to status and independence.
Female colonists employed slaveholding as a means of advancing themselves…
Beautifully illustrated and persuasively argued, this survey of a variety of architectural forms in the eighteenth century, from merchant houses to enslaved yards to great houses shows how studying the built environment of early Jamaica gives insight into a society both rich and highly conflicted.
Through Creole houses and merchant stores to sugar fields and boiling houses, Jamaica played a leading role in the formation of both the early modern Atlantic world and the British Empire. Architecture and Empire in Jamaica offers the first scholarly analysis of Jamaican architecture in the long 18th century, spanning roughly from the Port Royal earthquake of 1692 to Emancipation in 1838. In this richly illustrated study, which includes hundreds of the author's own photographs and drawings, Louis P. Nelson examines surviving buildings and archival records to write a social history of architecture.
Slavery was brutal in eighteenth-century Jamaica, mostly due to how hard enslaved people were worked as sugar workers. That hard work had massive consequences for enslaved women’s fertility. Early abolitionists used the inability of enslaved populations to naturally reproduce as an indictment of the plantation system. Planters, belatedly, tried to institute policies that helped pregnant women but their desire for profit usually overwhelmed their concern for maternal comfort. It meant that enslaved women themselves took the lead in forcing planters and officials to do something to make pregnancy endurable and infant mortality less extreme than before abolitionism began.
It is often thought that slaveholders only began to show an interest in female slaves' reproductive health after the British government banned the importation of Africans into its West Indian colonies in 1807. However, as Sasha Turner shows in this illuminating study, for almost thirty years before the slave trade ended, Jamaican slaveholders and doctors adjusted slave women's labor, discipline, and health care to increase birth rates and ensure that infants lived to become adult workers. Although slaves' interests in healthy pregnancies and babies aligned with those of their masters, enslaved mothers, healers, family, and community members distrusted their owners'…
In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.
A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art
Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because…
Enjoy this Persuasion-inspired historical romance!
Six years ago, Amy decided *not* to elope with Captain Nate Preston. Now, he is back in the neighborhood, and he is shocked to discover that Amy is unmarried. Even more surprising, she is clearly battling some unnamed illness. Thrown together by circumstances outside their control, Nate and Amy try to be friends. Soon, it becomes clear that their feelings for each other never died. Has anything changed, or are they destined for heartbreak once more?
Six years ago, Amy Lamplugh decided not to elope with Nate Preston. Ever since, she has been working hard to convince herself she was right to choose her family over Nate.
Now, Nate is back. After an illustrious career as a naval captain, he faces a court martial for disobeying orders while fighting the slave trade. He accepts an invitation to await the trial at a country estate outside of Portsmouth - and discovers he is suddenly neighbors with Amy.
Nate is shocked to find that Amy didn’t end up marrying someone rich…
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