The best books on Jamaica during the period of slavery
By Trevor Burnard
Who am I?
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
I wrote...
Jamaica in the Age of Revolution
By
Trevor Burnard
What is my book about?
Between the start of the Seven Years' War in 1756 and the onset of the French Revolution in 1789, Jamaica was the richest and most important colony in British America. White Jamaican slaveowners presided over a highly productive economic system, a precursor to the modern factory in its management of labor, its harvesting of resources, and its scale of capital investment and ouput. Planters, supported by a dynamic merchant class in Kingston, created a plantation system in which short-term profit maximization was the main aim. Their slave system worked because the planters who ran it were extremely powerful.
In Jamaica in the Age of Revolution, Trevor Burnard analyzes the men and women who gained so much from the labor of enslaved people in Jamaica to expose the ways in which power was wielded in a period when the powerful were unconstrained by custom, law, or, for the most part, public approbation or disapproval. Burnard finds that the unremitting war by the powerful against the poor and powerless, evident in the day-to-day struggles slaves had with masters, is a crucial context for grasping what enslaved people had to endure.
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The Books I Picked & Why
Tacky's Revolt: The Story of an Atlantic Slave War
By
Vincent Brown
Why this book?
This book is based on impeccable empirical research, is beautifully and elegantly written, and places an event that should be better known as both a major slave revolt and a significant event in the Seven Years War into a Jamaican and global context.
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Jamaica Ladies: Female Slaveholders and the Creation of Britain's Atlantic Empire
By
Christine Walker
Why this book?
We tend to think of social relationships in societies like early eighteenth-century Jamaica in male terms – masters and enslaved men. Jamaica was a very masculine place with a distinct masculine culture based around sexual access to women and a vibrant economy. But white women were also there and tended to flourish – working with the slave system rather than against it. This book is testimony to gender history and to the diversity of experiences in colonial Jamaica.
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Architecture and Empire in Jamaica
By
Louis P. Nelson
Why this book?
Beautifully illustrated and persuasively argued, this survey of a variety of architectural forms in the eighteenth century, from merchant houses to enslaved yards to great houses shows how studying the built environment of early Jamaica gives insight into a society both rich and highly conflicted.
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Contested Bodies: Pregnancy, Childrearing, and Slavery in Jamaica
By
Sasha Turner
Why this book?
Slavery was brutal in eighteenth-century Jamaica, mostly due to how hard enslaved people were worked as sugar workers. That hard work had massive consequences for enslaved women’s fertility. Early abolitionists used the inability of enslaved populations to naturally reproduce as an indictment of the plantation system. Planters, belatedly, tried to institute policies that helped pregnant women but their desire for profit usually overwhelmed their concern for maternal comfort. It meant that enslaved women themselves took the lead in forcing planters and officials to do something to make pregnancy endurable and infant mortality less extreme than before abolitionism began.
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Witnessing Slavery: Art and Travel in the Age of Abolition
By
Sarah Thomas
Why this book?
In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.