Here are 100 books that Contested Bodies fans have personally recommended if you like
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I’m a legal historian with a particular interest in eighteenth-century Britain and the United States. My research has investigated the history of arbitration, historical connections between law and politics, and changing attitudes to the rule of law. Since 2018, I’ve been a professor at Notre Dame Law School, where I teach courses in legal history, civil procedure, conflict of laws, and the rule of law.
The Seven Years’ War was a pivotal event in the formation of the British Empire, but histories of the conflict often omit a crucial battleground: Jamaica.
Starting in 1760, enslaved West Africans in Jamaica organized to throw off their captivity. Tacky’s Revolt, as the uprising became known, was the greatest slave rebellion the Atlantic world had yet seen. It was also linked to other, global struggles, both in Africa and between European empires.
In Tacky’s Revolt, Vincent Brown links these hyper-local and imperial stories. I found it particularly useful for understanding the complexities of race and ethnicity in the eighteenth-century British Caribbean.
Winner of the Anisfield-Wolf Book Award Winner of the Frederick Douglass Book Prize Winner of the Elsa Goveia Book Prize Winner of the James A. Rawley Prize in the History of Race Relations Winner of the P. Sterling Stuckey Book Prize Winner of the Harriet Tubman Prize Winner of the Phillis Wheatley Book Award Finalist for the Cundill Prize
A gripping account of the largest slave revolt in the eighteenth-century British Atlantic world, an uprising that laid bare the interconnectedness of Europe, Africa, and America, shook the foundations of empire, and reshaped ideas of race and popular belonging.
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
We tend to think of social relationships in societies like early eighteenth-century Jamaica in male terms – masters and enslaved men. Jamaica was a very masculine place with a distinct masculine culture based around sexual access to women and a vibrant economy. But white women were also there and tended to flourish – working with the slave system rather than against it. This book is testimony to gender history and to the diversity of experiences in colonial Jamaica.
Jamaica Ladies is the first systematic study of the free and freed women of European, Euro-African, and African descent who perpetuated chattel slavery and reaped its profits in the British Empire. Their actions helped transform Jamaica into the wealthiest slaveholding colony in the Anglo-Atlantic world. Starting in the 1670s, a surprisingly large and diverse group of women helped secure English control of Jamaica and, crucially, aided its developing and expanding slave labor regime by acquiring enslaved men, women, and children to protect their own tenuous claims to status and independence.
Female colonists employed slaveholding as a means of advancing themselves…
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
Beautifully illustrated and persuasively argued, this survey of a variety of architectural forms in the eighteenth century, from merchant houses to enslaved yards to great houses shows how studying the built environment of early Jamaica gives insight into a society both rich and highly conflicted.
Through Creole houses and merchant stores to sugar fields and boiling houses, Jamaica played a leading role in the formation of both the early modern Atlantic world and the British Empire. Architecture and Empire in Jamaica offers the first scholarly analysis of Jamaican architecture in the long 18th century, spanning roughly from the Port Royal earthquake of 1692 to Emancipation in 1838. In this richly illustrated study, which includes hundreds of the author's own photographs and drawings, Louis P. Nelson examines surviving buildings and archival records to write a social history of architecture.
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.
A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art
Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because…
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This anthology brings together diverse Black women’s voices to discuss motherhood, they range from mothers who celebrate their role to women who ask why motherhood is cast upon all of us as a necessary step, they explore the joys as well as some of the painful realities of loss and postpartum depression. Reading these stories from varied perspectives in short essay formats makes it approachable and allows you to move through it at a pace that is comfortable for any reader.
From a dazzling array of well-known African American women, short fiction, poems, and personal essays that describe with warmth and humor their experiences as mothers and as daughters.
A sparkling anthology devoted to exploring the lives of African American mothers, Rise Up Singing presents the stories and reflections of such beloved and respected artists, journalists, and authors as Alice Walker, Faith Ringgold, Marita Golden, Martha Southgate, Tananarive Due, Maya Angelou, Gwendolyn Brooks, Deborah Roberts, Rita Dove, and others. It features original and previously published writings, organized by editor Cecelie Berry by themes—mothering, work, family, children, community, and love—that illuminate the…
I thought being a new mom would be easy. Ha! I was shocked at how hard it was. My little baby—who mostly cried and came with no instructions—was a mystery. Determined to figure him out, I interviewed any mom who would talk to me—family members, girlfriends, moms at the YMCA, moms at parks, strangers on planes—any mom who would give me insight. They offered advice on burping, rocking, and sleep schedules and then morphed into advice on my relationship and warnings to hold on to my own dreams. The honesty and humor helped so much that I wrote a book on the subject to help other moms.
If you're looking for a good laugh and naked honesty about pregnancy, this book is for you. Jenny lets it all hang out, sometimes off the side of her bed. It is refreshing to get a "behind the scenes" glimpse at how another woman experiences the "not often talked about" issues of pregnancy and how she handles those issues. Famous or no, pregnancy does not discriminate among women. Jenny's message resonates. The decision of how to handle your issues is up to you, but exposure to Jenny's experiences will make your journey that much easier. Belly Laughs is a great gift for any pregnant girlfriend or for yourself. My favorite parts of the book are when Jenny visits the proctologist (the people at the community pool were staring at me as I laughed out loud) and her tips for husbands, they are truly inspired.
New mothers and fathers will find much-needed relief and insight in this perceptive and outrageously funny account of what it truly means when you bring home your very own bundle of joy...
Jenny McCarthy’s hilarious, no-holds-barred personality has made her an instantly recognizable TV personality and a bestselling author. In Baby Laughs she examines the full range of challenges that new mothers anf fathers face, including:
• The humiliations of postnatal “numbing spray,” Tucks medicated pads, and adult diapers; jelly belly, balding, and gum disease; and becoming a “five-foot puke rag” for the baby •…
I thought being a new mom would be easy. Ha! I was shocked at how hard it was. My little baby—who mostly cried and came with no instructions—was a mystery. Determined to figure him out, I interviewed any mom who would talk to me—family members, girlfriends, moms at the YMCA, moms at parks, strangers on planes—any mom who would give me insight. They offered advice on burping, rocking, and sleep schedules and then morphed into advice on my relationship and warnings to hold on to my own dreams. The honesty and humor helped so much that I wrote a book on the subject to help other moms.
I loved this book. The second nine months is the true story of Vicki Glembocki's journey into those first few months after childbirth. Although the story is a memoir, Glembocki writes it so well that it reads like a novel—a novel you won't put down until you are finished. From beginning to end, Glembocki bravely bares her soul for the new mom's benefit and cleverly manages to hit all the "new mom" topics through her personal experience. From breastfeeding, to newborn crying, to changes in relationships, to new mom bonding, to finding other new mom friends, to back to work issues, Glembocki manages to cover them all with wit and candor. I found her new mom tale "spot on accurate." It is so exciting that truth is finally coming out. Take advantage of the gift this author has created, New Moms, and read about her experience. Moms will find that…
When her daughter Blair was born, Vicki Glembocki experienced the first blast of maternal bliss that she assumed would carry her through the next nine months of sleepless nights and all the challenges that come with a new baby. So why was the transition into motherhood so hard? Because no one told her the real deal about what lay ahead. Finally, one mother gives the unvarnished truth about those first months, from the worry over whether you're bonding, to the suspicion that you're the only woman on earth who lacks the maternal gene." Funny and brutally honest, Glembocki lets new…
Motherhood blindsided me. I was 37 and living my childhood career dream as a foreign correspondent when I serendipitously smelled the head of a friend’s newborn. Next thing I knew, I was up all night singing old Beatles' songs to a baby who needed to eat every half hour. Amazed by the power of rudimentary biology to reshape my conscious experience, I couldn’t help but start writing about it, first in essays and then in two shameless motherhood books of my own: The Mommy Brain: How Motherhood Makes You Smarter (heavily inspired by SarahHrdy) and Buzz: A Year of Paying Attention (about sharing an ADHD diagnosis with my son).
Beginning in 1970, with “Up the Sandbox,” Roiphe was part of the first wave of shameless motherly truth-tellers. There are few more truer sentences than her acknowledgment that “feminism, despite its vast accomplishments, has not cured me of motherhood” in this poignant and prescient book about the impossible expectations that continue to bedevil working mothers.
The author of the best-selling novel Up the Sandbox offers a critical account of the feminist stance on marriage and motherhood, arguing for renewed support for the needs of working women trying to bring up children. 40,000 first printing. Tour.
I had a very distinct vision of what kind of mother I would be: patient, kind, and creative. And I can be all of these things, but so too can I be frustrated, furious, and exhausted beyond belief. This contradictory experience of motherhood was what I wanted to explore in Spilt Milk and is the motherhood exposed in these five books which, while very different in form, share a willingness to acknowledge the darker and less curated aspects of a relationship that can be as stifling as it is wonderful.
As Spilt Milk’s protagonist Bea Straw is a mum-blogger, I was keen to read experiences of real-life “mummy influencers”. Braithwaite’s book – part memoir, part manifesto – was of particular interest because she is Black, somewhat of a rarity in the picture of motherhood painted by social media that tends to be both very white and very middle class.
Documenting the difficult birth of her daughter and the subsequent mishandled complications, Braithwaite exposes the many and varied ways in which women of colour are disadvantaged and endangered by racial bias.
While light in tone, there’s a power and vulnerability in Braithwaite’s writing, and I learnt so much from this brilliant book.
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
The Part That Burns is not a linear narrative but a memoir in fragments. Each essay or chapter is different, interesting, engaging like scattered pieces of a puzzle that the writer—and reader—are trying to put together.
It's about a childhood wrought with abuse and rejection, about trauma and epigenetics, home and roots. It's about a girl who grows up to become a teenager who becomes a young woman who becomes a wife and a mother and every step of the way, she yearns for what we all yearn for: acceptance and love.
My memoir is as slim and sparse as Ouellette’s and some might consider my chronological story as fragmented because of its tiny chapters and missing connective tissue from one chapter to the next.
"I love this book and am grateful it is in the world." —Dorothy Allison, New York Times best-selling author of Bastard Out of Carolina and Cavedweller "Simply beautiful. Precisely imagined, poetically structured, compelling, and vivid." —Joyce Carol Oates "A textured remembrance of a traumatic childhood that also offers affecting moments of beauty." —Kirkus Reviews (starred review)
In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather’s groping…
